Category Archives: epitrope

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


Tell me more about what’s the meaning of that grease on your hands? You don’t have to answer, I will. Clearly, you’ve been touchin’ grease with both hands—two hands, left and right hand—10 fingers, palms and everything. You disappoint me with your naïveté. Don’t tell me you’re a mechanic. You are half-naked and look depraved. That alone is enough to get you arrested here in Napville City.

Don’t try to get away, or I’ll shoot. “Sir, we’re pole dancers and we’re experimenting with using grease for a better spin on the pole. We just tried it out with that oil pan drainpipe and it doesn’t work very well. It is too slippery and you go flying off the pole. We’re about to try toothpaste. It is expensive, but if it works we’ll get more tips stuffed into our costume bottoms. The toothpaste’s abrasives improve pole spin without being too slippery.”

You’re lyin’. I’ll ask you: What’s that pickup truck doin up on that lift over there: No, I’ll answer: you’re you’re doin’ some thin’ to that truck. You’re stealing its grease. “No! This is my brother’s repair shop and that’s his truck. Ask him.” One of the women said. “Yes sir” her brother said, “That’s my truck. I told them they could have some grease. Anyways, they got the grease out of that drum over there.” That looks like a barrel to me Sonny. Why do you call it a drum? Confess! “We in the repair business call it a drum. If we were a brewery, we’d call it a barrel. Who the hell are you anyway?”

My name is Nosey Camboroni and I been sticking my nose into other people’s business ever since I got a Colombo detective set when I was 14. I’m 28 now and still making a pest of myself, finding something to “pin” on everybody I meet, getting arrested for harassment, paying the fine, and then, going looking for my next perpetrator to question with skill and insight into the human mind. Just the other day I was behind a woman in the line at the grocery store. She started paying with food stamps. I asked to see her US passport, if she knew who Johnny Cash was, and if she could recite “The Pledge of Allegience.” She kicked me in my privates and yelled “You Goddamn creep, leave me alone.” Her anger was a sign that my interrogation had hit home. The police disagreed, apologized for my “crazy” behavior, arrested me, and sent her on her way.

So, what does this example tell you! I’ll tell you: things are falling apart. Criminals are everywhere, but I’m the one in jail for good detective work that is disrespectfully called “harassment.”

Maybe if I had a “Colombo-Mobile” I would have more credibility. A never-washed Ford Fairlane would do, filled with candy wrappers, crumpled tissues,, empty soda cans, and empty coffee containers. The radio would be stuck on NPR and the defroster would be broken. I would patrol the streets of Napville City. Maybe I could have a show on Tiktok: “Detective Nosey.”


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

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Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


Have you ever seen into the future? Probably not. But, you’ve probably “seen it coming” at some point in your life, maybe just as often as “I should’ve see that one coming.” This is how we grapple with the future as as it transforms into the past. Most of us live in the illusory Now Town. We think there’s a “time” called the present. We say “There’s no time like the present” which ironically is true—there is no time like the present, unless you consider the future and the past “like” the present.

Tarot cards have helped me to jump into the future’s abyss. I have a life reading every week and every week my life reading is different. Maybe I don’t wait long enough for my life to unfold, or maybe they’re misinterpreted by Madam Kyrigizy. The last one concluded with “You will catch something big.” So I talked some friends into chartering a fishing boat—Pearl Jam—and we went out after Bluefin Tuna. I hooked my friend Freddy in the back when I went to cast from Pearl Jam’s stern. I guessed Freddy was the “something big” I was supposed to catch. We got him unhooked, bandaged him up, and kept fishing. We paid a lot to charter Pearl Jam and wanted to use all of our time, still hoping to catch a giant tuna whopper. So, I cast my line again and hooked into a guy going by on a jet ski. The line snapped and he kept on going. I felt lucky for that until we sailed into a shark feeding frenzy. The was a bloody jet ski bobbing up and down at the edge of the swirling water.

The skipper—Moochy Bar—hit full throttle to get the hell out of there. My friend Bob fell overboard when Skipper Moochy hit the throttle. We circled around and one of the mates picked up Bob with a gaff hook. He was flopping around on the deck making loud squeaking sounds It was messy, but we saved him from drowning. The idiot had refused to put on a life vest when we left the dock. Now, we had to go back to port. We couldn’t get the gaff hook out of Bob’s butt (it had stuck in his hip bone) and we had to go to the hospital to get it removed.

An ambulance was waiting at the pier. Now, Bob was screaming and yelling, so the orderly injected him with something to make him shut up. Bob passed out and didn’t make a peep all the way to the hospital. We pulled up to the emergency room and went in with Bob through the sliding doors. He was laying there passed out on the gurney with the gaff hook hanging out of his butt. The emergency room was filled with coughing geezers. The ones that weren’t coughing looked dead.

Bob was rolled into the operating room and the gaff hook was successfully removed. We all went our separate ways. I got home and turned on CNN long to see Trump say something was a hoax. Then, I started to cough, and cough. I coughed so hard I felt like my lungs were turning inside out. I had a fever. I went to the hospital emergency room again, and sat there with all the coughing geezers. They put me on a ventilator and the nurse told me I had caught COVID, in one of the biggest epidemics ever. Through the haze I remembered what Madam Kyrigizy had predicted from the Tarot cards, that I would “catch something big.”

My fate had been sealed. I was destined to “catch something big.” I got out of the hospital one month later. I had a new appreciation for life. I told Madam Kyrigizy what had happened. She said, “Time always tells.” Now, I am fascinated with ambiguity, and the use of pronouns to project almost infinite possible ways of passing through the future’s portal and almost infinite ways of getting lost. I have learned that you only know where you are after you’ve been there.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


Boy George sang of the Karma Chameleon, pouring his heart out over the instability it injected into Boy’s already flimsy relationships. “You come and go” was the refrain capturing his inconsolable sadness and frustration with this creature’s changing colors, with “colors” referring to affiliations, like a football jersey or a flag you might pledge allegiance to. I don’t have to tell you what that’s all about: chameleons, colors, inconsistency in affections. At once shallow and deep, feckless and faithful, cosmetic and natural.

But what about karma, as in “karma chameleon?” Karma: what goes around, comes around; you get what you give. Karma is like a rubber ball bouncing back at you off the wall of fate. Nice begets nice. Mean begets mean. Generous begets generous. Stingy begets stingy.

I tried an experiment with my non-Hindu Christian friends. I was really mean to three of them. I told one of them that they smelled like an elephant cage. She said: “I forgive you. You know not what you say.” I told her I knew what I was saying, and I meant it. I held my nose, and waved the other hand. She said “I forgive you your trespasses.” I thought, “Wait a minute. She’s a karma deflector, maybe it’s more complicated than I understand.” I was confused. So, I pushed my other friend down a flight of stairs. As they were loading him in the ambulance, he looked me directly in the eyes, smiled, and said “I forgive you brother.” I yelled “Karma thwarter” at him. He gave me the peace sign.

So far, as far as I could see, there was no negative consequence to doing evil to these people. Karma was null. My last friend, Ralph, might come through for me. I tied him to a chair and beat his face and head with a rubber hose. He said, “Forgive him father for he knows not what he does.” What? In all three cases nobody looked for revenge. They just wanted to forgive me. They were walking invitations to violence and humiliation. Were they Karma Chameleons? Did they take on the “color” of forgiveness as a temporary means of confusing their assailants while secretly planning their revenge? Were they so-called plaster saints? But it seemed on the surface, at least, that they were thwarting karma, and I was escaping retribution for what I had done. “Ha ha!” I thought—I had beat the rap. I went to bed with a shit-eating grin on my face.

I woke up smelling like an elephant cage. I could not wash off the smell. I got dressed and intended to go to the drugstore to get some kind of medicated soap. As I stepped out my door I realized my smell was karmic. Then, I fell down the stairs. As I was fishing for my cellphone to call 911, a masked person came out into the stairwell and started beating me in the face with a rubber hose. I pulled at his mask and saw the familiar face, albeit swollen and bruised, of my friend I had beaten to test my karma theory. “What about the forgiveness?” I sobbed through the blows. He said, “To err is human, to forgive is divine.”

I got out of the hospital today. I wish I had never heard of Boy George. Although “Do You Really Want to Hurt Me?” still appeals to me with its mysterious summoning of “really” to query the motive of his abuser. Is it possible to do something you “really” don’t want to do, as Boy seems to be asking?


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


You tell me: is time on my side? You know what I’m talking about, and it isn’t about showing up at work on time. It is about these damn fruit flies quietly swarming over my fruit bowl, and the pineapple upside-down cake I made yesterday. Where do they come from? It’s like magic that they appear, and like a blessing when they disappear. I’ve been waiting around two weeks for then to go and haunt somebody else’s peaches and bananas.

I tried using a fly swatter, but the swarm parts when I come down with the swatter— it’s like Moses parting a sea of bugs, but I don’t want them to part—the Promised Land should be under my swatter littered with tiny smooshed bugs. I tried making a trap, but they just circle around above, like they’re making fun of me on a joy ride above the bait. Then, I tried to burn them with one of those BIC lighter wands. It didn’t work. They saw me coming and hovered near the kitchen ceiling. I scorched the ceiling in a couple of places and gave up. They immediately flew back down and continued to circle my fruit bowl and cake.

I figured out how to get them off the cake: I would eat it. With a ten-inch diameter, it wouldn’t be easy. As I went to cut the cake, the swarm thickened—it was so thick that I couldn’t see the cake. I was thwarted! I threw the cake away. Now, my kitchen trashcan was surrounded by fruit flies. I did what I had to do. I threw the trashcan out the back door. The trashcan rose from the ground and headed toward me. I squatted down as it flew over me back into the kitchen and landed upright exactly where it had been. I tried throwing the fruit bowl out the back door. The fruit was reassembled in the bowl and the bowl flew toward me. I ducked and it was whizzing by and landed with a thud on my kitchen table.

But, you tell me: is time on my side? Yes it is. These little bastards don’t live forever. They’re fruit flies for God’s sake. But, I must say they are highly intelligent and artistically inclined. This morning, when I get up, they had swarmed into a bathrobe with my initials monogrammed on it. I stretched out my arms and they flew it on me. It is very warm and luxuriously soft—almost like cashmere. Somehow, I could sit down in it without harming the fruit flies. I imagine they swarmed away from my butt cheeks when I sat. They began burrowing into my ears. Now, they make me go to the grocery store and buy cartloads of apricots and grapes.

If you are watching me on Tick Tok now, you can see my proboscis. I am becoming a fruit fly, and I don’t care. Fresh fruit tastes so much better.

So, I asked if time is one my side. I am becoming the Big Boss Fruit Fly. Time does not matter any more, unless it’s time for some fresh pineapple.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


There’s nothing like a smug bunch of losers to tell me how turn this business around—my wife, her father, my father—trying to tell me what to do. I’d listen to a licensed clown before I’d listen to them. We’ve been selling fishing lures since the beginning of time. Some say the serpent in the Garden of Eden used a fishing lure, not an apple, to tempt Eve away from God. That’s why we have a lure named “Eve’s Temptation.” But that’s beside the point right now. We need to save the business, save your jobs, and save my daughter’s college tuition payments. I know you have some good ideas for expanding the business, so we can sell more product. I see you nodding your heads. Why don’t you appoint a leader, come up with an expansion plan, and present it to me. I have always listened to your voices, and this is no different.

Fishing drones might be a good idea. Can you imagine pulling a whopper out of the water and flying it back to wherever you are? Let’s see what you can do! It’s in your hands. Don’t let it slip through you fingers and flop around on the floor! I look forward to seeing what you come up with.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.


You tell me, “How many roads must a man walk down before they call him a man?” “How many people dey hustle?” “How many mothers have to cry?” “How many shots can you take?” “How many Instagram videos you gonna play back?”

I’m tired of the questions. I’m tired of the answers. You tell me what the hell it all means! You tell me! The streaming indignities. The obstinate memes.

The grist pours out of the Hell Mill. We bake ourselves into cakes and loaves of bread and go stale in the darkness. Do YOU care about what it all means? Contemplate the horizon you’ve set for yourself. Is the sun rising or setting? Are the trite lullabies you ply yourself with keeping you awake? Are your hopes actually fears? Put yourself in some rich guy’s Birkenstocks and run away. They’ll fly off your feet like two birds. Tell me what this means and I’ll give you a ticket to ride.

Tell me!


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

The clock was ticking on corona virus but you weren’t paying attention. Why should you when you believe you are in safe hands and that our leaders have our best interests at heart. But worse, it wasn’t so much a clock ticking as it was a calendar displaying used up days–days that could’ve been spent preparing for the oncoming catastrophe. 

You are nurses. You know better than I do how important is to have life saving equipment and an adequate number beds for the sick and dying during a pandemic. You know our President has let us down and continues to let us down as we are ravaged by the virus. Not enough equipment. Not enough beds. Not enough of anything, including compassion and competent leadership.  

When the dust settles and the world is more or less whole again we must take up the solemn duty of removing the worst President we have ever had from office by the power we have that’s vested in the vote. However personally difficult, your voices must be heard. Your experiences must be shared. We must never forget the terrible things he has done, and he is doing, to America. Given your first hand knowledge and experience, your voices will be an important asset in the campaign to drive him out of office, out of Washington, DC, out of anywhere he tries to put down roots and poison the character of the community.

You know it’s the right thing to do. We need each other to get back our country and heal it and win back the respect of the world.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

You know better than I do what it means to be unemployed, hungry, homeless. You’ve been there. And now you’re back on your feet. Things are looking better. Life, dare we say it, is looking good.

I think you’re in a position that few people are in. There is a pressing need to help people who’re in the predicament you were once in. You found your way out–not alone, but with the help and influence of others: ‘others’ who were just like you are now: experienced, compassionate, generous.

You would not have come here today if you weren’t interested! All that we ask is that you turn your interest into action.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is also available for $5.99.

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry your point.

Go ahead, stay home on Election Day! It’s no big deal. Why bother to vote? Who cares! It’s rigged anyway. It’s all about who has the most money and who’s the most corrupt.

Yeah–that’s right: Stay home on Election Day. It’s no big deal. Be an idiot. Throw away your opportunity to change things.

Sucker!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry our point.

Go ahead, don’t vote! It doesn’t matter if another candidate gets elected that might as well come from Mars. Who cares if our mayor works for us? Who cares if our children get the best public education possible? Who cares if our police force is a pack of donut-sucking cretan lickspittles?

Have another beer.

It’s good to be an irresponsible oaf! Enjoy yourself!

A rubber bullet in the butt is just what you need!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry our point.

Take your time–go ahead, obey the speed limit! It can’t matter that much. I’ll have the baby right here on the front seat.  It’s better than a hospital. I won’t die. You won’t be sorry, and our baby won’t suffer! Why don’t you just slow down a little bit more–there’s no rush.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry your point.

Go ahead and vote for Mr. Romney if you want to!  If you want to send Big Bird to the ostrich farm, if you want Elmo to talk like George Bush, if you want amphibians to be banned from having relationships with pigs, go ahead, vote for Mr.Romney. He’s got a heart of gold.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry our point.

Go ahead–give them permission to drill all the offshore oil wells they want to. Nobody will care. Nobody will protest. Nobody will try to have you thrown out of office. Go ahead!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Epitrope

Epitrope (e-pi’-tro-pe): A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. Epitrope often takes the form of granting permission (hence its Latin name, permissio), submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over (hence Puttenham’s term, figure of reference). Epitrope can be either biting in its irony, or flattering in its deference.

A specific form of epitrope is the (apparent) admission of what is wrong in order to carry our point.

Sure, you can do what you want to do–go ahead–quit your job, leave my sister, abandon my little baby niece.  Go ahead–have some real fun! I won’t come looking for you. I won’t track you down. I won’t hurt you.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)