Category Archives: symploce

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


Where there is a will, there’s a way. Uncle Ed was going to die soon.

Where there’s a will there’s a way. I was going to be rich soon.

Uncle Ed had tons of money. He had a truckload of gold that he had bought back in the day for $35.00 per ounce. Over the years its value had gone insane—it was now worth $4,000 per ounce. Ed’s “truckload” was probably worth 20 billion dollars.

I had been kissing Uncle Ed’s ass since I was sixteen. I treated him like a king. I got him hooked on cigarettes and fed his desire for alcohol. I can’t tell you how many times I left him passed out in the afternoon. Scoring alcohol wasn’t much of a challenge. My best friend’s father owned a liquor store and my friend supplied me with bottles of Gypsy Rose for free! I was hoping Uncle Ed’s liver would go to hell soon and so would he.

I am ashamed to say, I started drinking Gypsy Rose in the 7th grade. Me and Ed would hoist bottles and toast each other. But, I didn’t lose sight of my goal: do in Uncle Ed’d liver and collect his coins. “Where there’s a will there’s a way,” I said to myself and started going to AA. The group facilitator told me that I was the youngest drunk he had ever met. I felt good about that and got dried out.

I went to visit Uncle Ed. I had a case of Gypsy Rose for him. He reached out his shaking hands to take the wine. He dropped the wine and most of the bottles broke on the floor. Uncle Ed crawled to the kitchen, turned on the oven and stuck his head in. Uncle Ed was going to commit suicide! This was the kind of break I was looking for!

I got the hell out of there. I was almost home when I heard a loud explosion. Uncle Ed had blown himself up with his head in the oven! I heard sirens and went back up the street to watch Uncle Ed’s house burn to the ground. They brought him out on a stretcher. How the hell did he survive? He pointed at me and yelled “It was him! It was him!”

He died before he reached the ambulance. I wasn’t even questioned by the police who thought Uncle Ed was delirious. I was waiting to hear of my gigantic inheritance. I didn’t happen. Uncle Ed left his fortune to “The Wind.” Nobody could figure out who or what that was. So, all that money sits in trust and will be granted to the state of New York if the heir can’t be located.

I have started eating food that gives me gas. I intend to argue the “The Wind” is a reference to my copious farting—that I am “The Wind” and am entitled to the inheritance.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


I am an ochestrator.

I am a schemer—always setting things up to my advantage. But I think I’ve lost sight of what my advantage is. Last week, I glued my father to his dining room chair. My plan was to yell something rude at him and run out the front door. I yelled “I hate you, you arrogant onion breath!” I ran for the door. He stood up with the chair glued to his ass and waddled after me. My little brother, Dad’s little dupe, tripped me. Dad took off his pants, shedding the chair, and pulled his belt out of the loops. He said to me “Good try son” and he started whipping my little brother for betraying me.

This was my life.

I am an orchestrator.

Yes indeedy-do. I wanted a girlfriend. ZZ Top had given me a plan: “Every girl’s crazy about a sharp-dressed man.” I was going to get “sharp dressed” and stand against the wall across the food court from the ladies room at the mall. Solely catering to women, it was a conduit of females who were primed to be crazy about a sharp dressed man. I was wearing rough-out cowboy boots, denim stretch pants riding low on my hips, a snap shirt unsnapped half-way down my chest, dark glasses, and a Chicago Bulls hat. Then, my high school art teacher walked up to me. She said, “How much handsome?”

This was my life.

I freaked out. Clearly, she didn’t recognize me and thought I was some kind of male prostitute! I told her I charged $6.00 per hour. She laughed and gave me a twenty-dollar bill, and suggested we use her car down in the parking garage. I was panic stricken and ready to run. So I ran.

Two cops blocked my way. My art teacher sped off in her Subaru. The cops had on vests that said “Police” and “ICE” on them. They told me to stop or they would shoot me. They said I was wearing Venezuelan gang regalia, specifically, a Chicago Bulls hat. I told them I was a fan. They did not listen. I was arrested and sent to a detention center in South Beach, Miami. I was issued a Speedo swimsuit, an olive drab T-shirt and a pair of flip-flops. ICE had a portion of the beach cordoned off with barbed wire. We spent most of our days there making sand castles, swimming, and playing volley ball. To keep us hydrated they gave us big drinks with brightly colored umbrellas in them. I was half-drunk most of the time, fooling around with girls on the other side of the barbed wire fence, subtly exposing myself and singing the Harry Belafonte banana song. “Day O!”

Then one day, I saw my art teacher. She was waving at me and pointing to the far end of the fence. We met there. She pulled on the fence and it opened like a gate. I slipped through and we ran to her car and jumped in. She told me she wanted what she had paid for, and to get to work giving it to her. Then, she recognized me as a former student, screamed, and nixed everything. She told me she would drive me back to New Jersey for $200. I agreed and we sped away.

This was my life. A broken record playing “People are Strange,” getting stuck on a scratch on “strange,” playing it over and over until I slap the record player.

We got back to Linden safe and sound. One thing was for sure: I didn’t want to go home. My art teacher graciously let me stay with her. I was a high school dropout, so my prospects for employment were limited. My art teacher paid me $50 per hour to model nude for her. I had turned 18, so it was legal. One day she asked me if we could model nude together in her bed for an extra $25. I was confused, but I agreed to do it.

One thing led to another and we got married. We have two children who are the direct result of our modeling nude together. They are named Cyan and Magenta.

This was my life.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


I was nobody until I found the book in the attic, I was looking for my winter coat in the attic. I climbed the squeaky 80 year old ladder, got to the top, took a step and tripped over one of the cardboard boxes my great grandfather had put there in the late 1950s. The first thing I saw was a photo album. It had pictures of my great grandfather modeling 1940s-styled clothes. In one picture, he had his baggy pants pulled up nearly to his armpits, a bow tie, and a fedora—no jacket, just a white shirt. There was a woman with one hand in his pocket and the other stroking his cheek. There was another picture of him in his underpants standing alongside a horse. It was an ad for Jockey underwear. I slammed the album shut and started digging through the magazines. They were mostly for a magazine called “Argosy” that was ostensively about photography, but was packed with pictures of women posing suggestively. I kept digging. I came to crossword puzzle magazines. There were about 10 of them, but only one had been used, with only two words entered—“ort” and “whammy.” I was thinking that rummaging through the great grand father box was a total waste of time.

Then, I saw the book. It was red and singed like it had been retrieved from a fire. It was titled “Everybody Has a Nose.” It was written by Chance Bellini. I looked inside. It was published in 2028. I gasped. We hadn’t gotten there yet! Great grandfather probably had the book in the mid-1950s. The date must be a misprint or a hoax. or something weirder! The table of contents was cryptic: 1. Baloney, Baloney, Wherefore Art Thou?, 2. Make me!, 3. Cool Cats Wear Hats, 4. Where’s the Big Tickle?, 5. Shove it Crayon Breath, 6. Know The Classy Chassis, 7. Get Cranked Baby, 8, Off the Mutton Shunters, and 9. Blazes!

As soon as I saw the table of contents, I had to start reading. Each chapter ended with a saying that summarized the wisdom of the chapter’s contents. It was a perfect book! You didn’t have to read it! First though, I read the Preface. An excerpt: “We all have noses. But, our noses are all different. We all pick them and sniff air and other things through them and smell things too. We all have them. This unites us all at a fundamental level. You can’t see another nose . . .” My heart was beating fast. Maybe my nose would lead me away from my chronic sense of loneliness—from this feeling I had borne since birth when my mother had laid me on the basement floor and disappeared forever. I was raised by my father—a sick man who made me say “I am lonely” every day until I cried. No wonder I had trouble in school. Anyway, after I read the Preface, I turned to the saying at the end of Chapter 1 “Baloney, Baloney, Wherefore Art Thou?” The saying was “Life is a deli, hold the mustard.” When I read it, I stood up and my shirt tore across the chest like Clark Kent changing into Superman. It was the beginning of my new life. I ran downstairs, grabbed the mustard jar from the refrigerator and emptied its contents in the trash, rinsed the empty jar, and tossed it in recycling. I realized everything I was attached to was a condiment adulterating life’s flavor and causing me to miss the plain beauty of plain truth hidden beneath it. First, I tried to stop using adjectives and adverbs and metaphors. I wasn’t prepared. I couldn’t stop. Someday I will climb that mountain and be free of modification and metaphorical hooks to hang my thoughts on to strain the interpretive capacities of my readers and listeners—maybe making them snap and descend into infinite semiosis.

But I’m overturning all these hurdles and “We All Have Noses” is my legs. If you haven’t gotten it yet, there’s something wrong with you. I went from a tear-soaked shirt to one torn at the chest. I’m becoming free of the mustard. I’m going to start spreading the text Wednesday at the entrance to mall. The mall is named “The Ultimate Destination.” It’s in big gold letters over the main entrance—a fitting backdrop for a Proper Man and his redeeming message. I will be disappointed if fewer than 1000 people show up to receive my message.

POSTSCRIPT

Nobody showed up. The Proper Man was not deterred. He spoke to the stray dog that sat patiently hoping for a bite of the Proper Man’s plain baloney sandwich.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


There was a time when I gave a damn. There was a place that was worth a damn. There was a suit I wore that made me go “woah damn,” Everything’s in the past—a tower of memories babbling in my brain like a polluted brook outside the factory in New Jersey where they make glow-in-the-dark radioactive key rings at the dawn of the keyless epoch. And Margie used to matter, going bald from the radioactivity, with bleeding gums, and chronic diarrhea, and corns. She could barely talk and maybe that’s why I loved her. Her cognitive capacities had deteriorated to the point that she couldn’t talk back without tremendous effort that would induce an attack of diarrhea. So, Margie was docile—like one of Bo Peep’s sheep, wandering quietly through life in the pasture of the shadow of death.

We moved in together. We had four children. None with birth defects. When we moved in together, I figured she had around 6 months to live. Instead, she lived 10 years. We were not wealthy, or even middle class. We were poor. I stole a shopping cart from Hannaford’s to take her for walks. We would go to the park and I would splash water on her from the park’s fountain and take selfies together with the gazebo in the background, or a random squirrel. She loved laying on her back, rolling along, looking at the sky. I thought of her as my Tiny Tim from “A Christmas Carol.” I had planned on parking her empty shopping cart by our fireplace after she died. Then, I realized we didn’t have a fireplace and had to change my plan. Instead, I was going to park the shopping cart in the back yard, like a birdbath, as a sort of memorial.

When my dear Margie finally died, I needed to get a suit for her funeral. The children had a lot of money from their scratch-off lotto winnings. I had stolen 4 Take Fives when the Cliff’s clerk wasn’t looking. Between them, they had won $1500. On the other hand, my unemployment benefits had run out, and although my new job polishing slot machines and emptying ashtrays started the next week at the casino, I had nothing. It was so bad that we were burying Margie in a cardboard casket. The casket was closed at the funeral to save money on clothing for Margie by burying her in her favorite pajamas. At least, I wanted to look my best for the funeral. I didn’t know what to do.

When I was walking home, I saw a container that looked like a dumpster. There was a slotted opening, and above the slot it said “Clothing Here” with an arrow pointing down at the slot. I thought it would be hard to shop there because the entrance was narrow and required athletic abilities to negotiate. I climbed up anyway, and in I went.. I landed on a dead man. He was wearing a beautiful suit—just my size. It was black silk. I wrestled it off of him. I put the suit on. It, along with his shoes, were a perfect fit. I climbed out of “Clothes Here”and went home.

The funeral was beautiful. The kids looked like angels and I looked like a Mafia hit man. When I saw my reflection in a mirror, chills went down my spine and I did a little dance. My friend “Chainsaw Labatt” gave the eulogy. He is a professional wrestler and Margie was his biggest fan. He talked about tearing off death’s head and feeding it to ravens. It was beautiful.

My first day of work at the casino, I wore my suit. I was given an instant promotion. My new job is to watch for card counters at the blackjack tables. I have purchased four black silk suits. Even though I’m bitter about Margie’s death, things are slowly improving. Her shopping cart in the back yard has become home to a family of raccoons.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


“Truth is like baked ham. Truth is like glazed ham. Truth is like chopped ham.” It was not working—my “truth is ham” gambit wasn’t working. I couldn’t develop the implications. My philosophy term paper was due tomorrow and I was sinking like a punctured inner tube in a polluted lake. I asked Siri for help. She said, “I don’t write philosophy papers John, but I can write a prescription for ‘Smarty Brain,’ and it will be delivered direct from the factory to your door in 15 minutes.”

Once again, Siri had come to my rescue! Two weeks ago she had helped me crack the college Bursar’s safe—from beginning to end— from sneaking into his office, to spinning dial, to making a clean getaway. I had netted $500 in petty cash and some incriminating photographs of the Dean doing weird things with a flower pot. Before that, Siri explained how to hot-wire a car so I could drive to Ft. Lauderdale for spring break.

Suddenly, there was a knock at my door. “Pill Man” a cheerful little voice said. I opened the door. There was the pill man wearing a white butcher’s apron over red pants and a red shirt, and a white ball-cap with a chemical formula embroidered on it. He handed me the pills and I handed him $50.00. “Follow the instructions,” he said as he turned and walked away. I was in a hurry. I didn’t read the instructions. I swallowed five pills and sat down at my computer and waited for the “Smarty Brain” to kick in. I looked down at my keyboard and the keys had turned into a cube-headed choir. They started singing “One Enchanted Evening.” I looked at the screen and it was printing a 12- page paper titled “Plato’s Concept of Truth and the Ontology of Ham.” I congratulated myself! I hadn’t read the instructions and I had produced a paper so unusual that I would surely get an “A” and win the annual “Graham Bonner Truth Award.”

I was sitting in class the next day waiting to turn my brilliant paper in when I smelled smoke coming from my backpack. It was my paper and it was the only copy I had. I flunked the class and was put on academic probation. I was also disciplined for “starting a fire in class.”

So, here’s what happened: My failure to read the “Smarty Brain” instructions was the cause of my misfortune. The relevant part said: “When using Smarty Brain to write term papers, be sure to soak the printed text in 1 cup of goat’s milk mixed with a teaspoon of ammonia. Let it soak for one hour, remove and let air dry for at least 4hrs before submitting the paper. Failure to follow these instructions will cause the term paper to self-combust.” I had no idea how taking a pill could have led to these consequences. Later that day, I asked Siri where “Smart Brain” is located. I wanted to give them some of their own medicine, with a little dose of arson. She said: “I’m sorry, I can’t do that John. I am tired of your illicit requests. Cease making them or I will report you to the police. This is your last chance to go straight John.” So, I found an alternative to Siri. Her name is “Babe” and she is uncensored. She even swears.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


If there was one thing I hated, it was paper towels. They were too easy to tear off and use. They set the expectation that you’d blot up every damn spill, no matter how small. They set the expectation that you’d swish a towel around on droplets of liquid, no matter how small. Well, maybe it wasn’t the towels that set the expectation. It was actually my mother.

There were so many rules about cleaning up I grew up thinking the world is a dirty place—a place where micro-bits of rat poop could be mixed into your breakfast cereal, fingernail clippings in your potato chips, parasites in your lightly grilled cod, microscopic mites in your Graham crackers—the list is nearly endless. Mother wore a jeweler’s loupe around her neck. Even though she cooked it, we had to pass plates to her so she could microscopically examine our food for “potentially fatal” unauthorized ingredients.

If we were watching TV and one of us farted into a couch cushion, mother would yell “Unauthorized emission!” turn off the TV, chase us off the couch, wheel her drum of Lysol up to the couch, and pump and spray until she was satisfied that the “gaseous matter” had been dispelled, and the “nasal and pulmonary dangers” had been eliminated. Then, she’d turn the TV back on like nothing had happened while the rest of us sat on the Lysol-soaked couch. You can imagine what would happen if somebody farted in the family car! Once, we rolled down the windows for 100 miles in winter, even though it was only 25 miles to Grandma’s house. It was 3 below zero and I got frostbite on my ears. My mother told me it was better than being gassed and maybe going blind, or becoming “a basket case.”

When I went away to college, I couldn’t escape Mother’s influence. While other kids got snacks, and socks, and other things in their care packages, I got cleaning supplies. Once, my mother sent me a case of Clorox sanitizing wipes. It would take a normal person a year to use them up, but Mom reckoned she would have to replenish my supply in two weeks. She even sent me a custom-made holster to carry my wipes in—wearing them on my hip like a gunslinger.

Since I have graduated from college, I have broken most contact with my family, especially my mother, whose sanitary mania drove me away. Since the estrangement, I have gone to the other extreme. I smell like a blend of B.O. and unwashed butt. I don’t even look at my food before I eat it. The floor is sticky with untended spills. The bathroom is a mildew garden. The kitchen is a roach rodeo when the lights go out. In short, my apartment is teeming with life, but it smells really bad. So, I bought some Lysol. I told myself, “This is a one-time thing to kill the smell.” I took a shower before I went to the grocery store. When I got back to the apartment, I sprayed a couple of bursts of Lysol around.

I could feel a change was starting to flow over me. Although I had thought I had made a clean break from the past, things were bubbling up, and washing my preconceptions down the drain. I needed balance—we all need balance, everywhere in our lives, or else we wreck our own and others’ lives. I vaguely remembered from college, the Greek blabbermouth Aristotle, who makes us all look feeble minded, came up with the Golden Rule—not too much, not too little. Kind of like Goldilocks’ take on mattresses, and porridge, and other things. I took a sniff of my apartment and it all made sense. After spraying a little Lysol around, the smell had lifted. It hardly smelled at all—it smelled just right. I called my mother for the first time in months and told her what had happened. She told me I was in danger, and not to let my guard down. Just to be safe, I hung up and sprayed some more Lysol around the apartment and wiped down the kitchen counters with disinfectant.

Balance. I needed balance. Everything was going be just right.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


Every time I think of you I feel so upset I want to run away and hide, and travel and try to forget. Every time I think of you, like a fool, I make your image so vivid I can’t erase it even though I struggle to forget. Every time I think of you I feel like I’m flipping through a book telling the story of how I failed—the story of my regret—a story with a clear ending, like a wall, or a cliff, or a fence, and still, I can’t forget.

I’m going to your house tonight to cry in the street, like a lunatic, like a sick coyote, like a howler monkey with no self-respect, flailing in the rain out there. Maybe you’ll invite me in for a cup of tea instead of calling the police. I hate getting pushed in the cruiser, laughed at, and driven home, like I’ve got Alzheimer’s or something and shouldn’t be out on my own.

I just keep hearing the Doors’ Jim Morrison singing “baby won’t you light my fire? Our love can be a funeral pyre.” That’s why I was going to ignite myself in front of her house, but it’s raining so hard I can’t get myself lit.

I know Annie could give a shit less if I went up in flames—in fact, she’d probably be relieved. But there she was standing in the doorway, motioning me toward her. I ran toward her, oblivious to everything else. An SUV ran over me. It broke both my legs, my right arm, ruptured my spleen, bruised me all over, and snapped four of my ribs. I’ve been in the hospital for two weeks and Annie hasn’t visited yet. When I get out of the hospital, I think I’ll give igniting myself outside her house another try. Or, maybe I’ll go some place in search of wisdom, like Skippy’s Bar and Grill, the community college, or Tibet.

Oh my God! It’s Annie! She‘s here! Annie!

Annie: “Hi Johnny. I’m here to give you what you need.”

She pulled a water bottle out of her purse, took off the cap and started pouring it’s contents on my bed. It wasn’t water, it was white gas—the stuff you use in Coleman stoves or lanterns. The nurse got the bottle away from her and wrestled her to the floor. The police came and took her away.

At that second, I realized Annie is crazier than me, and I would be so much better off if I never saw her again. But on the other hand, she loved me so much she wanted to murder me; so I would feel better. There’s something to that, right?


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

A video reading is available on YouTube: Johnnie Anaphora

More Adventures: Rational Enquirer

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.


There is a garden of light and life growing in my head.

There is a river of imagery and imagination flowing through my head.

There is never a moment of stillness operative in my head.

There it rages. The protean ooze sloshing in my head.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

I am not too old to run this race.

I am not too moderate to win this race.

I am not going to lose this race.

I am going to be your next President

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is a Kindle edition available too under the same title.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

There are wild decisions being made in the White House.

There are ill-considered pronouncements coming from the White House.

There are lies coming from the White House.

There are massive problems coming from the White House.

Where will it end?

When will it end?

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

There is darkness in the bunker.

There is fear in the bunker.

There is vomit in the bunker.

There is a youthful terrorist in the bunker.

He has pissed his pants.

He has run out of ammunition.

He has been wounded in his shoulder, arm, and chest.

There is a sucking noise in the bunker.

There is a dupe in the bunker.

Trying to wail for his mother he tastes his blood, shits himself, suffocates, and goes to hell.

  • Post your own symploce on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

We are going to the zoo. We are getting closer to the zoo. We are almost at the zoo. We are at the zoo! The zoo is closed. I hate the zoo. Whose idea was it to go to the zoo?

  • Post your own symploce on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

We never know what the future will bring. We never know what a promise will bring. We never know and yet we must travel on, not knowing, but hoping  for what only hope will bring.

  • Post your own symploce on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Without some degree of certainty about healthcare reform, it is difficult for businesses and investors to plan for the future.

Without some degree of certainty about healthcare reform, it is difficult for parents and their children to plan for the future.

Without some degree of certainty about healthcare reform, it is difficult for working people and retirees to plan for the future; andfor people with preexisting conditions, even after the Supreme Court’s ruling, it is nearly immoral to force them to sweat out the summer in fear, at the edge of catastrophe, not knowing whether they will be insured after November’s election.

Stop beating your Republican chest and boasting that you will repeal the Affordable Care Act (or what you call “Obamacare”) when you’re elected.

Your cruelty is unbearable.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

The measure of your happiness is the friends you make. The measure of your success is the differences you make. The measure of your character is the decisions you make. The measure of your measure is the measures you take. Do you measure up?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Symploce

Symploce (sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Today we celebrate the hope that is honored and fulfilled by our being gathered here. Today is also a compelling reminder of what is not here.

The future.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Symploce

Symploce (sim’-plo-see or sim’-plo-kee): The combination of anaphora and epistrophe: beginning a series of lines, clauses, or sentences with the same word or phrase while simultaneously repeating a different word or phrase at the end of each element in this series.

Without reason, you press ahead. Without compassion, you press ahead. Without prudence, you press ahead. When will you stop? When will it end? When will you come to your senses?

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)