Category Archives: synthesis

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


The sliding dog tried to break the sound barrier, borne on fresh beet booties marinated in vinegar. He was launched on a football field with a small rocket on his red collar, howling his determination and wagging his tail as he sped along. He failed, but he put on a good show for everybody who came to watch him on his 85th attempt. He modeled perseverance. Bobby was the ultimate Beagle—he kept his tail up and his nose to the ground. He enjoyed leg humping, go fetch, rolling in shit, and tugging on a towel.

I got him from an unbalanced rabbit hunter named Fudd. Fudd had 101 Beagles. They overran his life. When he walked around his fenced yard, it was like he was floating on a sea of tail-wagging barking Beagles. As fast as they had puppies, he gave the puppies away. He would put a big cardboard box filled with puppies on the curb in front of his house. The adult dogs lived in dumpsters that were modified to accommodate them with entrance holes cut out with acetylene torches at the bottom corner of each dumpster—there were 70 dumpsters in his fenced-in back yard. The pet store delivered a pickup truck overflowing with dried dog food every week.

When it came time for a rabbit hunt, Fudd would lasso one of his dogs, shove it in a carrier box, and put it on the back seat of his vintage Oldsmobile. They would drive out to the state land tract on the outskirts of town. He would load his shotgun, turn the dog loose, and wait for some action. On this particular day the dog “opened up” almost immediately, but it wasn’t chasing anything—it was just barking in one place. Then, it came out of the woods carrying a sneaker. The dog turned around and went back in the woods. Fudd followed him.

There was a corpse of a middle-aged woman leaning up against a tree. she had been shot several times in the forehead. She was wearing only one sneaker. Fudd commanded his dog to drop the other sneaker. He put a leash on the dog and they got out of there. Fudd had a criminal record and didn’t want to take any chances with the police. They drove a mile up the road and Fudd turned the dog loose again. The same thing happened, only this time the dead person was sitting in a wheelchair riddled with bullets. He was about 70-75 and had note pinned to his chest. It was full of bullet holes and soaked with blood. Fudd could still read it. It said “I did him a favor.” Fudd said to himself “Mercy killing,” leashed the dog and headed with him back to his car.

When he got out to the road, there was a state trooper standing by his car. He asked to see Fudd’s hunting license. Fudd produced it and the Trooper told him “You’re ok” and Fudd put it back in his wallet and decided it was time to go home. The rabbits could wait.

When he got home, his house was on fire and all of his dogs were gone—“liberated” by the local animal rights activists “Barking Up The Right Tree.” Fudd was furious. He called his homeowners insurance agent and put in a claim for his burnt down home.

“Barking Up The Right Tree” was meeting at the “Doozy Duds” laundromat that afternoon. They had five members. Fudd loaded up what was left of his charred pump shotgun and headed to the laundromat to kill them all. He walked in the front door and the first thing he saw was “Bouncy” Barbara Mills. She was the one woman he had loved in a life littered with pain, rejection, and humiliation. Barbaa looked at him with tears in her eyes and said “My Fuddy.” She ran to Fudd, embracing him and kissing his neck. His thoughts of mass murder quickly faded away and they headed for “Slammin’ Chalets” to reconnect.

Believe it or not, they got married the next week. Fudd bought a new home with his insurance settlement. “Bouncy” is pregnant and Fudd has promised to own no more than 10 Beagles. Rabbit pox has caused a significant setback to rabbit hunting. Fudd has started hunting groundhogs and squirrels, and the occasional house cat.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


I had grown a beak. A big yellow beautiful beak. I was wondering why it happened when I thought of my bird feeder. Feeding the birds was my hobby—helping them survive and thrive. My major bird buddies were Juncos, Gold Finches, Purple Finches, Tufted Titmice and one male talking Cardinal. All the rest of the birds just peeped and chittered, but the Cardinal was a real yapper. Christopher Cardinal told bird jokes: “What do you call birds who don’t know song lyrics? Hummingbirds.” That’s damn funny! He could actually sing songs about birds. For example: backed up by the Cat Bird Quartet providing the tune, he could kill the lyrics of Lynyrd Skynyrd’s “”Free Bird” perched on top of the feeder with his Cardinal crest dyed blond:

But if I stay here with you, girl
Things just couldn’t be the same
‘Cause I’m as free as a bird now
And this bird you cannot change
Oh, oh, oh, oh
And the bird you cannot change
And this bird, you cannot change
Lord knows, I can’t change

He would flap his wings when he sang “Cause I’m as free as a bird now . . .” And the Catbird Quartet would bob up and down. I played my “Howdy Doody Peanut Gallery Guitar.” It had a crank that an engineer friend of mine had refashioned to play “Free Bird” over and over again when I cranked it.

Every once in awhile we’d do a night show. I would duct tape my flashlight to a mop handle and prop it up against the front of the house, about ten feet from the feeder. I would turn on the flashing function and we’d have a real light show. We’d do “Rockin’ Robin,” “Robin in the Rain,” and we’d often close with Leonard Cohen’s “Bird on the Wire.” It is totally depressing, but it gives you a lot to think about:

Like a bird on the wire
Like a drunk in a midnight choir
I have tried in my way to be free
Like a worm on a hook
Like a knight from some old fashioned book
I have saved all my ribbons for thee

Wow! And then, last but not least, the Cardinal recites bird-oriented poetry! My foavorite is Emily Dickinson’s “Hope is the Thing With Feathers”:

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all, , , ,

This is all pretty amazing. I feel blessed to have a talking Cardinal for a friend. As long as I keep feeding him and the other birds they all keep coming back for more. Two days ago a Canada Goose landed by the feeder and looked straight at me and said “F*ck you!” I did what I had to do and had roast goose for dinner that night. I blew a hole in the kitchen window screen, but that does not matter. I will not let a goose get away with insulting me.

So, what about my beak? I must admit it’s fake. It is part of the chicken suit I wear around the house, out in the yard, and grocery shopping too. it has an egg pocket in the back that works to lay eggs. Without fail, I lay two per day! Christopher thinks it’s hilarious.

Let just say in closing, after I saw the movie “The Birds” I couldn’t sleep. It made me realize that there are bad birds who hate humans and want to peck them out of existence. In a way they are like my neighbors who want to metaphorically peck me to death with taunts when I play my Howdy Doody guitar or wear my chicken suit to the grocery store. Maybe I could do to them what I did to the Canada Goose.

Ha ha. I can see Mr. Joblousy on his back on my dining room table with his arms and legs sticking up and his butt stuffed with chestnut dressing.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


Rough roads killed my truck. Traveling the outback of West Virginia collecting taxes from tax resisters who are members of the “Death Before Taxes” movement. They raise their middle finger and give a hearty “fuc*k you” to the federal government. They reside in hills and hollows in a corner of West Virginia. They partake of no Federal amenities. They live in waterproofed, fireproofed, insulated, and windowless refrigerator boxes strung together like trains. Supposedly, they are modeled on the homes of their 18th-century Scottish ancestors who settled in the hills and hollows of West Virginia when they were given the boot by the Scottish lairds. Since they’ve been living in close proximity to each other for hundreds of years and intermarrying, they all look alike, almost exactly alike. Half of them have the same first name, so it’s a nightmare tracking them down. They all have a common birthmark: a mole shaped like a turtle on their left cheek, right below the eye. Over time, they have all taken the last name “Turtle” naming themselves after their common birthmark.

Since they need only food, clothing, kerosene, and sundries for their crafts, all the Turtle men work for money. None of them have a car, so they walk everywhere they go. One of the Turtles works as a lawyer after passing the bar exam, by sitting to the law and acting as an apprentice to a notoriously crazy judge. Another Turtle man makes walking sticks for personal defense. They are studded and “accented” by spikes at the end—made to defend. Other Turtles work at the applesauce factory, dumping apples into the cookers and seasoning and stirring them. The applesauce is named “Eve’s Treat” and is popular throughout the Southeast. A small number of Turtle women work in local car washes, drying off the cars. They wear no bras and let their t-shirts get wet. This strategy pulls in huge tips and makes the women among the wealthiest Turtles.

I have to go door-to-door because the Turtles have no electricity and no addresses. Every April I risk my life trying to collect a few dollars from the Turtles. I fail every year because they go and hide in the woods. They yell “Watch out tax man or you will die of lead poisoning.” This year one of the women stayed behind. I recognized her immediately as the girl who had dried off my car two weeks ago when I was plotting out this year’s trip. She had injured her foot helping her uncle k-Mart Turtle making walking sticks. I told her I would take her to the doctor and she pushed me into the ravine running through her front yard. I sprained my ankle, crawled out of the ravine and limped my way back to my broken truck. I batted zero on collections again this year. I called Turtle’s Towing on my cellphone. They refused to help me because I’m a “tax man.” Nobody would help me. So, a US Army tow truck was dispatched to bring my government vehicle to Wheeling for repairs—the muffler had been ripped out along with the brake line.

All I could think of on the ride to Wheeling, was the car wash girl who had pushed me into the ravine. Right before she pushed me, I think I had caught a glimmer of affection in her eyes. I was going back next week to have my car washed again, and confirm the spark of love.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


We went wherever we wanted, whenever we wanted. We were wild. We were young. We were idiots. We didn’t care how we got there. Sure, we walked most of the time—it was cool. But we also hitchiked. We didn’t consider the danger. We were idiots. “We” was me and Bobby Magee. We had nothin’ to lose. Our house had burned down and we had hit the road. I suspected Bobby had done it with his homemade bong—tin foil and a toilet paper roll. He said vapes were for wimps. Everything we owned was destroyed except for the clothes on our backs, Bobby’s harmonica, and his dirty old bandana. .

All Bobby could play on the harmonica was “Three Blind Mice” and “Row, Row, Row Your Boat.” He had had the harmonica for a year and aspired to be a virtuoso like the great Slim Harpo. He practiced his two songs relentlessly. I wanted to run his harmonica through the wood chipper. I dreamed about blind mice rowing a boat to a cheeses factory on the River Styx. I would wake up screaming in my bed like I was rowing a boat. I could smell cheese. It was horrifying.

Of course Bobby didn’t have a job. I worked at home making decorative cardboard gift boxes for a company located in Taiwan. When the house went up in smoke, so did my job. So, I was unemployed just like Bobby. We decided to move to California and start over again. We made a sign that said “Make America Great Again. CALIFORNIA” and started hitchiking. Our first ride was with a guy in camo-painted Ford Bronco. He was driving one-handed with a pistol in the other hand. He pointed it at us and motioned us into the truck. “God bless you” he said and fired a round out his window. Me and Bobby looked at each other terrified. The guy driving said “My name’s Edward, but my friends call me Jesus.” That did it, Bobby pulled his harmonica out of his dirty old bandana and started playing “Three Blind Mice” double time. He was on his sixth rendition when “Jesus” told us the get the hell out of his “all-wheel angel bus.” He pulled over and we jumped out.

We were lucky to be at a rest stop. There was an old school bus that had “Make America Great Again” pained on the side. Given our hitching sign, this was a sure ride. And it was! We were joining the immigrant hunt down on the Arizona-Mexico border. Chip, the hunt leader, assured us we would find “game” and probably knock off a few families. We were the only ones without axe handles, but no matter how much we wanted to “Make America Great Again,” we didn’t want to beat people with axe handles. I made a harmonica sign at Bobby. He got it and pulled his harmonica out of his dirty old bandana and started blowing “Three Blind Mice.” He got through four renditions before they threw us off the bus. It was 2:00 am out in the middle of nowhere.

We decided to use our thumbs instead of the sign. After an hour a Land Rover pulled over and picked us up. It was a married couple on their way to LA. They gave each a bottled water and an apple. Me and Bobby fell asleep. When we awoke we were at a homeless shelter where our benefactors were waiting for us to wake up. They gave us $50 and wished us well. We settled in the shelter. Bobby started playing “Three Blind Mice” and we came close to being thrown out.

Everything has worked out. I got a job picking avocados. Bobby tried giving harmonica lessons but was unsuccessful. Now, he’s writing stories an about a harmonica player named William Honer, and the tribulations he endures climbing the “slippery” staircase to success.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


“Aeronautics: Airplanes and Armpits.” Don’t ask me why I bought this book, because I don’t know. The book jacket pictured a commercial airline pilot in a jet’s cockpit with huge sweat rings under his arms. His co-pilot was making the “PU” sign, holding his nose with an upraised, waving, hand. The blurb said: “Follow Carl Jamesway as he struggles with acute body odor in the confines of a cockpit—trying desperately to neutralize his sickening stench and save his job with “American Jetliners,” and his romance with Jane Crab: buxom former stewardess who is now a Middle School teacher, hounded by the Principal to “give it up in his office sometime after 3:00 o’clock.”

Once I started reading the book, I was gripped—gripped by fear, suspense and disgust. As read, I kept trying figure out how Jane Crab became enamored with Carl, King of Stench. Then, about 20 pages in, we learn that Jane lost her sense of smell in a car accident when she was a teenager. So, she was perfectly suited to Carl. Her only problem was with perfume. She couldn’t tell how much to put on, and it was always too much. However, her strong perfume smell helped ameliorate Carl’s stench. That part of the book was very uplifting.

Next, I started wondering about Carl’s co-pilot. How did he manage the stench on transatlantic flights? Then, almost right after I started; wondering, I found out: he wore a reusable stink and odor filter, an activated charcoal carbon nose filter.

The bulk of the book, though, cover’s Carl’s search for a cure. First, when deodorant failed (as it always had), he wore a dozen pine-tree car deodorizers under each of his armpits. He was no Chevy. They didn’t work. Then, he decided to go “all in.” He went to Peru where it was rumored a stink-removing shaman practiced his magic. The shaman placed two giant leeches under Carl’s armpits for Carl to “feed his stink to.” The shaman turned out to be a con and took off with Carl’s money, leaving Carl to figure out how to unfasten the leeches. This, in my opinion, is the most exciting part of the book.

After the debacle in Peru, Carl goes back home to New York. He is still desperate to eliminate his stench. He knows it won’t be long before American Jetliners gives him the sack. Panicked, he decides to have his sweat glands removed. You’ll have to read “Aeronautics, Airplanes and Armpits” to find out how the surgery goes and whether it solves Carl’s problem.

I can say that the surgery does not go as expected.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


I dreamed again of fields of diamonds glistening in the sun—projecting fiery shards of a powerfully colored spectrum of light. I was harvesting diamonds, picking up the biggest ones from the ground and stuffing them in the red silk sack hanging from my shoulder. The sack said “Three Beers,” the name of the mining company growing the diamonds in the fields, which were in Southern New Jersey, in the Pine Barrens near Buddtown. The fields are surrounded by electrified fences, CCTV, minefields and patrolling thugs from Philadelphia and New York armed with grenade launchers, 60mm mortars, and AR15s.

The harvested diamonds were loaded into armored dump trucks, covered with tarps, driven in a heavily armed convoy to New York, and delivered to The Diamond District to be cut, polished, graded, and sold.

My vivid detailed dreams, recurring over and over again became an obsession. Alone, I began scouring the Pine Barrens in my imagination, knowing I was acting like a mad man, and knowing I would never find the Diamond fields. Yet, my dream wouldn’t cease, as though it somehow connected to my waking life. I dropped out of school when I was sixteen so I could devote every minute of my life to the diamond hunt. My father called me a moron, my mother cried and my little brother wanted to quit the 3rd grade and come with me. I went to Dick’s and bought a back pack, a tent, a sleeping bag, a lantern, a cook stove, eating utensils, a water bottle, a can opener, a Swiss Army knife, some fishing gear, Bic lighters, and a single-barrel .410 shotgun. I had a Sportsman’s license, so I thought I would bag the occasional bass or squirrel, or rabbit and make a meal. I spent all the money I had. I hitch-hiked to Buddtown, found a trailhead, and started walking.

I was like a human bloodhound—sweeping every inch of sand and dirt in front of me, sometimes on my knees. After two weeks, I was ready to quit and go back to school. Since I’d been diamond hunting, my dreams had gone away. Then, one early morning I saw an old main kneeling by the trail and holding something between his thumb and forefinger and holding it up to the light, moving it around, and looking at it.

When he saw me, he pulled out a pistol, pointed it at me, and yelled “Get the hell outta here!” The pistol was old and rusty, and I was sure it wouldn’t work—it looked like something from the 18th century, and so did he. When I called his bluff, he disappeared. But he left what he had been peering at on the ground. It was a shard from a Coke bottle, probably from the early 20th century. That did it! I yelled “Glass!” I flipped out. I lit my backpack on fire, left all my stuff at my camp, except for the .410. Then I woke up—it was another damn dream. I felt a stinging in my hand. I had a small cut on the palm of my hand. There was blood on my sheet, but my hand had scabbed over. I jumped out of bed, fearful that I’d be cut again. I examined the sheets and found a small piece of greenish glass.

The cut hand drove the Diamond Dream Demons out of my head. Now, I have recurring dreams about my 7th Grade teacher. In the dreams, we sit naked on the beach at the Jersey Shore, and she tutors me in math while I sip a bottle of Coke.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


I was surrounded by artichokes, following the slowpokes seeking the Great Artichoke. It was no joke, these oldsters believed they could retrieve their youth—their hair, their waistlines, their butts, and more—by drinking the artichoke’s juice. They all certainly did need some physical restoration, but the notion of a giant therapeutic artichoke somewhere in the fields of Castroville was, to put it mildly, crazy.

They’d heard about Giant Artichokes on one of those alt-right podcasts, where they also learned that Joe Biden is a robot controlled by a Chinese restaurant owner working for the Chinese communist government. Accordingly, we should listen to nothing Biden says, or we will be “communified” and become “brain slaves” of the Chinese government. The show’s host, Rev. Sky Goshawk, sells a number of snake oils: Sin-Free Pork Rinds, Fudge Blessings, Exploding Satan Chasers, and more. The podcast is called “Poisoned Minds,” and it does just that.

My job at the nursing home is to take 4 to 6 people on day trips once-a-week. That’s how I ended up in the artichoke field, wondering what the foray would yield. Probably a chorus of complaining oldsters badmouthing Rev. Goshawk. Then, Mr. Blanko, a decrepit mess of a man, yelled “There it is.!” And there it was: a ten-foot high artichoke. They all had aluminum straws they had purchased from “Poisoned Minds.” They jammed them into the giant artichoke and started sucking away. Old Mrs. Phipps was the first to show effects. She patted her butt and said softly, “What do you think of this?” She went from 80 to 30 in a flash. She was beautiful, with the benefit of her age and experience, she was perfect. All my charges were now in their thirties. I couldn’t wait to show the giant artichoke to the world—what an amazing “cure” to the aging process, plus, I had fallen in love with Mrs. Phipps.

We got back to the home around eight. Everybody was shocked when they saw my passengers. They all wanted to go to the fields, but we talked them down and promised that we would all go tomorrow.

Mrs. Phipps and I slept together that night. When I woke up the next morning, there was an naked old woman lying next to me. It was Old Mrs. Phipps. I shrieked and jumped out of bed. She sat up and said “Oh dear, I must drink more giant artichoke juice.” We got in my car and drove to the artichoke fields. We looked, and looked, and looked but we couldn’t find the giant artichoke.

I was heartbroken, disgusted and confused. When we returned to the home, I sprinted up the stairs, packed and ran back down to my car. The group I’d taken to the fields came running out of the home yelling “Take us back!” They got to my car and started rocking it back and forth. I slammed it in gear, floored it, and took off in a cloud of dust.

“Are you ok?” I asked. Mrs. Phipps answered “Yes” from the floor behind my seat.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

A video reading is on YouTube: Johnnie Anaphora

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.


Below, coral branches create a corridor of color, casting shadows on white and pink sand indented with ripples like sunken dunes. All I can hear is my slow breathing, tuning my body to the slipping currents. There’s more below me that I want to see, but that will have to wait. I lift my head from the water and swim toward shore.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.

We had a way with waves, riding on the surly sea like answers to questions or words wrought to rhyme.

The ocean overlaps the sand and we slide onto the beach, each one of us grateful for the ride. Now its time to light a fire, feel the warmth, have a swig of wine and passionately wish this time won’t end.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.

There is enough beach to teach us a thing or two. This time of the year it’s empty. In a month or two you will be back here, hair blowing in the wind, swimsuit on, sun shining: a perfect day to get away from all your fears. You will ride the surf toward shore, step off your board and do it again.

Summer is the angel of time: absorb the beauty. Live well!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.

I struggle every day with this traumatic century. And sleep comes hard. Always vigilant, always on guard, I fear the unexpected because I don’t know what to expect.  Feeling vulnerable and unprotected I sleep with a brick beneath my pillow, six locks on my door, bars on my windows, and a pit bull on patrol; in control of mauling whatever picks my locks or chops down my flimsy apartment door.

Does anybody else live like me? Behind a tiny peephole with a deeply troubled soul, listening to random gunshots, barking sirens and a blind one-handed neighbor talking all night long? Alone, she babbles on. She longs for love. She longs for God. She longs for noisy war, and always near sunrise, she longs the most for her forever lost Victoria’s Secret thong.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.

I will will to be—so free to be the sign on the wall, a waterfall, a song singing softly at the edge of what you said right before we went to bed and slipped along the sloping night, the holy night, the gauzy night, hot and not, and never right—together, two feathers flicking off the stars, touching each other’s scars in the dim honesty of darkness and the healing glow of sleep.

  • Post your own synthesis on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Synthesis

Synthesis (sin’-the-sis): An apt arrangement of a composition, especially regarding the sounds of adjoining syllables and words.

What a wonderful way to while away the day. Walking along the Bahamian beach–warm waves washing across my feet. I came here from the snow, and now I know why we fly from nearly anywhere to get here–where the days fade into nights, the weather is just right, my cell phone’s gone dead, and what’s right here, right now, fills my head with the promise of another day away.

  • Post your own synthesis on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).