Category Archives: effictio

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


Tall. Blond hair. Blue eyes. Skin the color of Crisco. Tall. Black hair. Brown eyes. Skin the color of milk chocolate.

What is this? What about muscles, and boobs and the nose, and the lips, and the teeth and the ears? What about them? How about feet and ass and shoulders? Are we moving from waypoint to waypoint—headings on a map to acceptance or rejection.

We don’t talk. We look—we don’t look and listen too. We look and fantasize and hope our looks meet some standard—a standard displayed all over the place in media images.

But why? Is there some sort of connection between looking good and being good? And this is the big question: Where does the standard of beauty come from. Why is it’s achievement unobtainable for 99% of us no matter what we do? There’s always at least one glaring imperfection that thwarts our quest to “look good.”

But, since most of us don’t measure up, there are a lot of fellow travelers to choose from. We say “Oh fu*k it” and jump into the pool of uglies that nearly covers the entire face of the earth. That’s where I met my wife: flat chested, almost invisible ass, thinning brown hair, skin mottled with various-sized moles, teeth in need of bracing, elephant ears, size 12 foot, minor drooling. I was not much better: 2 inch penis, balding, chronic double vision, half deaf, walk with a limp, chubby, B.O., nose like a traffic cone, claw hands, skin rashes from multiple allergies.

We took one look at each other and decided we couldn’t do much better than each other. It wasn’t clear who was uglier, so that set a level playing field between us. We quickly learned that looks do not matter on love’s voyage. What matters is character—what induces trust and desire: that makes you glad to see each other, glad to do things together, and want to have a child together. So what if your jeans don’t fit. So what if your hair’s falling out. So what if you’re covered with moles. So what if your hands are like claws.

Our daughter Rushy is pretty ugly. She’s about a 50-50 combination of her mom and dad. We hope she sees her gross body as a blessing, not a curse. So far, she sees it as a curse. Once she realizes the futility of trying to become beautiful, we hope she finds somebody uglier than her to love. In a positive development, she has subscribed to “Ugly Duckling,” a dating site for people that are “hard to look at.”


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


So much is bound up in what we look “like.” Our bodies are the reservoir: What a babe! What a dog! Nice ass! Your nose looks like a shark fin! Where’s your hairline? You look like an alligator with boobs! You could ski with those feet! You’re so ugly you make onions cry.

On and on they go—rude, nasty, often hurtful. Even brutal. Even the complements above shadow insults: “babe” and “nice ass” aim in a negative direction. Sure, we call people beautiful, and handsome, and fit, and attractive, but it is rare that we say anything about the body that evokes a judgment that isn’t somehow rude or weird, or flattery.

I have a “button nose.” That’s a compliment? I think it’s an insult. Body builders probably have a vocabulary of body-praise that is commensurate with their valued goals—all coming down to “rock-hard, toned and pumped up.” The body’s shape can become distorted—a small head resting on a giant body rippling like a lake of meat.

I think I’m getting lost trying to make a point about bodies, which are usually referred to as such when they’re dead, or depressions filled with water, collections of stars, objects in motion, or medicinal cures as in “anti-bodies.”

My Uncle Willie is a hunchback and proud of it. He has a sweater knitted like a target that fits over his hump. He had his hump tattooed like a snow-capped mountain in a sort of Japanese Mount Fuji motif. When people asked about his hunchback, he would say he was pregnant. Sometimes he would joke and say “I wish I could get this thing off my back.” Sometimes he’d go to Church dressed like Quasimodo, the hunchback of Notre Dame, and yell “Sanctuary” at the end of the service. He would jokingly tell people who asked about his hump that they could touch it for $50.00 cash.

Uncle Willie was a handsome man. He was tall with black hair and gentle blue eyes. He had the grip of a pipe wrench. In addition to the mountain tattooed on his hump, he had an angel with its wings spread tattooed on his chest with “Love Will Set You Free” inscribed beneath it. His face was filled with kindness mainly communicated by his lips always being slightly upturned. Uncle Willie had a pierced ear—he wore a diamond stud that sparkled when he moved his head. He always wore his Rolex. It communicated his wealth which was substantial. Last, he wore black Blundstones giving him a certain “je ne sais quoi” when he wore them with a suit. He had the aura of a movie star.

Uncle Willie has a wife and two children; a boy and a girl. His wife is an attorney and his two children are geniuses. At the ages of 17 and 19, respectively, they had invented an electric heater that can be plugged in the wall and heat your whole house for just pennies a day. They’ve made millions.

Where am I going here? I really don’t know.

I think I’m trying to make a point about the body’s surface and the importance it has in a constellation of critical judgments we may make about our fellow humans. This is probably the usual bullshit admonition about judging books by their covers, but it nevertheless rings a bell. Using the “cover” as a criterion for the next step in love saves time. It may be shallow, but it’s a starting point.

What you see is not what you get in a relationship with another human being. First impressions may last for awhile, but awhile isn’t good enough with something that’s supposed to last until death. Twenty year-old her or him is not 60 year-old her or him.

The saggy boobs and the limp wiener have arrived. Where did your love go? To the soul. To character. To mutual respect. To trust. To devotion. You look at him or her and you see a good person.

You feel warm inside.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


He was the tallest man in the world. His name was Ted. He worked in the Blim Brothers Sideshow. When he stood up he was nearly nine feet tall. For one dollar, he would put a ring on his massive finger and let you pull it off. The ring was made of lead with “Tallest Man in the World,” and the year, engraved on it. Ted’s head was like a large watermelon with dark brown hair on top. He had brown eyes and beautiful teeth—when he smiled they looked like the mother of Pearl handle of my straight razor! Of course, he had massive shoulders. There were no off-the-rack clothes that could fit him. His mother still acted as his tailor, making him quite fashionable looking clothes. She even made him a “skinny suit” to wear to his sister’s wedding. His shoes were custom made too. He preferred suede swashbucklers—size 18. They cost over $400.00 a pair. So, Ted only wore them to work. Otherwise, he wore flip-flops made out of all-weather tires. “Just in case” he had a pair made out of snow tires.

Ted has trouble walking. It’s a consequence of his height. He has a custom made walker that is 18k gold plated and encrusted with Swarovski Crystals. It is quite beautiful—the way it flashes in the light.

My name is “Botch.” It’s a nickname from frequently screwing up. I’m used to it and it doesn’t hurt my feelings any more. I work as a handyman for Blim Brothers. That means that just about anything that needs repairing or adjusting comes my way: from a trapeze to a tent. I’m also pretty good with a shovel. My wife is a seamstress, repairing and making costumes. Our daughter, Lux, is 19 and runs the box office and handles the accounting—she has a degree in accounting from “Column B.” It is an online school. It is unaccredited, but it was cheap.

Lux is in love with Ted, but she does not know what to do. She said: “He’s so big. It would be like dating a tree.” I told her to just go ahead—to talk, to get to know him and then worry about dating. So, they met and they talked.

Lux wasn’t happy about their meeting. Ted had insisted she sit on his lap like a dummy. Ted put his hand up the back of her sweater and told her to speak whenever he scratched her back. He asked if she liked him and scratched her back. After how he was acting, she sad “No” and Ted pushed her onto the floor. “That’s assault!” she yelled. Ted stood up used his walker to quickly leave the room.

We couldn’t bring charges against Ted or we’d all lose our jobs. We sucked it up and went on with our lives. Then, 1 year later, Lux became pregnant and she told us Ted was the faher. When she told me, I got this image in my head that I can’t erase. I am ashamed of myself, but I can’t do anything to get rid of it. Lux had a Ted-sized baby. She was in labor for three days.

Lux and Ted got married and they are quite happy. The dummy incident is long-forgotten.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


“Five foot two, eyes of blue, has anybody seen my gal?” Why not seven foot eight, feet like crates? Or, four foot nine, big behind? I don’t know and I don’t care. To each his own. Beauty is in the eye of the beholder. Preferences are extensions of our freedom, but they are also founded in what we’ve been taught, for better and for worse, over the course of our lives. Taken on faith as unshakable foundations of thought and action, learned at the knees of respected authorities, as children we imbibed them without the critical apparatuses that come with age. As such, they may be immune to revision as “common sense,” “first principles” or “self evident truths.”

I was born with very short limbs—about six inches long. I’m not five foot two and I don’t have eyes of blue. I am “Turtle Boy.” I wear a realistic plastic shell and appear in “Chessy’s Rolling Freak Show.” We travel around the US in 2 motor homes, a camper van each, and a tractor trailer. Those of us who need it have a camper van driver. We do mostly county and state fairs. I am the main attraction, the king of the road. I make over $200,000 per year and live comfortably in Sarasota, FL during the off season, where I do the occasional birthday party for some rich family’s spoiled kid.

I have the same desires as everybody else. My parents loved me more than anybody can hope for. Although I resisted, I ‘m glad they gave me to Mr. Chessy, who has always been as kind and loving as my own dad. My parents still visit me in FL and we have a great time. I have professed my love for two women in my life and was quickly and forcefully rejected. It hurt so bad both times, but the second time was the worst. She made me think “I was the one,” while in reality she was trying to woo me away from “Chessy’s” and being paid by “Rumpo’s” to make it happen. When I eventually refused to join “Rumpo’s”, she called me every turtle boy insult in the book and smashed my shell to smithereens with a bar stool, almost killing me.

Well, despite all the hell I’ve experienced, I’ve hooked up with Sarah. She’s a contortionist. Part of her routine is to pose like a crane on my shell as I slowly trek across the stage. She’s on one leg and her balancing ability is almost like magic. When we retire to my van, she gently removes my shell, gives me a sponge bath, and applies skin lotion to my whole body. When we do other more intimate things, I feel like I’ve been liberated from solitary confinement—from a life sentence in hell pronounced on an innocent man by a jury of vindictive space aliens.

I want to marry Sarah, and live to old age with her. I am confident she will say “Yes” when I ask her to marry me. My confidence comes from our common bond as freaks, and the needs and desires we fulfill in each other’s lives as human beings.

Love has no limits: it may be borne by those we love, but it is the soul that animates love, as the movement of right desire toward the threshold of wonder, reaching out with edifying joy.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is also a Kindle edition available for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


It wasn’t my birthday, but I looked 75–almost 80, almost alive. I could walk. I could talk. My bodily functions still function, but slowly with difficulty. I still had all my hair—no receding hairline—a big white cloud on top of my head. When I get it cut, it’s like it’s snowing inside Supercuts. .

I was once a whopping 6’4”. I don’t know how or why, but now I’m 6’2”. Still pretty good, but I’m no longer a tower. Now, I’m like a shed with boobs. They jiggle. My tattoos are blurring. I have one on each forearm that I can’t read any more—one refers to the Army, the other is my personal motto: “Veritas pro se non loquitur” “Truth does not speak for itself.” Due to an injury sustained in the Army, my hearing just gets worse and worse every year. My answer to most questions is “What?” even though I’ve got state of the art hearing aids from the VA that I am grateful for.

Moving right along, I’m relatively wrinkle free— my face looks 35-40. I swear. I’m not exactly trim, but I’m still in pretty good shape and go for walks in the woods. Even though I have bright hazel eyes, that go between blue and green depending on what I wear, lately, they don’t see too well. I have double vision all the time—I have black-rimmed corrective glasses that help somewhat, but I can’t get around the mild vertigo induced by the double vision. It slows me down when I’m walking, and going up and down stairs. The topper is my dupuytren’s contracture—making what looks like a claw of my left hand.

You’d think I would be upset by my body’s aging, but many years ago when I was traveling in Peru, in a cave near Machu Picchu, I was shown a silver mirror that erases the effects of aging and reflects you as you were at 22. It was like a reverse Dorian Gray portrait. I visit it once a year. As long as I don’t see my true reflection during the intervening time, I experience myself as 22. Miraculously, my body functions like that of a 22-year-old, I have stamina, my vision is restored’ I can hear a pin drop, and my hand can be laid out flat. tomorrow, I’m headed out on my annual trek to the mirror.

I arrived in Lima early in the morning and took the tour bus to Machu Picchu. I started my hike to the cave containing the mirror. It was ten miles up a narrow trail. As I walked, I marveled at how the cave had remained hidden. I arrived at the cave.

My guide from previous years lay dead outside the cave’s entrance. He had started to mummify in the dry mountain air. I dragged him into the cave’s entrance, so his body wouldn’t draw unwanted attention. I went looking for the mirror and found it! I presented myself to it, and the 22-year-old me was reflected. I was relieved and started to leave the cave. Suddenly, there was a loud rumbling sound and a landslide blocked the way out of the cave. There was no cellphone reception. So, I got my journal out of my backpack, lit a candle, and started to write. If you’re reading this, you’ve found the mirror. Good luck.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is also a Kindle edition available for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


She was striking— trying to get a match lit to light her hand-rolled cigarette— but she was striking in many other ways. Her hair was almost black and strewn with auburn highlights. When she shook her hair it was like living tinsel, shimmering everywhere on her head. It was perfect. It was thrilling. It was grounds for being captivated, like the first time I noticed my mother’s diamond ring when I was a small child. Whenever she moved her hand a magical light was produced making a bottomless play of colors, coming out of, and disappearing into her ring.

And eyes—a unique color blue that God must’ve chosen to go with Adele’s hair. And mouth—vivid red bows fronting teeth so straight and white they could be mistaken for hand-carved ivory.

With Adele, it was about more than her hair—it was about her face: a perfect circle of tanned skin with a little nose so lovely that it made me understand that there’s beauty in breathing—the pert air channel letting in and letting out life’s breath, set in the middle of her face, accenting the will to live that breathing actualizes, as our lungs are filled and emptied, and we move on.

There’s so much more, but I’ve got to go pick up Adele for our fifth date. I wish she would laugh at my jokes, but she just waves her hand in front of her face.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is also a Kindle edition available for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.


His skin was a tribute to Postmodernism—a critique of the grand narratives affording space and surfaces the restrictive positioning of images and linguistic structures, keeping repressive borders intact as if they were mandated by a ‘natural order’ emanating from God.

Mr. Mellon had overcome all that with his body’s free-range tattoos: a Modernist’s nightmare!

Of his 200+ tattoos, he had a frame from “Little House on the Prairie” inked on his chest. In the tat, Charles is inked in, headed to the outhouse with a piece of newspaper in his hand. Alongside the “Little House,” there’s a hammer and sickle from the flag of the now-defunct Soviet Union. Centered on his belly button, there’s a durian fruit with passed-out people lying around dressed like dentists. Tony Soprano and Richard Nixon sit on a cloud on the right side of his neck with the number “9” being carved on it by Albert Einstein wielding a jackhammer.

It would take 100s of pages to describe and catalogue Mr. Mellon’s tattoos. Suffice it to say, from head (a question mark on his nose) to toe (a bleeding cut with stitches), his random tattoos project a sort of “I don’t give a shit” mentality which unfortunately projects a quality of rugged individualism, a keystone of Modernism. However, fortunately, it projects a directionless trajectory: going nowhere, the tattoos display an all-consuming disregard for “normal” and challenge the taken-for-granted preference for everyday life and regimes of truth that unreflectively promulgate it.

Mr. Mellon will be on display in a ventilated glass booth daily at the Notting Hill tube stop from October 5- 9, 1.00-3.00 pm. He will be wearing a spa towel to cover his privates, but the rest of him will be unclothed and on-view as he slowly rotates on a turntable repurposed from a record player manufactured in the late 1960s.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99. There is also a Kindle edition available for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric (legal argumentation) for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

His dyed blond hair is frozen by hairspray into a combination of a rolling wave and a Dairy Queen. His face and tiny hands are covered with bronzing cream making them look like a too-thick cadaver paint job performed by an angry mortician. His eyes are dull blue like spun aluminum moon hubcaps from the sixties. His mouth looks like a banana, peeled, cut sideways, and dyed with Red Dye 40. His teeth look like stunted piano keys superglued to his gums. His neck has a turkey wattle that swings in the wind. In calm weather it looks like labia. His loosely fitting white golf shirt can’t hide his robust boobs with little man-sized nipples pointing the way to the next faux pas. His watermelon belly is suggestive of an early pregnancy. He has an ass the size of North Carolina. It sticks out at right angles to his back. It actually provides a shelf that nobody dares to set anything on except envelopes filled with cash. His penis has been characterized as a “little mushroom” however there is some controversy over whether it looks more like a little toadstool. Having never seen it myself, I can’t say one way or the other, but I think “mushroom” is probably more accurate, given the source. In any event, “little” is the operative term. Legs and feet are what you would expect: legs like flabby gyros ready for the rotating spit; feet a bone spur museum curated by a crooked doctor from New York: try to find the bone spurs.

All-in-all this man’s appearance is a parody of Charles Atlas, the famous 1960s body builder whose image plagues old men with his tanned bodily perfection; old men who never made the mark.

Who is this man who still longs for the Charles Atlas look–who unsuccessfully uses hair and skin dye to approximate his boyhood hope? Who is unable to do anything below his neck to camouflage his failure? He is the President of the United States, Donald Trump.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu) Buy a print version of The Daily Trope! The print version is titled The Book of Tropes and is available on Amazon for $9.99. There is also a Kindle edition available for $5.99.

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric (legal argumentation) for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

He was around nine feet tall. He had long brown shaggy hair and a reddish beard around one foot long. His eyes were yellow and his teeth were sharply pointed. He had a golden hoop erring in each of his ears. His hands looked like flesh-covered vises. He was wearing a beautiful gray hand-tailored suit and a Brooks Brothers tie with pictures of martinis printed on it. His shoes were brown and made of some kind of reptile skin–most likely alligator–most likely very expensive

It was my first day at work and Mr. Adams was my boss!  I couldn’t wait to start working with him, learning from him, and possibly becoming good friends.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric (legal argumentation) for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

He was lying on his back in a pool of blood in the alleyway between the “Bar of Good Hope” and a hardware store. His head looked like a pumpkin that had been sitting on somebody’s porch steps for a month. It was caved in on both sides–mercilessly crushed by the assailant’s baseball bat, which was lying on the concrete walkway alongside the victim. The victim’s brown eyes had a dull film over them and the victim wasn’t breathing, leaving no doubt that he was dead. I checked his pulse anyway. Dead. Dead as can be.

He was around six feet-three inches tall with sandy blond hair. He was wearing a gold wedding band. In addition, he was wearing red shorts, a black T-shirt, and expensive jogging shoes. He was muscular–broad shoulders and sculpted biceps, flat stomach, and legs that looked like he could out-sprint anybody on the body-recovery team.

He had no identification, so he would be admitted to the morgue as “John Doe.” Perhaps the assailant stole his wallet, but the brutality of the beating, and leaving the murder weapon behind, indicate this was a crime of passion: of anger, of love gone bad, or one of the other seemingly endless motives involved in murder.

Next, we need to figure out who this dead guy is, and then, create a list of suspects, and haul them into the Station for interrogation.

It’s not going to be easy solving this one. But once it hits the press, we may get some leads. Also, we’ll be checking fingerprints.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric (legal argumentation) for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

His head was shaped like an heirloom tomato–sort of elliptical with veined bumps running from front to back on the shaved part where his hair used to be.  His eyes were covered with a strip of spray-painted cardboard: flat red with little peepholes poked in it so he could see. His ears were pinned back like left and right side mirrors on a car ready to go through a car wash.   His neck looked like a scuffed traffic cone perched on his shoulders which were slumped and narrow like the back of a bentwood chair. His arms were fat fire hoses swinging as he walked toward me, clutching a big blue bucket with skinny little baby hotdog fingers accented by filthy fingernails.

His black t-shirt said in big bright-green letters: “Repent Or I will Pull Down My Pants.” His “pants” were two trash bags stapled to his T-shirt.

I was thinking “How’s he going to pull his pants down without ripping his T-shirt?”

I felt a shiver in my spine.

“Oh my God, it’s dad in his annual ‘surprise’ Halloween costume!”

I picked up a rock from the gutter and considered throwing it at him. Instead, I put it in his bucket.

“You may need this when the kids over on 85th street chase you like they did last year.”

“Do you remember, Dad?”

He looked at me with his cardboard-covered eyes and blew a tenor fart that slowly faded into the sound of a doleful tuba.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric (legal argumentation) for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

His head was almost perfectly oval–like a giant egg with a face and hair. His ears stuck way out from each side of his head.  If he could wiggle them real fast, he could fly. His shoulders were perpendicular to the ground and his arms looked like bowling pins with hands. He was wearing a T-shirt that said “Makin’ Bacon” with a picture on the front of two pigs making piglets.

His pants were so low-slung that you could see his fruits of the loom flashing in the sunlight as he crossed the street–jaywalking his way toward me, clumping along in a pair of moon boots, circa 1983.

“My God!” I thought,  “It’s the guy I bought the used car from that exploded on my way to the senior prom back in ’85!”

I picked up a rock from the gutter and threw it at him.

Revenge is sweet.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

Effictio

Effictio (ef-fik’-ti-o): A verbal depiction of someone’s body, often from head to toe.

Note: This figure was used in forensic rhetoric for purposes of clearly identifying an alleged criminal. It has often been adapted to poetical uses.

He had spiky yellow-gray hair with a red stripe running through it. His big blue eyes were bloodshot.  He was skinny, slumped, and dressed in a black t-shirt with a big leering skull on it, torn blue jeans, and dull black boots. He had an empty styrofoam cup in his shaking hand. He pushed it at me as I walked toward him.”Spare change?”

His scratchy voice sounded familiar.

Unbelievable! My best buddy from high school–class of 1998!  He didn’t recognize me. I barely recognized him. He looked right through me. I hauled out my wallet and . . .

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).