Category Archives: anadiplosis

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


I was struggling with gas. Gas that alienated my friends, banned me from elevators and, due to the lingering smell, department store dressing rooms. Despite the presence of the smell in real time, I had to have a chip implanted in my head that would trigger a stink alarm. It was mandated after I was convicted of stinking up public places and causing severe nasal and mental discomfort in adults and children. It was unprecedented and an unbearable burden to bear.

Even in the fresh air, my gas would stink. People on the sidewalk would wrinkle up their noses and run away coughing, some even vomiting.

Maybe the worst part of the whole thing is my butt hole. I suffer from “flaccid sphincter syndrome.” What this means is that the muscle that keeps normal peoples’ butt holes closed does not work right on me. Before going out I have to administer six or seven enimas to myself, to clear pending poops so nothing “falls out” while I’m out in public. After that, I have a special charcoal filter I push up my butt. It works really well unless I blow a really robust air biscuit and blow my cork. The blown cork will release the stench and subject me to the ire of nearby people—which can be substantial.

Once, I was riding on the subway when my cork blew. People fought to vacate the car. The man standing next to me put a handkerchief over his nose and beat me in the face with his briefcase until my nose bled. When he was done and left the subway, I reached down into the back of my pants, found my cork. and shoved it back in. Of course, it was too late, but I thought I wouldn’t blow another whopper that day.

I was wrong.

I had a blowout when I was standing in line for tickets to a Taylor Swift concert, “Rosy Posy.” It was actually fortuitous. Everybody ran away retching, and there I was at the front of the line. I took out my credit card and the salesperson, who was choking with snot pouring out of his nose, and tears streaming down his face, closed the ticket window and told me to go away.

This is typical. I’m just walking around stinking up the world. I had to do something beyond enemas and the charcoal cork up my ass. I put an ad seeking help in the “New York Post.” I got lot of responses from people who were clearly scammers. But, one seemed for real, offering a remedy for free.

She came to my stench-soaked apartment wearing a military grade gas mask and carrying a small bottle of pills labelled “Windless.” She told me to take one-a-day and I would become windless. I’ve been taking the pills for five months. My gas has abated and my sphincter has tightened up. The side effects are minimal—drooling and anal itch that cortisone does not remedy—I use a mixture of olive oil and baking soda to quell the itch. Also, there’s the tumor on my left butt cheek. All of these side effects are minimal compared to the relief “Windless” has given me.

It is wonderful living in a stink-free world. I never miss it. Every once in awhile I blow a tiny fart that reminds me of days gone by. I take my old cork out of the kitchen drawer, look at it and quickly put it away.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


My prospects were shrinking. Shrinking to the size of an ant; the head of a pin; a grain of salt; a hummingbird’s squeaking butt, There was almost nothing left that I could do. I was kicking myself in the ass for majoring in music in college. My instrument was the bassoon, and I couldn’t play it very well. Luckily, my college graduated everybody who showed up and paid their tuition. So, at least I had a degree that I could put on my resume.

The problem was that the degree did me no good. Prospective employers would ask me, for example, “How will playing the bassoon help you work efficiently on the spice rack assembly line? Too bad you didn’t major in wood shop.” I would try to explain that my background with the bassoon would make my fingers nimble. But, I would be told “Don’t get funny with me young man. Musical instruments are not spice racks!”

There were no bassoon-player jobs anywhere in America. I tried becoming a street musician. I played The Mamas and Papas “Dancing Bear” over and over every day. It was ok, but there wasn’t much to it. Then, one day, a person dressed as a bear showed up and started dancing and singing to my bassoon. We didn’t talk. The bear-person just sang and danced. That went on for three months, and then, the bear disappeared. It destroyed my cash flow and put me back in employment panic mode.

I finally found a job, but it wasn’t playing the bassoon. “The Matthew Wilkie Memorial Museum” was opening in New York City. Wilke was one of the best bassoonists who ever lived. He could make you feel like the sun was rising in your shirt. My job was to sit on a stool holding a bassoon, dressed like Wilke, and answer customers’ questions. I wasn’t permitted to play my bassoon and that made me angry. However, it was a job.

Then one morning, I got to work early. Wilke walked in out of nowhere! He asked me to play for him. He cringed and said, “Jesus Christ! You play like shit.” I got really angry and tried to break the bassoon over my knee. I threw it on the floor and ran out of the museum.

Wilke felt bad about what he did. He got me a better job! I leave for Switzerland tomorrow. I will be playing the alphorn in the Swiss Alps. I will be stationed in Geneva, where I am provided with a free Ricola ration, and rental lederhosen to wear to mountain gigs. I am burning my bassoon tonight. I’m putting its ashes in a little brass urn. Tomorrow morning, I’m going to scatter the ashes in the gutter outside my apartment, toss the urn in the dumpster in the alley, and head for JFK.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


My heart was broken. Broken into pieces. Pieces of love were scattered on the floor, as if my hopes had exploded, fragmented, and rained down in a torrent of loss, a deluge of disappointment, and painful precipitation.

My pet spider Ed had died. He was a banana spider from Hawaii. He had landed on my head when I was unloading papayas at SeaTac Airport. I had left him on the back porch over night. It went below 40 and he had frozen to death in his terrarium. I found him on his back with his legs curled up. His last meal of crickets had escaped death and were hopping around on his corpse. I picked them up one by one and pinched them to death for desecrating Ed.

Next, of course, I would bury him with the respect due to a close friend and confidant. When he was alive, I would sit up late with Ed and spill my fears and share my hopes. I was afraid that the IRS would catch up with me, especially after I got a letter informing me that I was being audited. I had lied about having $1,000,000 in medical bills for my loose brain—a condition where your brain is too small for your skull and it sloshes around, giving you thoughts you don’t understand. Scientifically, it is known as “Pea Brain.”

In a way, as a pea brain, you’re in an ideal position to be a philosopher, and if you get a PhD, you may succeed at being one and being a professor. The only known instance of becoming a pea brain philosopher was Dr. Huh? who taught symbolic logic and a course titled “Knowing Pink Floyd.” But anyway, the IRS determined that “Pea Brain” had been made up by Dr. Huh? in a grant proposal. Auditors charged him with fraud. Dr. Huh? argued that he did not understand and was let off with a slap on the wrist, in a way proving that “Pea Brain” was real.

My major hope was for world peace and free beer. Together, they would induce Utopia and we would live happily ever after—we would have ice cream, chocolate, scented candles and all the good things we are intended to have as human beings.

But now, it’s time to plant Ed. I dug a burrow hole six feet deep in the middle of the back yard. I stuffed him into a Romeo and Julietta cigar tube. I used a stick like a plunger. One of his legs came off, but it didn’t matter. I put the cap on and dropped him down the hole. I filled in the hole. I pushed a tongue depressor into the ground as a grave marker. It says “Here lies Ed, he is dead.” Everything was fine for two days, and then a squirrel dug up Ed’s marker and buried it somewhere.

I went back to work at the car wash yesterday. I am a rag man. I am still very sad about Ed, and feel guilt over my negligence that killed him. But there’s a saying I’ve seized on that is helping me cope: “Fu*ck it.” It’s what my mother said when my father went missing. She still says it once or twice a day. I am following her lead.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


It happened again. Again I couldn’t find my sock’s partner. My sister had given me the socks for my birthday. They had Smokey the Bear imprinted on them. I loved them. Now, one was gone. I was frustrated and angry. I tore my dresser drawers apart. I looked under my bed and checked the washer and dryer to see if I’d left it there. I double checked my laundry basket. I even looked in my brother’s, sister’s, and parent’s dressers and under their beds. I looked through the rag bag down in the basement. No sock. I couldn’t believe I’d managed to lose something so completely—from my foot, to the laundry, to gone.

Then one night as I was drifting off to sleep, I heard a muffled voice coming from my closet: “Only you can prevent forest fires.” It was a bad imitation of Smokey the Bear. I jumped out of bed and pulled open the closet door. I don’t know what I expected to see, but I thought it would have something to do with my sock. There was a little man wearing a sock on his head that I had lost two years ago—a Ralph Lauren sock—black with a gray polo pony. My first impulse was to slam the closet door. Trembling, I asked “What are you? What are you doing?” He said, “My name is Footy. I make the question “Where is my sock?” I cause vexation and frustration from losing socks. Of course, I steal the socks and hide them where you’ll never find them. I know where Smokey is. If you can guess my age I’ll tell you.” I thought fast. “What’s your Social Security number?” I asked. He told me and I looked it up on my iPhone. It said he was 640 years old. There had to be a mistake, but I ventured a guess anyway. “640?” “You got me” he yelled. It was stupid to give you my Social Security Number—that’s included in Unit 1 of Pest School: “Maintain your Anonynmity.” So, what happens now?” I asked. “The map, the search, the retrieval,” he said. He handed me the map. There was a red “x” where my sock was located. The map took me deep into the woods. I had extensive experience orienteering, so I had no trouble following the map’s highlighted route. I got to the “x” after two days of dealing with rough terrain. When I arrived at the spot where my sock was supposed to be, there was an actual red “x” on the ground. I picked it up expecting to find my sock underneath. What I found underneath was a note. It said “Ha ha!”

I was so mad I wanted to kill the little imp, but that was not meant to be. I got home and unloaded my gear on my bedroom floor. My mother knocked on my door and came in my room. She was holding my missing Smokey the Bear sock! She told me when I was gone, the dishwasher drain had clogged and flooded the kitchen floor, and that my sock was the culprit.

When my mother went back downstairs I asked out loud “Why me?” The fake Smokey the Bear voice in my closet said “Only you can prevent forest fires.” I tore open my closet door, and there was a pile of my missing socks piled on the floor.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


There was a special T-shirt I wanted to wear. I wanted to wear it everywhere. I had made it on the internet. It cost $18.00. It had a picture of my cat Furballerina (“Furball” for short) on it. She was a cross between a Persian cat, and possibly, a toy cougar.

There was a contest being run by the Generic Cat Food Company to find a cat-model. The cat-model’s owner would receive $100,000 and the cat’s picture would appear on all their products. There would also be a brief video of the cat eating some dry Generic Cat Food. That’s where the t-shirts come in. In addition to Furballerina’s picture with her name under it, the t-shirts say “Vote for me for Generic’s cat model 1-800-CAT-FOOD.”

I had 100 t-shirts made. I decided to hand them out in the Piggly Wiggly supermarket pet food section. When somebody would walk up, I’d holdup a t-shirt and say “Here’s a free t-shirt, vote for Furballerina.”

Then, I couldn’t believe what happened next!

An elderly woman pointed at Furballerina’s picture. She said, “That’s my cat Fluffy. We’ve been friends forever. I let her out in the morning and she comes home at six. She sits on my lap and we watch “Magnum PI” and go to bed at 8:00 pm without fail. You are trying to steal my cat so you can win some stupid contest. To quiet her down, I told the elderly woman I was an AARP detective. I told her I was investigating cat scams—everything from bogus flea collars to counterfeit scratching posts. I figured we could just keep on the way had been, sharing the cat. She didn’t need to know about that—she could go on believing that Fluffy was hers and hers alone. Hers alone, just like the “forever” she had referred to.

I thought I was out of the woods until she asked to see my AARP credentials. That did it! I bundled up my t-shirts, hugging them close to my chest, as I ran toward the doors and my escape through the parking lot. “Wait sonny” she yelled “I was just kiddin’ you.” I stopped and turned. She said, “I hate cats, I have a little Cockerpoo named CP that I adore.” I remembered my grandmother’s Cockerpoo named Rags. Such a nice little dog. They watched “Matlock” together, and “Ironsides” too.

I walked toward the parking lot. Why do I want Furballerina to win the contest? Why couldn’t I just enjoy her company instead of wanting to exploit her beauty and demeanor? I would turn the t-shirts into dust cloths. I was taking them out to the garden shed when I looked in my neighbor’s window. There was my neighbor carrying Furballerina and petting her. I went to my neighbor’s front door to demand my cat back. He said “This is my cat. She’s been living here for the past five years. Where have you been numb-nuts?” Furballerina didn’t even look at me. I was dashed. Then, around 11:00, I was in bed reading Eric Fromm’s Art of Love then there was a light scratching on my bedroom door. I opened the door and Furballerina dashed in, jumped up on my bed, and started purring. I got back in bed and she curled up against my leg. I thought to myself, thank God for cat flaps.

Furballerina wasn’t mine, but at least I was hers.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


“Things you can do with dead lobsters“

I am in Maine for the summer for at least the fiftieth time. My family settled here in the 1690s and built boats until my great-great-great grandfather burnt the ship yard down while heating beans in a wooden bucket. There was no insurance back then so they were screwed. Two of their boats are on display in the “Not Very Seaworthy” section of the Maine Maritime Museum. They were both hoisted off the bottom of Penobscot Bay where they sunk “of their own volition” while “running from the British” during the Revolutionary War battle at Bagaduce. My ancestors claimed they were sunk by British canon fire so they would be paid for their part in the battle. Cabin Boy Edward “Corkskrew” Boothbay squealed on my anscestors and they were sentenced to six months hard labor in Thomaston Crown Prison, which had been captured by the rebels. Their “hard labor” consisted of making lobster traps for the Continental Fishing Corps—a fleet of small vessels commandeered by rebel military forces to provide seafood to the starving troops. Troops whose boots were turning to mush and whose greatcoats had turned into filthy flapping rags.

Upon his release from prison, my great-great-great grandfather was able to rebuild one of the ship yard’s outbuildings. He used his new found “hard labor” skill to build himself 25 lobster traps. Then, he went lobstering.

There, in that outbuilding, he invented the lobster roll. People came all the way from Boston to eat them. His nickname was “Lobstah King” and people loved him. However, he still boiled lobsters. Whether it was for a sandwich or a plain boiled lobster, he hated the squealing sound they made when he cooked them. So, he wore big earmuffs to deaden the sound—he looked crazy, and he was. He started making Christmas tree ornaments and ashtrays out of lobster claws, pencil holders out of lobster tails glued to barnacle-covered pieces of wood, toothpicks from lobster antennae, what he called “drop ear-ins” from lobster legs, and finally, flour scoops out of lobster carapaces. He called what he did with the lobster parts “recycilation” and he sold his creations via catalogue all over the world. He became fabulously wealthy and moved to Portland, ME where he enjoyed watching the sunset over the clam flats and smelling the richly scented air.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


I bought a pair of cowboy boots. Cowboy boots on my feet made me feel like a man. A man who is home on the range, where “the deer and the antelope play.” My boots were made from dead anteaters. Anteaters are manly like grizzly bears or boar hogs. Boar hogs grunt like weight lifters. Weight lifters can hardly move with all their muscles. Muscles make you strong, but when you get old they look like flesh-wrapped Crisco puff pastries.

Wait! What am I thinking? Somehow it must all tie together. The man-making boots. The anteaters. The boar hogs. The grunting weightlifters. The muscles. The pastries. My cowboy boots are mixing me up. I was going to get spurs for them, but now I’m returning them to Zappos. If I knew what an antelope is, I might keep them. But I don’t, so I won’t. Instead, I’m going to get a pair of black cowhide wingtips with built-in lifts, like rich people wear. 2-inches taller, I’ll walk down the street like I have a big time job— maybe as a television producer or a car salesman. My shoes will lift my soul as well as my body—in both cases, giving me a new perspective. I will be lifted up. But the “manly” aura of the boots will be lost. If I can find wingtip cowboy boots, I can project a balance of masculinity and while-collar wealth.

I found a place that will custom-make any kind of boots you want. It’s located in Laredo, TX and it’s called “Nancy’s.” My custom boots would cost $900.00. I robbed a couple of convenience stores on 8th Avenue and sold 200 caps of Ecstasy at the train station. Now I had enough money to pay for the boots and fly to Texas to be fitted for my boots.

Well, I got busted for robbery and drug dealing before I could go anywhere. Now I’m wearing cotton slippers and sitting on my bed at Rikers.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.


Why are there people who refuse to wear masks in this time of pandemic? What motivates these maskless people? People form their opinions about these kinds of things from what they see, hear, and read and perhaps a life-long commitment to resisting or subverting dictates, failing to realize that disobedience implies obedience to whatever dictates their disobedience. One cannot evade obedience.

I am willing to guess that the anti-maskers live their lives in the “anti” lane avowing rationales for their untoward behavior that are couched in higher-order values that, in their views, carry more weight than the values operative in the “mandates” they are resisting. One would think that saving lives and curtailing the pandemic by wearing masks would be the paramount value operative in debates over government mask-wearing mandates, but that’s not the case. The arguments have come down to the government’s right to make and enforce the mask mandates—not the public health aims of the mandates as rationales for their acceptance.

Acceptance of mandates is irksome, but that shouldn’t empower people to reject them as such. The COVID 19 crisis isn’t fabricated—nearly 3 million people have died. I guess if they want to kill a few more people (possibly including themselves) in the name of liberty, go maskless, and while they’re at it, don’t get vaccinated and be remembered as narcissistic sociopaths, not as a champions of liberty.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

Winter is turning its face away. Away it goes into spring’s warmth. Warmth that’s welcomed by every inch of land and all its creatures. Creatures large and small–animals; two legs and four legs, and crawling and flying insects, and plants rooted in the warming soil, and reptiles basking–basking in the sun on warm rocks and stones; something fulfilled: fulfilled by the inevitability of the seasons and this, the latest coming of spring.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

Spring is starting here. Here, the grass is turning green once more. Once more, the little flowers are blooming. Blooming wild purple violets, white snowdrops, pink trillium, green and purple Jack-in-the-Pulpit,  and more: More than we can imagine as we say goodbye to another cruel, yet beautiful, winter.

Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

Beauty attracts the soul, the soul opens the mind, the mind imagines a world of passion, peace and happiness.

Happiness is the worship of beauty.

Happiness is a prayer to Eros uttered by mind-voicing to a joyous soul, transfixed by the idea, transfigured by the word, and multiplied by their coupling as form and matter: thought and sound.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

 

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

If debating is something you don’t enjoy it will show through your delivery, delivery induces the audience’s sense of your sincerity, sincerity lays a foundation for trust, trust wins elections.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

Hope sets it sights on the future. The future is filled with possibility. Possibility sets hope in action. In action, hope is realized.

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

Anadiplosis

Anadiplosis (an’-a-di-plo’-sis): The repetition of the last word (or phrase) from the previous line, clause, or sentence at the beginning of the next. Often combined with climax.

If you can’t handle the uncertainty, uncertainty may cause you to panic, panic may cause you to act without reason, and acting without reason, you have no reason to act, aside from your uncertainty!

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Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)