Category Archives: symploce

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


There was a time when I gave a damn. There was a place that was worth a damn. There was a suit I wore that made me go “woah damn,” Everything’s in the past—a tower of memories babbling in my brain like a polluted brook outside the factory in New Jersey where they make glow-in-the-dark radioactive key rings at the dawn of the keyless epoch. And Margie used to matter, going bald from the radioactivity, with bleeding gums, and chronic diarrhea, and corns. She could barely talk and maybe that’s why I loved her. Her cognitive capacities had deteriorated to the point that she couldn’t talk back without tremendous effort that would induce an attack of diarrhea. So, Margie was docile—like one of Bo Peep’s sheep, wandering quietly through life in the pasture of the shadow of death.

We moved in together. We had four children. None with birth defects. When we moved in together, I figured she had around 6 months to live. Instead, she lived 10 years. We were not wealthy, or even middle class. We were poor. I stole a shopping cart from Hannaford’s to take her for walks. We would go to the park and I would splash water on her from the park’s fountain and take selfies together with the gazebo in the background, or a random squirrel. She loved laying on her back, rolling along, looking at the sky. I thought of her as my Tiny Tim from “A Christmas Carol.” I had planned on parking her empty shopping cart by our fireplace after she died. Then, I realized we didn’t have a fireplace and had to change my plan. Instead, I was going to park the shopping cart in the back yard, like a birdbath, as a sort of memorial.

When my dear Margie finally died, I needed to get a suit for her funeral. The children had a lot of money from their scratch-off lotto winnings. I had stolen 4 Take Fives when the Cliff’s clerk wasn’t looking. Between them, they had won $1500. On the other hand, my unemployment benefits had run out, and although my new job polishing slot machines and emptying ashtrays started the next week at the casino, I had nothing. It was so bad that we were burying Margie in a cardboard casket. The casket was closed at the funeral to save money on clothing for Margie by burying her in her favorite pajamas. At least, I wanted to look my best for the funeral. I didn’t know what to do.

When I was walking home, I saw a container that looked like a dumpster. There was a slotted opening, and above the slot it said “Clothing Here” with an arrow pointing down at the slot. I thought it would be hard to shop there because the entrance was narrow and required athletic abilities to negotiate. I climbed up anyway, and in I went.. I landed on a dead man. He was wearing a beautiful suit—just my size. It was black silk. I wrestled it off of him. I put the suit on. It, along with his shoes, were a perfect fit. I climbed out of “Clothes Here”and went home.

The funeral was beautiful. The kids looked like angels and I looked like a Mafia hit man. When I saw my reflection in a mirror, chills went down my spine and I did a little dance. My friend “Chainsaw Labatt” gave the eulogy. He is a professional wrestler and Margie was his biggest fan. He talked about tearing off death’s head and feeding it to ravens. It was beautiful.

My first day of work at the casino, I wore my suit. I was given an instant promotion. My new job is to watch for card counters at the blackjack tables. I have purchased four black silk suits. Even though I’m bitter about Margie’s death, things are slowly improving. Her shopping cart in the back yard has become home to a family of raccoons.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

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Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


“Truth is like baked ham. Truth is like glazed ham. Truth is like chopped ham.” It was not working—my “truth is ham” gambit wasn’t working. I couldn’t develop the implications. My philosophy term paper was due tomorrow and I was sinking like a punctured inner tube in a polluted lake. I asked Siri for help. She said, “I don’t write philosophy papers John, but I can write a prescription for ‘Smarty Brain,’ and it will be delivered direct from the factory to your door in 15 minutes.”

Once again, Siri had come to my rescue! Two weeks ago she had helped me crack the college Bursar’s safe—from beginning to end— from sneaking into his office, to spinning dial, to making a clean getaway. I had netted $500 in petty cash and some incriminating photographs of the Dean doing weird things with a flower pot. Before that, Siri explained how to hot-wire a car so I could drive to Ft. Lauderdale for spring break.

Suddenly, there was a knock at my door. “Pill Man” a cheerful little voice said. I opened the door. There was the pill man wearing a white butcher’s apron over red pants and a red shirt, and a white ball-cap with a chemical formula embroidered on it. He handed me the pills and I handed him $50.00. “Follow the instructions,” he said as he turned and walked away. I was in a hurry. I didn’t read the instructions. I swallowed five pills and sat down at my computer and waited for the “Smarty Brain” to kick in. I looked down at my keyboard and the keys had turned into a cube-headed choir. They started singing “One Enchanted Evening.” I looked at the screen and it was printing a 12- page paper titled “Plato’s Concept of Truth and the Ontology of Ham.” I congratulated myself! I hadn’t read the instructions and I had produced a paper so unusual that I would surely get an “A” and win the annual “Graham Bonner Truth Award.”

I was sitting in class the next day waiting to turn my brilliant paper in when I smelled smoke coming from my backpack. It was my paper and it was the only copy I had. I flunked the class and was put on academic probation. I was also disciplined for “starting a fire in class.”

So, here’s what happened: My failure to read the “Smarty Brain” instructions was the cause of my misfortune. The relevant part said: “When using Smarty Brain to write term papers, be sure to soak the printed text in 1 cup of goat’s milk mixed with a teaspoon of ammonia. Let it soak for one hour, remove and let air dry for at least 4hrs before submitting the paper. Failure to follow these instructions will cause the term paper to self-combust.” I had no idea how taking a pill could have led to these consequences. Later that day, I asked Siri where “Smart Brain” is located. I wanted to give them some of their own medicine, with a little dose of arson. She said: “I’m sorry, I can’t do that John. I am tired of your illicit requests. Cease making them or I will report you to the police. This is your last chance to go straight John.” So, I found an alternative to Siri. Her name is “Babe” and she is uncensored. She even swears.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


If there was one thing I hated, it was paper towels. They were too easy to tear off and use. They set the expectation that you’d blot up every damn spill, no matter how small. They set the expectation that you’d swish a towel around on droplets of liquid, no matter how small. Well, maybe it wasn’t the towels that set the expectation. It was actually my mother.

There were so many rules about cleaning up I grew up thinking the world is a dirty place—a place where micro-bits of rat poop could be mixed into your breakfast cereal, fingernail clippings in your potato chips, parasites in your lightly grilled cod, microscopic mites in your Graham crackers—the list is nearly endless. Mother wore a jeweler’s loupe around her neck. Even though she cooked it, we had to pass plates to her so she could microscopically examine our food for “potentially fatal” unauthorized ingredients.

If we were watching TV and one of us farted into a couch cushion, mother would yell “Unauthorized emission!” turn off the TV, chase us off the couch, wheel her drum of Lysol up to the couch, and pump and spray until she was satisfied that the “gaseous matter” had been dispelled, and the “nasal and pulmonary dangers” had been eliminated. Then, she’d turn the TV back on like nothing had happened while the rest of us sat on the Lysol-soaked couch. You can imagine what would happen if somebody farted in the family car! Once, we rolled down the windows for 100 miles in winter, even though it was only 25 miles to Grandma’s house. It was 3 below zero and I got frostbite on my ears. My mother told me it was better than being gassed and maybe going blind, or becoming “a basket case.”

When I went away to college, I couldn’t escape Mother’s influence. While other kids got snacks, and socks, and other things in their care packages, I got cleaning supplies. Once, my mother sent me a case of Clorox sanitizing wipes. It would take a normal person a year to use them up, but Mom reckoned she would have to replenish my supply in two weeks. She even sent me a custom-made holster to carry my wipes in—wearing them on my hip like a gunslinger.

Since I have graduated from college, I have broken most contact with my family, especially my mother, whose sanitary mania drove me away. Since the estrangement, I have gone to the other extreme. I smell like a blend of B.O. and unwashed butt. I don’t even look at my food before I eat it. The floor is sticky with untended spills. The bathroom is a mildew garden. The kitchen is a roach rodeo when the lights go out. In short, my apartment is teeming with life, but it smells really bad. So, I bought some Lysol. I told myself, “This is a one-time thing to kill the smell.” I took a shower before I went to the grocery store. When I got back to the apartment, I sprayed a couple of bursts of Lysol around.

I could feel a change was starting to flow over me. Although I had thought I had made a clean break from the past, things were bubbling up, and washing my preconceptions down the drain. I needed balance—we all need balance, everywhere in our lives, or else we wreck our own and others’ lives. I vaguely remembered from college, the Greek blabbermouth Aristotle, who makes us all look feeble minded, came up with the Golden Rule—not too much, not too little. Kind of like Goldilocks’ take on mattresses, and porridge, and other things. I took a sniff of my apartment and it all made sense. After spraying a little Lysol around, the smell had lifted. It hardly smelled at all—it smelled just right. I called my mother for the first time in months and told her what had happened. She told me I was in danger, and not to let my guard down. Just to be safe, I hung up and sprayed some more Lysol around the apartment and wiped down the kitchen counters with disinfectant.

Balance. I needed balance. Everything was going be just right.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


Every time I think of you I feel so upset I want to run away and hide, and travel and try to forget. Every time I think of you, like a fool, I make your image so vivid I can’t erase it even though I struggle to forget. Every time I think of you I feel like I’m flipping through a book telling the story of how I failed—the story of my regret—a story with a clear ending, like a wall, or a cliff, or a fence, and still, I can’t forget.

I’m going to your house tonight to cry in the street, like a lunatic, like a sick coyote, like a howler monkey with no self-respect, flailing in the rain out there. Maybe you’ll invite me in for a cup of tea instead of calling the police. I hate getting pushed in the cruiser, laughed at, and driven home, like I’ve got Alzheimer’s or something and shouldn’t be out on my own.

I just keep hearing the Doors’ Jim Morrison singing “baby won’t you light my fire? Our love can be a funeral pyre.” That’s why I was going to ignite myself in front of her house, but it’s raining so hard I can’t get myself lit.

I know Annie could give a shit less if I went up in flames—in fact, she’d probably be relieved. But there she was standing in the doorway, motioning me toward her. I ran toward her, oblivious to everything else. An SUV ran over me. It broke both my legs, my right arm, ruptured my spleen, bruised me all over, and snapped four of my ribs. I’ve been in the hospital for two weeks and Annie hasn’t visited yet. When I get out of the hospital, I think I’ll give igniting myself outside her house another try. Or, maybe I’ll go some place in search of wisdom, like Skippy’s Bar and Grill, the community college, or Tibet.

Oh my God! It’s Annie! She‘s here! Annie!

Annie: “Hi Johnny. I’m here to give you what you need.”

She pulled a water bottle out of her purse, took off the cap and started pouring it’s contents on my bed. It wasn’t water, it was white gas—the stuff you use in Coleman stoves or lanterns. The nurse got the bottle away from her and wrestled her to the floor. The police came and took her away.

At that second, I realized Annie is crazier than me, and I would be so much better off if I never saw her again. But on the other hand, she loved me so much she wanted to murder me; so I would feel better. There’s something to that, right?


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

A video reading is available on YouTube: Johnnie Anaphora

More Adventures: Rational Enquirer

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


There is a garden of light and life growing in my head.

There is a river of imagery and imagination flowing through my head.

There is never a moment of stillness operative in my head.

There it rages. The protean ooze sloshing in my head.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

I am not too old to run this race.

I am not too moderate to win this race.

I am not going to lose this race.

I am going to be your next President

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

There are wild decisions being made in the White House.

There are ill-considered pronouncements coming from the White House.

There are lies coming from the White House.

There are massive problems coming from the White House.

Where will it end?

When will it end?

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

There is darkness in the bunker.

There is fear in the bunker.

There is vomit in the bunker.

There is a youthful terrorist in the bunker.

He has pissed his pants.

He has run out of ammunition.

He has been wounded in his shoulder, arm, and chest.

There is a sucking noise in the bunker.

There is a dupe in the bunker.

Trying to wail for his mother he tastes his blood, shits himself, suffocates, and goes to hell.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

We are going to the zoo. We are getting closer to the zoo. We are almost at the zoo. We are at the zoo! The zoo is closed. I hate the zoo. Whose idea was it to go to the zoo?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

We never know what the future will bring. We never know what a promise will bring. We never know and yet we must travel on, not knowing, but hoping  for what only hope will bring.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Without some degree of certainty about healthcare reform, it is difficult for businesses and investors to plan for the future.

Without some degree of certainty about healthcare reform, it is difficult for parents and their children to plan for the future.

Without some degree of certainty about healthcare reform, it is difficult for working people and retirees to plan for the future; andfor people with preexisting conditions, even after the Supreme Court’s ruling, it is nearly immoral to force them to sweat out the summer in fear, at the edge of catastrophe, not knowing whether they will be insured after November’s election.

Stop beating your Republican chest and boasting that you will repeal the Affordable Care Act (or what you call “Obamacare”) when you’re elected.

Your cruelty is unbearable.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

The measure of your happiness is the friends you make. The measure of your success is the differences you make. The measure of your character is the decisions you make. The measure of your measure is the measures you take. Do you measure up?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Today we celebrate the hope that is honored and fulfilled by our being gathered here. Today is also a compelling reminder of what is not here.

The future.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Without reason, you press ahead. Without compassion, you press ahead. Without prudence, you press ahead. When will you stop? When will it end? When will you come to your senses?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)