Category Archives: syntheton

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


I live somewhere between heaven and hell, New Jersey and Oklahoma, and hook, line and sinker: a trifecta of woe. There is a cloud continuously hovering over my head. It rains on my parade and strikes me with lightening illuminating my inhumanity. I have two arms, two legs, a body and a head that talks, but I fall short of being human.

I have no empathy. I am missing the feeling in my gut that most people get when they witness horror with a human cost—a teenage girl impaled on a tree branch after being hurled from her boyfriend’s pickup truck, moaning with pain in her final moments—bleeding, dying five feet away from where you stand in shock. This is an experience that will haunt you with inner tumult for the rest of your life—with the empathy embedded in your gut. Medication and counseling will help you deal with your PTSD. But me? Nothing.

Or, what about the time I saw a mother (a friend of mine) yelling at her toddler—a little being barely able to understand language. She was blaming the child for her losses at the horse track where we were. She was shaking the child. So far, she had bet on four races and lost them all. She had smuggled the child into the track in her oversized purse. I didn’t care, and didn’t care that I didn’t care.

The child’s name was Marlon and there was a horse named Brando running in the next race: Marlon Brando—it had to be a winner. She hadn’t bet on a winning horse for years—they all lost. At Gamblers Anonymous she had been encouraged to stay away from the track—it was poison to her. She didn’t care. She headed for the betting window with every cent she had. She bet it on Brando and waited for the race to begin. She lost everything. Brando ran last. I felt nothing—it was almost as if nothing had happened. Nothing.

She was crying and banging her head on the track’s rail. Her forehead was bleeding. I felt nothing standing there holding her smuggled child’s hand. “Take the little f*ck!” she yelled as she climbed the pole at the finish line. She reached the top and jumped and smashed her head. The EMT said she died instantly. I felt nothing. I left the child there alone, but I had second thoughts and went back. He was standing right where I left him. I wrote out a note that said “His mother is dead” and taped it to his forehead with a piece of the duct tape I keep in my car’s glove compartment. I drove him to his grandmother’s, rang the doorbell, and ran back to my car. I didn’t want to get involved. I felt that was an improvement over feeling nothing.

I was becoming human.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


Death and taxes, life’s two certainties. But who cares? I specialize in uncertainty, experiencing it and cultivating it. I revel in anxiety—mine and yours. I am a “Worry Wart.” I help free people from the trap of certitude—that bleak unchanging mental place, where you’re stuck in the grip of truth—always, everywhere the same. Blah, blah, blah.

Certainty is like a lump of coal in your stocking on Christmas morning. Santa pulls no punches, so you know you’re naughty. No ifs, ands, or buts about it. That’s it. No room for improvement. No chance for redemption. You think “naughty” is the truth, but it isn’t. A Worry Wart can encompass this “truth” growing over it and masking its effect—it can throb with questions pounding away at the “truth.” What if Santa didn’t put the lump of coal in your stocking? What if Santa put the lump of coal in your stocking by mistake? What if there is no such thing as Santa? Good God!

There is this sweet anxiety prompted by the questions above. You worry. The space between the questions prompts anxiety as you wonder about the accuracy of the naughty-imputation signified by the lump of coal. Where should you turn? What should you believe? The foundation of your self concept has been shaken. The “truth” of the coal’s “naughty” projection has been shattered into shards, which, at best, now construe the possible. But the shards would have to be put back together again. It is uncomfortable. It is disconcerting. It is probably impossible.

Now, you try being nice. It is a choice. “Nice” takes a sort of competence imbued by practice. But you realize that being naughty works the same way. You must desire to be nice. You must desire to be naughty. And what is more disconcerting—you can be naughty and nice. Not at the same time, though. Now you are really provoked! Where does the “wanting” come from? The same place everything else comes from.

Human nature! The womb of human nurture: the social matrix that gives birth to character and cultivates its changes prompted by experience caught in worry, flowing inexorably toward the unknowable future.

POSTSCRIPT

Worry Wart has done it again! Functional anxiety will set you free.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


Love and marriage. Ideally, they go together, but often, there is marriage without love. There are motives that provide a choice, not for better and for worse, but only for better—only until the shit hits the fan. I’ve been married 4 times (so far). My moral compass points in every direction but the ‘right’ direction.

I got married the first time because it was the thing to do. All my friends were getting married right out of high school, not thinking beyond their burger-flipping lives. There was a girl named Lindsey that I sort of liked. She had one crossed eye and excessive ear wax in both ears, and a tic in her left hand. She had beautiful hair and a body shape from a fashion magazine. I figured if I married her, given her maladies she would give me a free hand out of fear that I would leave her. Also, I would never have to worry about her cheating on me—who would want her?

She cried when I asked her to marry me. Her gratitude was nearly heartbreaking. I felt pretty cagey. So, we got married. About six months after we were married, she had surgery, using my medical insurance from Burger King. She was beautiful. She was perfect. I could tell that she was starting to feel too good for me. She started going out at night and coming home at dawn. I wanted to kill her. Then, she told me she was working the night shift at Cliff’s to earn money to help me go to college. So, I started going to the community college, working at night at Burger King. No matter what, my feelings for Lindsey ran shallow. I still did not love her and that made it easy to “experiment” with other women.

The community college was like a delicatessen. I was hauling in more tukas than I ever dreamed possible. I spent nearly as much time in the back seat of my car as I did in the classroom. There was this one girl name Angie who blew all my fuses. When we went at it, my car rocked so much you could hear the gas sloshing in the gas tank. I was in love. So, without any trepidations whatsoever, I dumped Lindsey. We got a no-fault divorce. She begged me not to do it and became clinically depressed and tried suicide. I cared a little, but not enough. I was going to marry Angie, my tue love. I asked Angie to marry me. She told me she was already married and her husband was a dick. Then, I tried to get back together with Lindsey, but too much time had passed and she didn’t want me back anyway. She was pregnant and living with a man who “loved” her. She was happy.

I’m not going to bother to recount all my failed marriages. Marriage #1 was a complete catastrophe centered around my belief that marriage without love would shield me from the ongoing woe that is marriage. There were scales over my eyes when I looked at Lindsey. She loved me, but I didn’t appreciate it. I was an idiot, and I still am. Since Lindsey, I have made roadkill out of every relationship I’ve had, especially my marriages. Coming off of 4 marriages that didn’t work, I think I am a sadist who takes leisure in inflicting pain on my hapless wives. I’m undergoing psychological counseling t figure it all out, and maybe correct myself, and maybe, find love.

POSTSCRIPT

I’ve realized that I can’t be counseled. I have started a torrid affair with my therapist. I think it’s illegal. I am going to ask her to marry me.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


“Good and plenty. Plenty good.” “Big and tall.” It’s all the same. It’s always the same: more, more, more. More is good until you get more frostbite or crap clogging up your toilet. It is the same old thing. You have to ask more of what? more plague? More famine? More worms in your belly? When I was a kid I kept asking for more ice cream. My parents gave it to me to shut me up. By the time I was four, I weighed 300 pounds. I was too big for a stroller, so my parents took me to the mall in a wheelbarrow. It was uncomfortable, but I liked going out. If there was something I really wanted, I would rock my wheelbarrow back and forth. Sometimes my father would get angry and flip me out of the wheelbarrow. He didn’t do that very often because he would have to get three or four people to hoist me back in my wheelbarrow. After Dad flipped me out one time, I rolled to the escalator, bounced down and got my pants caught. They had to shut down the escalator while the 911 rescue team freed me. I peed my pants and was very embarrassed.

Eventually, my parents sent me to a fat camp outside Pueblo, Mexico: “Hungry Dawn.” I was 18 so they thought I could handle it. First of all, the camp staff spoke only Spanish—the name of the camp was the only thing in English. They didn’t care that I could not understand anything they said. For example, when they said “si” I would start looking around for what I was supposed to see. They would laugh and go “Si, si, si” and point all over. But, with diet and exercise, I lost 150 pounds. I subsisted on water and lizards I pulled off the walls. The people running the camp were deeply impressed with my lizard-catching skills and would roast them for me. In crafts time, I made key rings out of the lizard’s skin and sold them to tourists who came to see the Aztec pyramids. I sold them for $10.00 each and made enough money to bribe my way out of “Hungry Dawn.”

I took a bus to Mexico City, and then flew home to Scranton, PA. I got home around 2:00 am. The front door was locked, so I knocked on it. Some big guy in his underwear pointed a shotgun at me and asked what the hell I wanted. I checked the address—it was the right address. My parents had abandoned me. I apologized and took an Uber to the homeless shelter. The driver told me she had just broken up with her boyfriend and needed somebody to fill in. I told her I would be happy to substitute for him. She asked me if there was anything I needed from Cliff’s. “Yes,” I said, “3 or 4 gallons of ‘Carmel Curl’ ice cream.“


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


“Love and marriage go together like a horse and carriage.” This is a song lyric from the mid-twentieth century, when there were still a few horses and carriages around. People would actually know what the lyric meant. But here we are in the 21st century. What’s left that rhymes with marriage? What about: Love and marriage go together like croutons and borage. Or, love and marriage go together like grease and sausage. Or, love and marriage go together like stamps and mucilage.

The further I go with this line of thought, the worse I get. Given my experiences with love, I should shut up. But, there was Rosalie. She was the horse and the carriage. She was like a native-English speaking Melania Trump. She had the looks but she’d never modeled nude, and she had a brain that was beyond mine. She was an AI developer for Eagle Claw Enterprises. When I first met Rosalie, I thought AI had something to do with “indoor” something, like maybe “Agriculture Indoors.” When I found out it was “Artificial Intelligence” I wanted to get some—I had always been a little bit “slower” than my friends. Maybe, if I got enough AI, I could get really smart—like add and subtract without using my fingers or tie my shoes real fast.

Rosalie called me “Mac.” She said it was short for Macho. But, I heard her talking to some colleagues and she referred to me as “Mech” and they all laughed and pretended they were plugging something into the wall. I wanted to know what Rosalie was up to. I got a job as a janitor at Eagle Claw Enterprises. I wore a big black beard so nobody would recognize me—especially Rosalie. The first thing I noticed was a group of hula-dancing hot dogs. They were wearing grass skirts and had flexible toothpick arms and were wearing dark glasses. Wouldn’t you know it? The were dancing to Don Ho’s “Tiny Bubbles.”

I heard Rosalie call my name. She followed that with “You idiot. Take off that stupid beard and leave the little Hula Dogs alone!” She told me she wanted to make me smarter so we could get married and live happily ever after. I would be the culmination of her AI project. We went to her lab. She stuck me with hundreds of colored wires. It took five hours. Then, she flipped five toggle switches, one after another. She told me the process would take another five hours. The feeling was wonderful. It felt like a heated feather duster brushing across my exposed skin.

When the process was completed, Rosalie pulled out all the wires and asked me how much 2+2 is. I said “four” without using my fingers. while I was calculating. We rejoiced and we went home and opened a bottle of champagne. I was smarter. Rosalie asked me if I wanted take out for dinner. I laughed and asked “Why would I want to take something out for dinner? I think I would rather be taking something in for dinner.” Rosalie cried “Oh my God!!” and we ordered take in from Tokyo Corn Dogs.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


Peanut butter and jelly. Perhaps our first lesson in taking delight in the melding of unlike things—we see and taste the compounded edibles juxtaposed on two slices of bread—making a sandwich—a handwhich holding the potentially conflicted elements in a baked vise tightened by our fingertips as we pull out little semicircles following the curvature of our chomping teeth, then swallowing the mashed up mess, and maybe taking a gulp of milk to speed it down our throat.

You can choose what to slap on a sandwich. Whatever lands there, for better and for worse, is held there in your grip. In a way it’s like a belief—you hold it and it projects a future, but you don’t know how it’s going to work out—until you take it up, bite it, and chew it, and swallow it: until you eat it.


But all prepared food, except grilled meat, fowl, and fish, is a mixture—a mixture that is calibrated to the measure of the tongue and the gradual development of taste. Taste: a compelling inducement—maybe the most compelling inducement. The palate is a powerful competitor for truth’s clear gruel-like substance. Truth’s lack of flair, it’s flavorless presentation, it’s nearly invisible presence, has set it above taste in cultures that devalue desire and it’s earthly foundation, even if it may fail to influence anybody to do what’s right or good. But, truth can be put into a sandwich—a sloppy, dripping, tomato-laden, mayonnaise-soaked sandwich. Yum! The truth can taste good when it’s surrounded by condiments. Even baloney can help make the truth effective when it’s smeared with the right kind of mustard.! And perhaps, served with a slice of cheese on freshly baked rye bread.

A Parable of Desire

Once there was a man who loved Subway Sandwiches. He had eaten every sandwich Subway makes and became wise. If he had a decision to make, he would look at the Subway Menu, and remember each sandwich’s effect. One day, he had a particularly difficult decision to make. He had never been circumcised. His girlfriend was pressuring him to have his tip snipped even though he had just turned thirty. He had been studying his wrinkled Subway menu for hours, looking for a sandwich that would help him decide what to do. His eye fell on the Tuna sandwich: “Bite into it, and experience flavour that’s as fresh as an ocean breeze. Submerge yourself in its waves of unique taste!” He thought: “That’s it! I must free myself from staid misconceptions and leap into a new me as a circumcised man, with a fresh loaf of love! My girlfriend will hold me in higher esteem and will court my hooter in an attitude of total desire. Thank you Subway!”

Well, there we have it. For the man in the parable, happiness is a warm bun, packed with tuna salad. It is important to note that palates are as diverse as there are tastebuds. One man’s tuna is another man’s snot. So, you’ve got to discover the non-destructive desires that drive you ahead—the things you like that like you. When I’m in trouble and I need direction, I eat two or three brain-scarring jalapeños. I wear gloves and have a lot of water by my side. When I’m half-blinded and feel like I have a nuclear reactor melting down in my throat, the answer inevitably comes to me in the form of crying and running out the front door yelling “¡eureka!”

So, nobody’s perfect. If you can remember that, you have a chance.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


Up and down. Off and on. Good and evil. Permanence and change. These dialectically situated markers denote the imbalanced trajectories of our lives. We wander back and forth along the limits of their otherness. Sometime for desired purposes. Sometimes by accident. Sometimes by necessity. Psychically, we may fluctuate between up and down, possibly taking medication to pin us to the middle (wherever that is). Physically, the fluctuation may depend on the terrain, as we climb and descend, take off and land.

Off and on: flip the switch due to a desire for light; off the platform, onto the train; off the record, on the record, off the deep end. The tensions involve timing and anxieties over disclosures and unwarranted excesses. Maybe I’m just off my rocker.

Good and evil: Ha ha! Can we get beyond them like Nietzsche asks? That’s all I have to say here, except all they have as markers of these two extremes are paradigm cases, particular instances bearing the weight of their idea as in Nazis and Jesus.

Permanence and change: things are permanently changing. That’s everything, but in infinite ways. The worship of permanence is the greatest and most destructive activity that humans may perform. It leads to apathy, slavery, and an obsession with worship and its means. It marginalizes coping as a fundamental life skill and subordinates everything to rites and rituals as displays of truth’s penetration into suppliants’ forged souls. Change is the harbinger of creativity and the foundation of one’s humanity, allowing for, and tolerating, the cacophony of human existence—the uniqueness of each of us circumscribed by similar exigences—the common experience, the disparate responses that need to be bridged to work collectively— to accomplish the greatest things; the things we cannot do alone: this is persuasion’s work: to build bridges connecting hope and fear, perpetuating persuasion in a spirit of love, the only thing worth retrieving from Permanence’s graveyard and resuscitating in service of persuasion: love.

Listen to public speech. If it lacks a loving tenor you must reject it, but first, you must learn what love is. I think the Apostle Paul can help, in 1 Corinthians 13.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.


Hopes and dreams can frame a healthy attitude toward the future—but realize, your hopes may be somebody else’s fears, and your dreams, their nightmares. Proceed accordingly.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.

Life and death

Hope and fear

Winning and losing

Words have their opposites creating trajectories from one to the other, from the other to the other in dialectical repetitions, in circles unbroken by time, in bent lines.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.

Brownies and ice cream!

Bacon and eggs!

This food and that food, if they belong together, they belong together!

Brownies and ice cream–yum!

Bacon and eggs–yum!

Yum. Yum. Yum. Yum.

They belong together!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.

Eggs and bacon

United on a plate.

White and yellow embryos and strips of pinkish flesh.

Break the yolk and bathe the pork in what could have been a bird.

“Isn’t breakfast lovely?”

“Isn’t this weather is absurd?”

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.

Fire and ice.

Together, we turn to smoking slush.

And then become an ashen paste.

Melted and extinguished by each other’s embrace.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Syntheton

Syntheton (sin’-the-ton): When by convention two words are joined by a conjunction for emphasis.

Time and effort. Truth and justice. Nothing worth doing or having comes easy. Let’s remember this as we move ahead to make a better future.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).