Category Archives: apostrophe

Anastrophe

Anastrophe (an-as’-tro-phee): Departure from normal word order for the sake of emphasis. Anastrophe is most often a synonym for hyperbaton, but is occasionally referred to as a more specific instance of hyperbaton: the changing of the position of only a single word.


“Flying through time—flying over dawn’s horizon like a fat bird struggling to stay aloft—measuring the moments, the minutes, the seconds, the hours, the days, the years, the weeks, stopping never, rushing into the future, fleeing from the past, painting the illusion of the present on the surface of nothing—no now, only a stream, a river invisible swirling into yesterday bereft of now. Nothing stops, it only goes until your consciousness dies and you are turned into ashes and scattered on water or earth.”

I was having crazy thoughts. I was driving to Elizabeth, NJ from Toronto, Canada. I was bringing my mother’s ashes “home.” She had gown up in Elizabeth in the 1950s. She grew up in the Polish section of the city. Her dad ran a deli that had sawdust on the floor and a giant pickle barrel.

Her urn started rattling as we neared the Delaware Water Gap. At first I thought there was something loose in the back of my SUV.

Mom moved to Canada when I was eight. She worked in a snowshoe factory. She took care of all phases of gut manufacture and the production of snowshoe webbing. She hated New Jersey—hated it enough to leave me, her toddler, behind.

She left me with Aunt Katrina. Aunt Katrina was very protective. I had to take a bath every night and change my underwear every day. I had to tuck a napkin in my collar when I ate dinner. She accompanied me to school until I graduated so I wouldn’t get “killed” by the members of “Hell’s Kielbasa,” an adolescent banana-seat bicycle gang that picked on smaller people in our neighborhood. They never actually killed anybody.

Suddenly I heard a voice say “Katrina is an asshole. New Jersey sucks.” I heard it clearly from the back seat where mom’s urn was. The voice said, “Stop here!” The voice said, “Dump me in the Delaware River! Do it or I’ll blow up you and you your stupid car!” It was my dead mother, so I complied with her wishes. I carried the urn down to the river and dumped it in—the ashes floated away like time passing into the future until it sunk.

When I got home to New Jersey, I filled the urn with ashes from my barbecue grill—a clever ruse. I felt like a good son. After her funeral, we scattered the ashes in the Elizabeth River. My Uncle Chuck said they smelled like hot dogs, but he didn’t push it. That’s the closest I came to being busted. Mom was on her way to the Delaware Bay, ending her voyage in the Atlantic Ocean.

R.I.P. Mom!


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


“You’re not here. You’re never here. You are there. You are hither and yon. You are at the grocery store. You are working in the garden. You are selling Girl Scout cookies at the Mall. Where are you? You’re not here. You’re never here. you’re always somewhere else, doing something else. Maybe even being somebody else.

I speak to your absence—to the void you’ve created in my life.’

There, that’s what I would tell her if she was here. But she’s not here and I must look up and address the emptiness that encompasses me like a circus ring or a dead end in a middle-class housing tract with five-bedroom homes and giant lawns with built-in sprinklers.

What am I to think? When she comes home I am angry. I ruin the moment of reunion by asking her a series of paranoia-laced questions that culminate in “Who were you with?” She tells me she was with a variety of men. She tells me she was at a motel all day taking care of a line of men—probably 50. I can tell she’s being sarcastic. She tells me to calm down and we both laugh. But I’m faking it.

The next day, I follow her. She has the most boring day I can imagine. I wish I could clear my head of my paranoia. I’ve started drinking and that’s done some good. But, I’ve started having fantasies about killing her. I would never kill her, but I’m pretty sure I could beat her up. I have concluded that I’m mentally ill. I would turn myself in for treatment, but she would run wild while I’m put away.

God, what should I do?


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


You are my pet goldfish and I like sushi too. I admit I wanted to eat you a couple of times. I don’t know what possessed me—maybe it was the thought of wasabi smeared over your chubby sides. I don’t know.

But now you are gone after five years of friendship, and cleaning your bowl, and sprinkling healthful fish food flakes on the water over your puckered gaping mouth.

Our friendship was mediated through your bowl’s glass. I would tap on it and you would swim around like you were panic stricken, but I knew it was all in fun. Sometimes I would try to hit you with marbles I dropped into your bowl. You would hide behind your castle, teasing me when I scooped the marbles with my net, You would swim around your bowl really fast, like you were terrified, but I knew you were just playing.

When I cleaned your bowl, I put you in a jar filled with clean water. You jumped out of the jar several times. I picked you up with my net and put you back in the jar. You floated on your side for a few ministers. Then, you were ok. I knew you were just showing off. My friends said you were trying to commit suicide.

Then, you started jumping out of your fishbowl. Again, I thought you were joking around until I found you all dried out and leathery—dead on the floor. Maybe you had committed suicide. I’ll never know. Still, I won’t give up my belief in our friendship and the good times we had.

Maybe I was too needy and put undue pressure on you to bond with me. I was alone and lonely and you were all I had. I am sorry Sparkle.

POSTSCRIPT

Boy, I’m glad that’s over. It is hard talking to a dead goldfish. Now, it’s time to get a new pet. I am thinking about a giant hermit crab from Trinidad and Tobago. They live in conch shells. I will just let it run around my apartment.

POST-POSTSCRIPT

He should have done more research. It was ill-advised to let the giant hermit crab run free. He was found dead in his bed with his face eaten off.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


“Marty had a little clam. It’s shell was brown as mud. It followed him to school one day and was dissected in biology class. Mrs. Smart pulled out his guts and swung then around, making them go up and down. The clamshell was made into a brooch painted with purple flowers. Marty sold it at the farmers market for”$2.00 and bought 10 comic books for him to read in bed.”

Now, this story is all well and good with the exception of the walking clam. There is no such thing as a walking clam. If there were, they’d sell clam leashes at pet stores. And that’s that. The story is fictional, and certainly, is a vehicle for animal activists—the clam as alive when it is dissected—alive! If clams could only speak and cry out. What would the clam say?

What would you say clam? “Ow that hurts. Stop. You are killing me. Ooh that’s my belly! Yaaaa! Hellp! My foot—it’s ooozing.”

Now you are dead poor clam—diced up for no good reason. Laid out on a blood-stained table for the children to see—to learn it’s ok to hack things up for, in this case, for a lesson in biology. And then, the children are given dead frogs to hack up and revel in removing their organs and learning the organs’ names which should be “perversion” and “madness.” The children go home and attempt to to practice their new found skill on their puppies. They put the puppy in the oven and turn on the gas. Once the gas has done its job, they take the puppy out of the oven, lay it on a cutting board on the counter by the kitchen sink. They find a steak knife and begin their macabre task. When his mother returns home she sees the horrific scene: Buffer’s insides neatly arranged on the cutting board. Timmy walks slowly toward her with the steak knife pointed in her direction. She calls the police on the phone behind her on the wall. By the time the police arrive, it is too late for Timmy’s mother. Timmy had her liver and kidneys neatly arranged on the kitchen floor. He looked at Sgt.. Meally with a twisted grin and asked: “Do I get an A?”

Timmy became known as the “Dissection Devil.” He was convicted of murder and is serving a life sentence in the Iowa State Home for Convicted Criminals. Timmy pleaded insanity, but that was rejected because he had learned what he did in school in his biology class. Now, he strives to catch rats in the prison yard. Since he’s not allowed to have a knife, he tears them apart with his bare hands and arranges their insides neatly on the yard’s dirt surface.

What is the moral of this story? Knowledge is dangerous. If you don’t need it to do your job, stay away from it.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


Me: I came here today to replenish your stock of belief—to expand it, round it out, and give it new life. I am pleased that you were released from home confinement, remove your ankle bracelets and be here now. Each of you has wronged your fellow man in some way. Mr. Rice—you embezzled millions from your brother’s dog leash company. Mr. Gonnocle, you ran over your neighbor’s dog on purpose—you killed it just because it started barking at 6:00 am every morning. And Mr. Triggert, you burned down your neighbor’s garden shed because it reminded you of something bad that happened to you in a garden shed on your 40th birthday.

I could go around the room with brief summaries of everybody’s crimes. But that’s not why I’m here. I’m here to freshen your beliefs and give you a reason to go back home, put on your ankle bracelet, and watch TV or something.

Now, I will summon Belief: ‘Oh Belief! Driver of decision. Purveyor of error. Harbinger of the future. We are free to believe what we want to believe—unlike truth, you don’t dictate with knowledge, rather, you render yourself likable and it is affection that stimulates our embrace—often to determine what to do next. The future can’t be known—it is your province, Sweet Persuasion, or, if I may say, Peitho.’

Ok, so “Belief” epitomizes your freedom. It does no compelling like truth. If you want to go to the corner store, you can take the shortest route, or, you can first take a bus to Buffalo, and then, turn around and come back to the store. It is up to you and there is no intrinsic reason not to to take the bus. “Common sense” may come the closest, but it does not rule out “take the bus”—it needs to be balanced, vetted, discussed, argued.

Now, Mr. Vetch, this should be especially relevant to you as far as you actually stole a bus, hijacked it to Buffalo, and then attempted to hitch hike back to Syracuse to go to the movies, and burn down a vacant motel. Can you clue us in as to your thought processes?

Mr. Vetch: Yes. It was all a matter of belief. I believed I was doing the right thing, and I can believe whatever I want to believe. Sure, there are mental health issues surrounding my decision making. There is the lobster that follows me everywhere and nips me on the back of my ankle if I don’t do what he tells me to do. It hurts, so I comply.

Me: I looked down and noticed the lobster standing behind Mr. Vetch. He had his claws raised and was making the snipping motion like what he probably made when he nipped Mr. Vetch’s ankles. But what was even weirder: the lobster was smoking a filter-tipped cigarette and blowing smoke rings up Mr. Vetch’s pant leg.

I had to get a grip. Here I am in the middle of talking about belief, and I am confronted with something unbelievable that I believe, making me mildly insane, I think. But, if two of us see the lobster, maybe that’s proof of its existence. But only I and Mr. Vetch see the lobster. But now, I have a lobster following me!

I am constantly trying to confirm its existence. I confront strangers in elevators and elsewhere, “Do you see the lobster on the floor behind me?” Then, one day I decided to catch the lobster and eat it. I bought a net at Dick’s and cornered the lobster in a stairwell, scooping him up, and running to my apartment. I boiled some lightly salted water and put the squirming lobster in and slammed down the lid. The lobster screamed and I felt bad for him, but not bad enough not to eat him.

I told Mr. Vetch how I had gotten rid of my lobster. He said, he might try it, but his lobster had stopped nipping him on the ankle, and he thought they could make a go of it.

I got lonely. I bought a live lobster from the lobster tank at Hannaford’s. I put it on the floor and walked away, but the lobster didn’t follow me. I boiled him up, made him into lobster salad, and ate him on a bun for lunch the next day.

I’m pretty sure I made the right decision.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


I have loved and lost, but I’ve never lost my love for my slippers. Oh slippers! You comfort my feet. You wrap them with warmth. All day Saturday. All day Sunday. You deliver me from going outside in the heat of summer, and in winter’s bitter cold. I give thanks to the sheep who made the ultimate sacrifice to line you with fluffiness and the softness of all-natural materials.

Oh blessed slippers. I remember the box you came in, Wrapped in paper printed with holly sprigs and bright red holly berries—so festive, so apt for the season. I tore off the paper and opened the box. I almost wet my New York Yankees pajamas. But I held it. Running to the bathroom, I could think of nothing but pulling you onto my feet—beginning a relationship with depth, and warmth, and non-skid adventures on my home’s wooden floors—no more wearing socks and sliding into the wall when I try to catch my cat Vertigo to give him a good brushing.

But oh, yon footwear, sweet sole cushion, partner in leisure, vessel of perfect warmth, I must bid farewell. It is with tears in my eyes that I say goodbye. Your leather has stretched and you are I’ll-fitting. Your lining has worn away and you are no longer a conduit for warmth and joy. Your upper parts are irretrievably soiled, and I confess, smell a little.

But our goodbye, is not altogether bad for you. I am donating you to the Salvation Army Thrift Store. Henceforth, you will be reincarnated. You will don the the feet of another man—a very very fortunate man. He will lift you from the shoe shelf, put you on, and walk up and down the footwear aisle—he will say “Mmm” and head to the check-out counter, clutching you tightly with his calloused hands.

Life goes on. My new slippers coming from L.L. Bean are due in the mail today. They are made from all-organic materials. They are waterproof, shock proof, and change colors with the temperature. With a heavy heart, I box up my old slippers. We go to the drop-off dock. I hand over the box. At the last minute, I pull it away and run to my car.

My slippers are retired. They spend their days and nights on a special shoe rack in my closet. My new slippers are ok, but there’s something about them that I can’t put my finger on.

My old slippers have taught me that things change. We must learn to let go, but not completely.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Paper and Kindle versions of The Daily Trope are available at Amazon under the title The Book of Tropes.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


Truth! Where are you? Why have you abandoned us? Why has “the lie” seemingly beaten you down—vanquished you and left you for dead? But, can you die? Can you be burned and buried in an urn marked “Wrong” in a field of misrepresentation, in the dirt of denial?

We believe (and belief is everything) that Truth is eternal and unchanging, like a deity, like a river of faith, like the North Star upon which we reckon when we are lost in the darkness.

As we walk through the valley of the shadow of Truth’s death, we must be willing render it in many ways to fit the sensibilities of all listeners and readers: Truth is one, but it’s telling is manifold: we speak to a child about friendship in a way that differs from how we may address an older person. In so doing, Truth’s light cuts through the darkness. But in the end, Truth must be put more eloquently than the lie: the truth must be made effective.

As a people, in the past 6 years or so, our political communication has become inundated with lies—we are drowning in lies proffered by the Republican Party’s leadership. We must find a way to awaken those who believe the lies and are influenced by their telling. We must bring a reliance on Truth to the political scene. We begin by asking: Where’s the proof? We withhold our beliefs until valid proof is forthcoming: no valid proof, no belief.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Paper and Kindle versions of The Daily Trope are available at Amazon under the title The Book of Tropes.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


There is a beginning and an end. Ends are beginnings and beginnings are ends. When one door closes, it is shut. What is the sound of one hand knitting? If a tree falls in the forrest with nobody there, who will help the squirrels? If a man tells you he is lying, may he be telling the truth? Who left the cake out in the rain?

Oh God, what’s wrong with me? Is anything actually wrong with me? You’ve got to help me stop asking the same questions over and over. Whenever I feel an upward inflection welling up in my voice I can’t stop it. Out comes a question—big questions, little questions, medium-sized questions. Why do questions have sizes? Oh no! See what I mean God? I did it again. Why? Oh damn (sorry God) I did it again. Why am I sorry? Yaaaaaa!

It started in Philosophy grad school. Questions are rewarded. Answers are punished. I became known as the Grand Inquisitor. I spoke with a Spanish Accent. My classmates hated me. I dropped out and got a PhD in Psychology. I counseled people by asking them endless questions.

Please God, can you give me some answers? Or, better yet: ask me a question. Can you do that? How about just a little question? Like, what I had for lunch? Or, what color is my shirt? Or, when will they let me out of here?


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Paper and Kindle versions of The Daily Trope are available at Amazon under the title The Book of Tropes.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.


Thank you for coming.

Isn’t it strange how attached we become to our cars and trucks? You’ve probably noticed the bare spot on my lawn where I have parked my old rusted truck for the past fifteen years. Since my truck is gone, now, I’d like to say a few words marking his passing.

Buck the Truck. Were you my friend? We rode the open roads with my daughter strapped into her car seat. We got speeding tickets. We got warnings. Your brakes failed coming down a hill with my daughter by my side. We were almost killed as we rolled across a major highway in Massachusetts, unable to stop at the intersection. Then your driveshaft fell off 2 days later, and then the muffler. I’ve always fixed you Buck, but now Buck, we’ve reached the end of the road. When the battery bracket rusted and fell into your engine, spraying battery acid all over the place under the hood, and a little bit on the windshield, that was it for me.

Public Radio’s tow truck has taken you to your next incarnation: a junkyard. Accordingly, you have become a tax deductible $200 donation. Crushed into a cube of steel, you will swing in the air, embraced by a giant magnet and destined to reincarnate as a part of a kitchen appliance, another car or truck, or a girder at a construction site—maybe a college or university. Although I am sad, for safety’s sake, I had to let you go, my friend. If it’s any solace, I’ve gotten a tattoo of you on my right calf. Likewise, my daughter has done so too.

Thank-you again for coming.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Paper and Kindle versions of The Daily Trope are available at Amazon under the title The Book of Tropes.

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

There was a time when we had faith in you cruel Democracy!

We were naive to think that our will would prevail in a world soaked with stupidity, malice, prejudice and fear: Stupidity, Malice, Prejudice and Fear–you are the death knell of democracy’s hope. As you circle freedom’s skies tolling loudly, drowning out the sounds of love, optimism, charity and peace people look up to you, able only to hear your rumbling spite-filled proclamations.

When the peoples’ will is rotten, where do we turn to save democracy’s soul? We turn to you Democracy! To persuasion. To truth. To the light of day and the bright guiding stars of night.

Together, we shall close the abyss and pave the way toward better days: days that celebrate our faith in “we the people” and the mysterious bonds of friendship and trust that can bind us together without without tying us down: that can fulfill our need for autonomy and connectedness: my need for me and our need for us.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

Everything is gone. My family and my home are swept away. I am at a loss for words. I feel sick to my stomach, but, I want to say something to the River.

Cruel River: you have taken all that I have loved.

Powerful River: you have destroyed what took a life-time to build.

Wild River: If I could dam you, you would be tamed and never again murder innocent people and wash away their homes.

But there’s only one way I can dam you and that is to damn you: to curse you, to pour out my anger and rage: rotten river, filthy river, stinking river: conveyer of mayhem, tragic heart breaking loss, and deep emotional pain: DAMN you foul waterway: DAMN you today, tomorrow and forever.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

Truth.

What is your point?

To set me free?

To enslave me?

Truth.

What is your measure?

Sincerity?

Fact?

Consensus?

Authority?

Truth.

You are a belief without a conscience.

Now, you are present.

Now you are not.

Truth.

Outside of time, outside of circumstances, your invocation is a ruse; a magic trick; a catastrophe; a blinding light; a moonless, starless, skyless night.

No firmament

No ground.

No up or down.

No Truth

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

 

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

War!

The destruction, the mayhem, the hatred, the violence, the brutality, the killing, the stench.

War!  You incinerate my hope. You nourish my fear.

War! You are the spawn of Eden. You are the Father of nations.

War! You engender solidarity. You slaughter the flock.

People, must we have enemies in order that we be friends?

War says “Yes!” Peace says “No!” History says “Yes and No.”

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

Here we are dear wife, still together, still happy–still friends–still loving every minute of it after 16 years!

Time, you are definitely on our side! You have tested our love.  You have refined our love. You have made us whole. Time after time–what a great time!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Apostrophe

Apostrophe (a-pos’-tro-phe): Turning one’s speech from one audience to another. Most often, apostrophe occurs when one addresses oneself to an abstraction, to an inanimate object, or to the absent.

Well Mom, although you’re gone, I know you’re up there watching me–I promised you I would finish college some day, and today, I did. Thanks Mom, and thanks to all the other people in my life–from my wonderful daughter and amazing wife to the professors I had who took the time, and cared enough about me, to help me change, and even possibly save, my life.

And now, after giving thanks, it’s time ask “What’s Next?” “What am I going to do with the rest of my life?” “What are we going to do with the rest of our lives?”

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)