Category Archives: anacoluthon

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.


I was trying to—sand dollars! They were worthless. Could I develop a sandbox corps? Seashells everywhere. Flotsam too. A barnacle encrusted piano. A rusted wheelbarrow missing it’s wheel. A plastic bust of Abraham Lincoln. A deflated Happy Birthday balloon. A tennis net. A tennis ball that I did not want to name or develop a creepy relationship with.

I was hang gliding off a cliff in Hawaii when I got picked up by a cyclone and blasted away from land. The wind had stranded me on a small island somewhere in the South Pacific. I was getting along, eating coconuts and raw land crabs. I was lucky to be alive.

I was afraid to wade into the ocean, even at low tide. There were sharks swirling around. When I stood on the shore, they tried to coax me into the water. They made promises I knew they couldn’t keep. Like, “Hop on my back, I’ll give you a ride to Tahiti.” Or, “I just got off the phone with you sister, she wants you to come home immediately. Just wade into the water here and I’ll call you an Uber-boat to take you home. Your sister is quite worried. Please, let me help you.” It was all bullshit. There’s no way I would trust a shark, even though he tried to mimic my North Carolina accent. Very clever. Very devious. Very ruthless. I knew my sister would never call sharks—they were like telemarketers. She was smarter than that. She worked running the bowling ball cleaner at Brightly Lit Alleys in our home town. Bowling ball cleaners are complicated. You start it running, drop in the ball, press the clean button. The machine automatically goes to dry when it is finished washing. When the dry cycle is complete, you pull out the bowling ball (which takes a degree of strength), and polish the bowling ball with the “special” rag made from a carefully torn up bath towel from Salvation Army Thrift Store. My sister had a pretty good set of biceps on her from liftin’ all those balls. She even got to where she could juggle two balls. Her arms were like tractor pistons. And, like I said, she was too smart to be taken in by a shark, who would surely try to lure her to its dinner table as the main course.

Anyway, my sandbox was way bigger than it needed to be. But, there was a lot of sand, and I figured it belonged to me. Then I realized it was too big to qualify as a “box.” So, I just filled the useless wheelbarrow with sand, scooping up the sand with my hands. Once I filled it, I didn’t know what to do with it. So, I sat in it and pretended I was a cat in a litter box. I was meowing joyfully when I was answered back. There was a cat sitting at the jungle’s edge. He said: “I’ve been watching you and you’re a total dipshit. Those sharks won’t eat you. Use that old “tennis net to catch some sardines, and make sure to share with me.”

It worked! Fresh sardine sushi is quite delicious. I named the cat Friday and we had a great time. He helped me build a shelter out of palm fronds and the remains of my hang glider. He also showed me how to start a fire with friction. Then, he disappeared one morning and never came back. The next day I was rescued by a fishing boat named Friday—was it just a coincidence?

I spent two years on that island. People tell me I must’ve been delirious talking to sharks and a cat. I probably was. But, I think my delirium was functional. It saved my life. At least, I think it did. But really, I think it was Friday’s chiding—making me get off my ass and take care of myself.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.


I was running, run, run, run like a nose, like a river, like an electric appliance plugged into the wall of nature—a sweet contrivance, seemingly edible, smelling like bacon or a dirty charcoal grill afire on the deck of love, peace, and happiness I basked on in 1966, before I joined the Army so I could go to college tuition-free some day, and learn more than anybody in my family and dazzle our ignorant neighbors with the pile of knowledge accumulated in my head.

There I was at Ft. Dix, New Jersey wondering why the drill instructors said “hup, two, three, four” instead of “one, two, three, four.” So, I asked Staff Sgt. Blood why. He said, “Get down and give me 200.” I didn’t know what that meant, so I got on all fours and started crawling toward Newark, which was roughly 200 miles from Ft. Dix. I wanted to be obedient, and I had given it my best shot, but I got put on guard duty for the “duration” and vowed to bear the high responsibility with pluck and determination, risking my life if need be fending off an invasion of the Fort, or thieves stealing flour and coffee and other edibles from the mess hall warehouse I was diligently guarding. I had one bullet in my M-14. I tripped on the curb as I was patrolling by the warehouse, and my M-14 slipped out of my hands, hit the pavement hard, and fired.

I ran and kept running. Then, I stopped. It was a accident. What could happen? I turned myself in to the first MPs I saw. They were laughing really hard as they handcuffed me and put me in the back of their Jeep. I was charged with leaving my post and received one week of hard labor working as a bouncer at the Fort’s Bar called “Atten-hup” where all the trainees got as drunk as they could on 3.2 beer whenever they had a chance. I did a great job helping to contain the bar’s ruckus—I was big and could make a very scary face.

When I finished basic training, I was shipped to Ft. Gordon for—you guessed it—Military Police training. I learned how to arrest people, beat them up, fingerprint them, and book them. I loved my night stick and my .45 auto strapped to my hip. I was nineteen years old. I couldn’t wait to shoot somebody.

After MP training, I went jump school. I almost died when, on my second jump, I forgot to hook up my static line and the guy behind me failed to notice. I went out the airplane’s door and started falling straight down—I could hear the wind whistling in my ears as I plummeted past my colleagues. I pulled the handle on my reserve chute and it popped open almost as I hit the ground. I was knocked unconscious. I saw an image of Little Orphan Annie dancing in my head. I staggered off the Drop Zone. Everybody cheered.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.


The sun was setting, beyond Legos, beyond logos, beyond legible. There was this orange blot slowly sinking on the horizon like a round burning elevator headed for the ground floor of the universe. “Where is the truth in that?” I asked as I repositioned the funnel on my head so it pointed straight at the sky, held secured by the rubber band under my chin that I had threaded though the two holes I drilled on either side of the funnel and the knots tied at the ends of the rubber band.

This is what’s wrong with all of us, partially disguised platitudes wreck our concentration and ability to assimilate the grit of everyday life—like oysters unable to grind out pearls under the turbulent sea, we are gloppy and cold and undone. But all that is beyond me now. The stars are coming out. I point my funnel tip at Venus and put Dionne Warwick on my portable CD player: “The Look of Love” streams into my ears and the starlight beams through my funnel, directly into my brain. This is the “frame of reference” I drive, walk and run through life looking for as I eat the fried egg sandwich my Mom made me, with a hard yolk on white toast with butter, salt, and pepper. As I chew and swallow, I feel Eros drilling into my forebrain. Everywhere I look, everything I see, prompts love and affection— my car in the driveway, my lawn, the hollyhocks growing in the back yard: everything.

Dawn is breaking. The night sky has disappeared. The sun is headed up to the day’s top floor. I take off my funnel and put it back in its holster. I plug my portable CD player in to recharge on the back porch. In the kitchen, my hope is brewing fresh coffee. My Mom is frying two eggs, yolks hard. The toast is in the toaster. While in the toaster, the lights went out. Mom pounded on the outlet, and all is well.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.


The time is right, the day is long, my socks are too big. Where is my hope—the car won’t start—but the time is still right. Right for nothing, or maybe, reading the car’s owner’s manual which is in German, a language I don’t understand, like religion, or May Day, or lighting a fire, or roasting a chicken. Buck buck ba-dawk-it, not cock-a-doodle poodle! Don’t worry, I’m ok. Just trying to be funny and failing.

Anyway, as I was previously headed to Newark, my foot fell asleep.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

Sometimes impatience is a virtue, but your shoes are scuffed, and worn down and in a state of disrepair. If you need more context to understand what I’m talking about, there might be time find it, but it’s not the on way to San Jose. Just walk in the right direction and your conscience will be cleared, or leave tracks that somebody else can follow. At any rate, calm down.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

That bomb was huge–bigger than huge: gargantuan and don’t get a stiff neck looking at your iPhone!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

Top secret documents . . . does she have anything to say?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

 

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

Police who kill peaceful demonstrators–who commands them?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

What a beautiful spring day–I’m going shopping!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

We’re on our way to–where is it that we’re going again?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Anacoluthon

Anacoluthon (an-a-co-lu’-thon): A grammatical interruption or lack of implied sequence within a sentence. That is, beginning a sentence in a way that implies a certain logical resolution, but concluding it differently than the grammar leads one to expect. Anacoluthon can be either a grammatical fault or a stylistic virtue, depending on its use. In either case, it is an interruption or a verbal lack of symmetry. Anacoluthon is characteristic of spoken language or interior thought, and thus suggests those domains when it occurs in writing.

My Saab averages 30 miles per gallon of gas–who needs a hybrid?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)