Category Archives: metalepsis

Matalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


“You’re like a roller coaster: you go up and down and give me a thrill.” My wife told me this on our 30th wedding anniversary in front of our children and grandchildren. Our 16 year-old grandson applauded and said “Way to go Grandpop—you’re a legend. Keep it up. Ha ha!” My sister blushed and said “I don’t believe you! He always looks like he’s going to collapse any minute, or just have a heart attack and die.” My wife said “If you only knew Betsy.” Our son Ed said “We all know mother’s fading into dementia. Let’s just leave alone.” Then, with a sarcastic tone he said “It’s OK Mom. We believe you. Dad’s always been a bit rambunctious.”

That did it. I had taken a selfie video clip of us doing it the the night before. I pulled out my cellphone and yelled “You want proof? I got proof—right here in my phone!” I held up my phone and aimed its screen at my family. My daughter screamed and in a panic driven voice, told her children to “shelter in the kitchen.” All the kids scrambled into the kitchen except my 16 year-old grandson who yelled “I’m ready for some proof” and stood his ground.

I yelled “Do you really want see this, or are you going to take her word for it? I’m still good for a jounce, and I hope I will be until the day I die.” They capitulated. The kids came out of the kitchen and we resumed our celebration.

However, I couldn’t help noticing how my son’s third wife Tember was eyeing me. She was blushing and staring at my crotch. I asked her if she wanted something in particular. She looked away and ran out the front door. I was going to chase her, but I decided not to. My son didn’t need a fourth wife.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


“You look like a dido with arms and legs.“ I had done it again. Ever since I had studied the Stoics, “I told it like it is.” My arrogant rejection of euphemism and flattery had destroyed my social life, but it had cultivated my moral life (so I thought).

When I called my wife a dildo, she hit me over the head with a wine carafe. Then, she wrapped a towel around my bleeding head and drove me to the hospital. I had to get 96 stitches across my forehead.

My wife still looked like a dildo.

Why did she look like a dildo? When I asked myself that question, I realized that the source of my comparison was not honesty and forthrightness—it was error. It was my addiction to pornography. Lately, I had been watching videos that “starred” dildos. I was becoming a dildophile and, maybe, I would start a collection of dildos from around the world. I even had a lewd fantasy of giving one to my wife and asking to watch her use it. I was lost in porno hell. I tried to quit, to wean myself from the filth. I watched “Partridge Family” and “Brady Bunch” and “Andy Griffith Show” reruns, trying to realign my moral compass. But sadly, my moral compass unerringly pointed to dildo. It was like every road led to dildo. Uh ad to shake—I had a dildo on my back.

So, I pretty much failed to cure myself of my dildo fever. None of the remedial videos worked. I even had a dream about Barny chasing Aunt Bee around the kitchen waving a purple dildo. I dreamed about the Partridges singing into dido microphones and drumming with dildos, backing up the bass dildo and the rhythm dildo. My “Brady Bunch” dreams were so terrifying that I am unable to recount them without suffering PTSD.

So, I capitulated to my dildophilia and developed a nightclub act where I told off-color jokes about dildos and juggled up to 5 dildos at the same time. I would come on stage when the pole dancers took a break. I would lay my didos on my folding table, pick one up and fondle it, then pick up a second dildo, rub them together, and begin juggling, and engaging my dildo-joke patter. For example: while juggling my dildos, I’d say “Dildos are great meat substitutes.” I stole most of my jokes from the internet.

My act was gaining in popularity, and I started to accept my addiction. They started calling me “Dildo King.” A Chinese dildo company “Lucky Stroke” offered me $500,000 to endorse their newest product “Substitute Teacher.” They advertise their dildos as “tools of love” and provide instruction manuals and a “choice of colors” tool boxes. I took the offer.

I am featured on porno sites all over the world. I love the way I sound in German dubbed in over my actual voice. Next month, I am going to Copenhagen for the annual “Porno Pioneers” gala. The oldest living porn star will be in attendance—Tawny Humper. She is 97 years old and inspired Elvis’s “Love Me Tender.” She will be receiving the “Porno Pioneers Life Achievement Award” commemorating her arrest and jailing in New York for “acting in a blue film.” The title of the film was “Rear Ended!” and it was about a woman who was struck from behind while she was driving to work, when she stopped at a stop sign. After being offered a meager payout, she seduced the car insurance adjuster for a higher payout for the damage to her car, and then, blackmailed him.

Anyway, I gave up the Stoicism and have considerably widened my circle of friends. However, there’s one Stoic precept I still entertan: “You have control over your own thoughts and actions, but not over the thoughts and actions of others.” Marcus Aurelius. This guy knew what he was talking about. If you take this to heart, a huge swath of futility will be cut from your life.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


Now there was a canyon in my garage. It wasn’t grand, but it was bigger than my foot. The block and tackle had snapped. The ‘57 T-Bird motor had crashed-landed on the concrete floor. The oil pan was destroyed, but there was a dim light shining out of the crank case. It was eerie, spooky, and scary, and more. I yelled into the motor, but there was no answer. The light just kept on shining.

I was all alone in the garage. My wife had gone to visit her mother and my daughter was away at college in her junior year at Reed College. She was studying anthropology—but that was beside the point right now! Then I thought—Anthropology—hmmm—maybe we could excavate the T-Bird’s engine and treat the light as a natural phenomenon to be scientifically studied instead of a supernatural phenomenon—a ghost in the motor. I called my daughter. It was 2.00 am in New York, but only 11.00 pm in Oregon. She picked up the phone. Quicksilver Messenger Service was playing in the background—“Take Another Hit.” Typical.

I explained what had happened. My daughter told me the only way to “really find out” what’s going on in there is to go inside and find it. She told me she had a professor who was an ethnoherbalist. He had just returned from an expedition to an undisclosed location in Iceland, where he had unearthed a trove of Viking “Altitude” potions—medicines that could make them shrink for concealment, or grow for battle. We could use a “shrinker” to get inside the engine and look around. My daughter said she would talk to him. I was skeptical. It sounded like a nutty professor story from the “Twilight Zone.” She called in the morning and told me it was ok, but on one condition: he would accompany me into the engine. I agreed. He was flying out to New York that afternoon and would meet me at the airport. I was still skeptical.

I picked him up and we drove to my house. He was at least seven feet tall and had huge feet. He had only one eye. I asked him how he lost it and he said “None of your fu*kin’ business.” So, I left it alone. We went out into the garage and took the “get little” pills. We had one hour to get in and out of the engine. If we failed, we’d be crushed as we grew back to our normal sizes. We shrunk to about 1” tall. We climbed in through the oil pan and over the crank shaft. We could see the light shining from one of the pistons. He climbed up the piston rod to check out the light. He yelled down to me that it was some kind of phosphorescent material and he would scrape it off and put it in his specimen bag, and we could examinine it when we got back out of the engine.

He had a tool like a small putty knife. He started to scrape and there was an explosion that blew me back out onto the garage floor. I climbed back into the engine to look for him, but he had disappeared without a trace. I called, no answer. Time was running out, so I had to get out of the motor. Right on schedule, I got big again. After nearly endless inquiries, it was determined that the professor was missing. I never told anybody about out trip into the engine. My daughter knew what we had done, and she kept it quiet for our sake.

I restored the T-Bird to its original condition. The strangest thing though: when it idles in neutral the engine sounds like it is saying “None of your fu*kin’ business. None of your fu*kin’ business.”


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


I am the screwdriver man. I have screwed many screws, making them go round and round, driving them to the finish, into soft wood, As in a 500 mile race at Indianapolis, fastening, fastening, fastening up to the finish line, The screw is mightier than the sword. You can’t just pull it out. You have to unscrew it!

But the screwdriver is the screw’s master—it is an affair of the heart—it is love at the first turn of the screw— it is Romeo and Juliet—star crossed tool and fastener, made to bind things together—to eclipse the dowel and the nail: fasteners of a baser shade, furiously beaten by mallets and hammers, not the sunshine of love ignited by the screwdriver’s spinning waltz with its chosen screw: together, screwdriver and screw connect and bore into the wooden plain like lumberjacks looking for the wood of gold. Will a lasting connection be made? Yes! The screwer, the screwdriver, and the screw will bring things together in a relationship deigned to last, and perhaps, to outlast the screwer’s screwing in the sun, snapping his mortal coil.

Anyway, I currently use a “Whip Tip” racing screwdriver. It is made in Germany where all great tools are made. When I started my career as a competitive screwer, or “screwy,” my father gave me his screwdriver—a Stanley Spinner. It was made in China (not Germany). Also, it really wasn’t designed for competitive screwing. It had a clear yellow plastic handle with a black rubber grip-improving sheath. The shaft was silver—garishly chrome plated. The blade seemed sturdy—like it could take the rapid hard turns that competitive screwdriving is known for.

Briefly, the first competition went badly. I inserted dad’s screwdriver into the screw’s slot. The slot was deep. The blade fit well— no wiggle, tight. The starting gun fired. I started screwing like my wrists were lubricated with WD-40. I was like wrists of fire. I had been following the exercise regime in “Screwing It,” by Philip Head. He was known as “The “Screwing King.” He lived in Germany’s Black Forrest where he made world-famous Cuckoo clocks, held together entirely by beautiful brass screws. Anyway, I was furiously turning my screwdriver when I had a catastrophic handle failure: the plastic cracked making the screwdriver shaft a free-spinning non-sequitur: killing the screwdriver’s capacity for screwing. Out of anger, I started stabbing my workbench with my screwdriver. A judge saw me and I was escorted out of the venue by a giant usher. He said, “I know how feel,” as he pushed me down onto the pavement. I considered stabbing him with my broken screwdriver, but decided not to. I wanted to be around for next year’s competition.

So, here I am—competing again. I’m clutching my German “Whip Tip” in my fist. In practice, I’ve got my screwing down to 2.6 seconds—almost a world record. Oh damn: there’s Philip Head. He’s competing. He’s holding a screwdriver that looks like it’s from a science fiction movie. I can see through the plastic handle that the screwdriver pivots on ball bearings. The shaft has a diameter the size of the handle and appears to be made of lead, for extra pressure on the screw head. Mr. Head’s innovations are too much for me.

I dropped out of the competition, and, clutching my “Whip Tip” caught a bus home. My dad, trying to be funny, said “Screw ‘em” when I told him what happened. Crying, I went out to the garage and starting screwing things together. I had to put a drill into play. I screwed the lawnmower to Dad’s car. I screwed the chainsaw to the wheelbarrow. I screwed my bicycle to the workbench. I had gone insane! I called my therapist and told her what I had done. She told me to pack a bag and catch an Uber to “Head Games,” the new mental hygiene facility near the county landfill. She would call ahead an set things up. I knew I could get well if I could get rid of my “Whip Tip” and say goodbye to competitive screwing. As we we rode along, I decided to throw my “Whip Tip” out the car’s window. That was a mistake. I speared a bicyclist in the leg. I called 911 as we sped off to “Head Games.” I was looking forward to taking medications and was hoping there would be a good snack time.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is available

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


Mike Melrose: Do you leave your chewing gum on the hood of your car overnight? How about on your wife’s forehead? How about your i-Pad screen? How about between your toes? I know you think you know where I’m headed here. Ok, the diversion’s not working. I know why I’m here. The bars give it away, and it’s true—there are men in white coats everywhere. I know it was a struggle getting me here—especially wrestling the garden rake out of my hands and hog-tying me with zip-ties. But after the orderly hooked me up, and the electric current coursed through my brain this morning, and the Thorazine this afternoon, I am calm and docile, if not sane. Turn on your recorder and get out your notepad. I want to tell you the truth, the whole truth, and nothing but the truth.

My life was completely normal. I supervised an animal shelter called “Four-Legged Fugitives.” The shelter’s name was self-explanatory: we didn’t take birds, snakes, kangaroos, fish, frogs, toads, or rabbits—just dogs, cats, rodents, and turtles. I loved my job. Animals were frequently abandoned on our doorstep in travel cages. We also found a few wandering the streets of Jersey City. Once, we found a turtle coming out of a bar. They had put him up on the bar and fed him some Jack Daniels from a shot glass. It wasn’t funny at all. The poor turtle had gotten one of his legs stuck in his shell. We took him to the shelter and he slept it off, and his leg came unstuck the next morning. Then, there was the Chihuahua/Pit Bull mix. He was the most viscous, incorrigible, monstrous dog I ever met. He was brought into the shelter on a Hannibal Lector Transport Device. He was the first dog I ever saw wearing a hockey mask. He had chewed off and eaten his owner’s index finger. His name was “Down!” One day a family—parents and a little boy—came into the shelter looking for a dog. The little boy ran to Down!’s cage. And there was Down! Laying on his back, tail wagging, as if he’d never eaten a finger. The family took Down! home, and we read in the paper how Down! had saved the family from would’ve been a fatal apartment fire. He woke up the family by chewing on the father’s index finger and growling loudly.

Now, we come to the crux of the matter: the cat. One day a beautiful cat showed up on our doorstep. It was shiny, sleek, and black, with white hind paws. He was wearing what turned out to be a turquoise-studded collar. The was no name tag. I looked him up on Google and found out he was a Siberian Forest Cat. His feet were huge, like snowshoes for walking in snow. His eyes were bright yellow, and his bushy tail would stick straight up in the air. I adopted him and brought him home in his crate. I bought cases of “Ten-Thousand Tuna Treats” and “Fancy Feast.” Of course, I got him kitty litter, and a kitty litter box. We were off to a great start. Then one night while we’re lying in bed, he looked at me and said: “I want to be a stand up comic.” He said, “if you don’t go along with this, I’ll scratch out your eyeball, and they’ll call you one-eyed Jack.” My name Jack, so the joke was pretty funny. Now I k new what to name him: Mr. Ed, after the talking TV horse. I was disappointed when Mr. Ed stole Steve Martin’s cat routine: catastrophe, catamaran, Catalina, Catalogue, Catfish, etc. I told him he was a thief and he lashed out at me, hissing, scratching, spraying. He was on my face and, as you can see he made my forehead into hamburger. I pulled him off my face and threw him at the wall, I thought I had killed him. The neighbors reported the ruckus, the police came, and here I am.

Doctor: Mr. Melrose, your story differs significantly from Mr. Ed’s. First, “Mr. Ed” is a six-year-old boy that you abducted from the park—he isn’t a cat, and his name is Ted. There is nothing wrong with your forehead. Your cat fixation and the vividness and persistence of your hallucinations are deeply disturbing and we’ll work on that while you’re here in the New Jersey State Casa Pazzo. In the meantime, the police are charging you with false imprisonment, assault and battery, attempted murder, and torture by force feeding Ted “Fancy Feast Pig Liver Slurry.”

Either you’re lying or totally crazy, or both.

Mr. Melrose: Goddamn cat.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is available

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


Your dreams are nightmares waiting to hatch. They’ll be featherless and will crash when they jump from your mind-nest out into the world. I can hear them bouncing off anybody who will listen and who will get a good laugh as payment for their wasted time.

I just don’t know what else to say. Dreams are like cheese, and cheese is like truth. There are so many different cheeses, likewise there are many many different dreams. You have cheddar, you have the “can’t open your locker dream.” You have feta, you have the “teeth are falling out dream.” This list is endless. But, then there’s truth—it goes well with cheese: like a delicate cracker with just the right amount of salt, and shortening, and gluten. Mmm! I’ll have some of that! Give me a slab of Port Salut on a warm truth-cracker! In a way, dreams follow the truth around like a child chasing a butterfly. The child will never catch the butterfly and would not know what to do with it anyway, like an electric drill, or a motorcycle, or a federal income tax form. You just yell at the kid: “wake up,” and that usually works. If it fails, make sure they major in philosophy when they go to college. A sort of cordial recalcitrance, or witty smugness will take them far, perhaps as far as a PhD.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is available for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.


Your tongue is mightier than the spoon. It’s like there are professional wrestlers doing battling inside your mouth. Who will win? The peas or the carrots? Crazy meal! Your dinner’s but a load of freight packed between your jaws.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is available for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.

You are a meat head.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. A Kindle edition is available for $5.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.

Your imagination is an empty stretcher in an ambulance headed to Duncan Donuts.  Your dream is to fill the stretcher with strawberry frosted donuts, and wrestle playfully with Mike Pence and Vladimir Putin on the stretcher as they squat inside your head, clutching donuts and growling and smiling at you, who, as a matter of fact are holding a Nutella filled sugar donut in each hand.

Wow!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.

You see yourself as a bridge over troubled waters–to me you’re a doormat over dog poop.

  • Post your own metalepsis on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.

Tomorrow, I’m headed to San Fransisco to get my heart back. Please remind me not to leave it there again!

  • Post your own metalepsis on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Metalepsis

Metalepsis (me-ta-lep’-sis): Reference to something by means of another thing that is remotely related to it, either through a farfetched causal relationship, or through an implied intermediate substitution of terms. Often used for comic effect through its preposterous exaggeration. A metonymical substitution of one word for another which is itself figurative.

You’re such a shoe head–Birkenstock, Gucci, Puma, Nike, Bass, Timberland, Crocs, Nine West, Marc Jacobs, ECCO, Zanotti, Clergerie, Vacini. Yikes! Your closet looks like Zappos’s website!

  • Post your own metalepsis on the “Comments” page!

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).