Category Archives: period

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.


There are many, many things I want to know. Like why do I have to wear a $1,500 suit to work? I can afford it. That’s not the problem. I work the meat counter at Hannaford. I am a butcher. I cut and slice, weigh and wrap, and produce a receipt that the customer shows when they check out. I wear a white coat splotched with blood and meat fragments. My boss tells me the suit shows respect for the dead animals we sell—mostly ground or cut up. He says it’s like a barnyard funeral. I thought he was crazy. I knew at some point I would rebel. He told me that we get our meat from a cult up in the hills outside of town. They slaughter the cows and lambs with AR-15s. The ten oldest men in the cult were expected to marry a cow and write poetry about the cow’s spiritual characteristics. The cult was called MABA (Make America Bovine Again).

As my boss told me MABA’s story without calling them a bunch of crazy bastards, I knew he was a cult member. The required suit was a MABA imperative. I asked, “What’ll happen to me if I don’t wear a suit, like other butchers at other grocery stores?” He said matter of factly, “You’ll turn into a cow, be shot in the head, and butchered.” Being the arrogant nit wit that I am, I challenged the rule. The next day I didn’t wear my suit.

When I stepped behind the counter I lost consciousness and woke up in MABA’s corral. I looked down. I had hooves. I didn’t have arms or hands. The cow next to me said “This is the end of the line. I’m hoping to end up at OutBack Steak House. What about you?” There was gunfire in the background. I yelled in despair and all that came out of my mouth was a hearty “Mooo.” Then, I saw my escape route out of there. There was a gate that was periodically opened when a MABA cowboy came into the corral or left it. My opportunity came, and I went full tilt for the opened gate. I knocked the cowboy down and breezed through the gate, down the hill, and off onto the open prairie. What would I do next? Maybe I could get a job at a dairy. I went to sleep. When I woke up, I was me again. I went home, put on my suit, and went to work.

With a knowing look, my boss welcomed me back. I said “Moooove over so I can reach my boning knife!” We both laughed, but I was planning on putting my knife across his throat and making him take his suit off.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

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Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.


In spite of being solid, shiny and new, the tuck was parked by the side of the road in the middle nowhere with no driver, no passenger, no nothing, like it had broken down and been abandoned. I slammed on my brakes, stopped and backed up. I got out of my truck and walked toward the abandoned truck. I heard the engine running. I opened the door and looked inside the cab. I tried to turn the engine off, but the key wouldn’t budge. I wondered how long it had been there—the gas gauge said full and the air conditioning was blowing on high. There was a copy of Nietzsche’s “Beyond Good and Evil” on the seat along with a handwritten map. I had had a brief brush with Nietzsche in college in a philosophy course titled “Thinkers Who Destroyed Western Civilization.” I addition to Nietzsche, we read Rorty, Plato, L. Ron Hubbard, and Gadamer. There were a few more we studied , but I can’t remember them. After reading Hubbard’s “Dianetics,” I joined the Church of Scientology, became clear, and rose to rank of Ensign in the Scientology navy, but I quit. The navy didn’t even have a boat and I found that off-putting.

As I sat there in my truck, I had the same old conflicted feelings about my life’s trajectory. 5 wives. 9 children. Currently unemployed. Wandering.

I looked out the abandoned truck’s windows. The terrain was perfectly flat for miles around. I saw a couple of antelope off in the distance, but no people. I was perplexed to the max—most perplexing was the fact that I couldn’t turn of the truck’s engine. I picked up the map and flattened it out on the truck’s hood. It was titled “Golden Gulch.” I thought with a title like that it must be a treasure map! All the roads and trails on the map looked like tangled yarn. It was a fuzzy mess. I noticed the map was subtitled “Curse Me.” I thought for a second and then said “Damn you!” I could feel the map suddenly wiggle under my hand. I jumped back and watched the map transform itself into crystal clear rendition of our location—including the mystery truck in the lower right hand corner. I was amazed and frightened. Then I saw it—there was a route from the truck’s location to an “X” with the word “gold” written alongside it.

I put the map back on the seat and went to get a cigarette from my truck. The abandoned truck started moving! I prayed for guidance and got none, so I jumped in my truck and followed the abandoned truck. Surely, it was following the map to the gold. We set off across the prairie. I shifted into 4-wheel drive as we started to pick up speed. We were going 25, 35, 50, 60, 70, 80 mph. It was insane, but I couldn’t get the gold out of my mind. In the span of a couple of hours, I had become obsessed. I had become insane.

I heard an alarm dinging. I was going to run out of gas. Then, I ran out of gas. The abandoned truck slowed down, blew its horn, and kept on going. I smacked the heel of my hand on my steering wheel. I got out of my truck and kicked it. Then I realized that was stupid. I went to call AAA, but there was no phone service. I had to walk. Our trucks had left indentations in the grass and flattening a trail I could follow. It took me four hours to get back to the highway when my cellphone service resumed. The AAA driver brought me food and water—well worth my membership fee. He brought two Jerry cans full of gas. We emptied them into my truck’s fuel tank. I was driving myself back to town to get fueled up and check into a motel for a shower and a good night’s sleep. I looked in my rear view mirror. It was the abandoned truck and it was gaining on me fast—it must’ve been going over 100 mph.

I pulled over. It roared past. I never saw it again.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.


Going over the bumps there were rattles. It sounded like somebody was playing cymbals in my back seat. I was waiting for a part to fall off and send a shower of sparks across the road in the nighttime, so it would look pretty cool, but not cool enough. First thing tomorrow, I was taking my 2007 SAAB to visit my mechanic Lars. He was a Swede and specialized in SAABS. His repair shop was called “Köttbulla Bensongarage” (Meatballs Garage). His family had been taking care of SAABs since they were spun off of airplanes at the end of WWII. SAAB ceased production in 2014, but devoted mechanics like Lars kept the remaining SAABS on the road. Mine had 162,000 miles on it when the rattle started.

I made an appointment for 11:00 am. When I got there, Lars was waiting outside the garage’s bays. “Let’s take your car for a ride and see what this is all about.” He hopped into the driver’s seat and off we went. “Sometimes these little Swedish imps get into your car’s insides. The first thing we do to get rid of Noki the Rattler imp is to shake him out.” We were coming up on a really bumpy stretch of road. Lars floored it, the turbo kicked in, and we were going at least 100MPH when we started hitting the bumps. Despite having my seatbelt hooked, my head slammed into the car’s ceiling. I was knocked out. I was in a Swedish dreamland sitting on a steaming pile of meatballs in the back of a speeding pickup truck. I think that Noki was driving, blowing the horn and laughing.

Suddenly, I woke up. My car was stopped and Lars was slumped over the wheel. I thought he was dead, but he wasn’t because it wasn’t Lars. It was Noki— his body was like a cage filled with stones small pieces of metal—he was literally a living rattle. He smiled. His eyes were yellow and he was wearing a smaller noisier version of himself on his head! He said: “I have infected your SAAB. It will never stop rattling. It will drive you crazy. Lars can’t fix it—where is he anyway? He has abandoned you like a bad father abandons his child. So, get used to me or junk this old disgrace of a SAAB.”

I didn’t know what to do. How could I possibly go up against a Swedish imp—the Swedish maker and keeper of the SAAB rattle? Maybe I could flatter him: “Oh Mr. Noki, your rattling is foremost among sounds: grating, banging, clanking, irritating to drivers of SAABs throughout the world. You have done your work here. Why not depart and practice your rattle-magic somewhere else? “Shut up,” Noki yelled, “I will show you the rattle of your life. The world went dark. When the light came back, we were on a road with six-inch high bumps, or I should say, humps. We were going at the SAAB’s top speed: 145 MPH.

Noki was laughing and drooling and rattling like thunder. I was terrified, holding onto my seatbelt and flying up and down. Then, Lars appeared in the road ahead. Just then, the SAAB seemed to run out of gas. Lars was holding a big thick piece of foam rubber and a roll of duct tape. Together we wrestled Noki out of the driver’s seat, wrapped him in foam rubber and secured it with the duct tape. At first, we could hear muffled rattling, but as we tightened the duct tape, the sound faded to nothing. We threw Noki in the trunk. Lars told me he’d made the car seem to run out of gas with some ancient mechanic’s trick. So, we drove away. The rattle was gone! When we got back to the garage, Noki was gone—off to irritate some other SAAB owner with his rattling bullshit.

Given all that Lars has done to keep my SAAB on the road, I think he may be some kind of Swedish God—maybe a god of healing. He always says “No matter what it is, I’ll try to fix it. If I can’t fix it, we’ll send it to Valhal to become spare parts.” He gestured toward the field above garage which held at least 100 SAABs waiting to donate a part, or parts, to prolong the life of a fellow SAAB.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available for $5.99.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.


Because of the openness, trust, common ground, and money, we were friends. I was a little ashamed of the money part. Normally, it wouldn’t be a part of friendship, but we were both in the laundry business, and I don’t mean washing clothes. Instead, we filtered truckloads of cash from bad to good. We own a chain of burger joints, two amusement parks, a bar, and 25 apple orchards. The apple orchards are the best. It is easy to blend dirty cash into the orchards’ harvest: there’s no way to track apples— they grow on trees! We “sell” thousands, and that’s that. Our investors collect their cash and we collect a percentage.

If you ever considered being a successful criminal, money laundering is the way to go. Just think, somebody gives you pile of illegally obtained cash! You stack it up in a storage locker and slowly shove it into your legitimate business, that turns it out at the other end as clean as can be. The only downside is if somebody not connected finds out what you’re doing, you have to kill them. So far, we’ve killed four people. The hardest was my daughter’s fourth grade teacher, Bonnie. I was having an affair with her.

I had to go to the storage locker one afternoon. I told Bonnie to stay in the car. Instead, after I got into the storage locker, she jumped out of the car and peeked inside. She saw about $1,000,000 in cash piled against the wall and asked me “where the hell” it came from. I told her I didn’t know, that I was as surprised as she was— a pretty feeble attempt at lying. The next day we went for a walk along Devil’s Gorge. I pushed Bonnie off a cliff. It was sad. If only she had stayed in the car.

Oh well, now I had to find a new girlfriend. There was a pole dancer at one of our “laundromats” that seemed like she liked me—she stared at me when she climbed the pole as part of her routine. I hoped she would get along with my daughter. I was going to give her a try. Maybe we’d fall in love.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available for $5.99.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.


We set our lives, inevitably, inconsolably, wickedly, painfully, faithfully by time. Hours and hours, into boredom’s dread. Minute by minute into the throes of anxiety fearful of not “finishing” in time. Seconds pass predictably in countdowns to New Years or birthdays, competitions of all kinds: swimming, racing horses, running, holding one’s breath.

And the seasons pass—timed by their climates’ characteristics: warm, hot, chilly, cold. And to each season measures must be taken to adapt; to fit: with the right clothing (and more). Buried in the seasons broadly understood, like seasoning, is the idea of what is appropriate or fitting: the right time for . . . . This is the Kairos—celebrated and elucidated in Ecclesiastes.

Kairos is the most important time. It bears the weight of the quality of your life’s episodes, for better and for worse. It gives your life meaning. It gives your life purpose. Always know what time it is. Whether Chronos or Kairos, time is time.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available for $5.99.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

What is time? “Time is of the essence,” as they say. But I ask, “The essence of what?” Of dread? Of hope? Of slowly decomposing into the earth and polluting the ground with a body saturated by decadence, debauchery, and woe? I am not sick, I am well. Yet I dwell in remorseful self indulgence: in time. Time, you are the heaviest burden. We carry you to the end. In death we drop you. I hate you, time, while I’m awake, but in dreams you are sometimes absent, like the cure of a disease. And I fell asleep.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available for $5.99.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

I was looking and looking, seeing, hoping, and praying for a way out of this place.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

The mud slings are manufactured on the street by experience, success, and flailure–yes–flailure: the endless waving of banners of hope over the blown up handbrakes and double dealing mandrakes raking in fortunes like hot coals over naked backs born of misfortune horning up and down the narrow so-called side streets of the Village, where cats cool and otherwise once surmised acoustically, sipping beer in coffee houses hassled by tormented landlords raising their hands, raising their rents, raising violets and violence in late night bill collections from hand banging tambourine men (and women) in high-heeled Spanish sneakers  singing a sort of beautiful rage in voices like rusted braces walking across dim lit puddles of ice, slushy grammar, molding dog shit pilasters commemorating the last acid flash, and five yard dash toward a smoldering stark white butt faintly glowing on the tarmac tossed off by a poodle walker walking poodle toward Washington Square, past the shop of Hollywood underwear, past the glowing benches into the sirens’ call–up 5th Avenue, up, up up.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

The only thing(s) that matter(s) in life beyond the mundane hum of human existence await(s) our discovery in the rippling multiverse of being-at-once one and many, peering over the prison wall of contradiction, maddened by the parched diamond-bright  presence of everything stretching through time toward nothing-at-all and snapping.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

Wonderful people, stunning landscapes, delicious food, spine-tingling vodka, relaxing stretched-out days, delightful twilight nights: Iceland!

I visited Iceland last week.

I will remember Iceland for the rest of my life!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

Next month, because we have frequent yelling matches, get cited every few months for disturbing the peace, have numerous infidelities, and both of us recently obtained prescriptions for medical marijuana we will appear on the Jerry Springer Show!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.

Period

Period: The periodic sentence, characterized by the suspension of the completion of sense until its end. This has been more possible and favored in Greek and Latin, languages already favoring the end position for the verb, but has been approximated in uninflected languages such as English. [This figure may also engender surprise or suspense–consequences of what Kenneth Burke views as ‘appeals’ of information.]

All you good people who are and aren’t our friends, who move through life uninterrupted by guilt and shame, with open hearts and and eyes wide open, affecting charity at every turn, we praise you.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu). Bracketed text inserted by Gorgias.