Category Archives: allusion

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


The answer was blowin’ the wind. My cat boat was out front. I was going to win my 5th race since I started doing this two years ago. This was the big one! If I won, I’d get the job driving the tourist tram around the harbor loaded with summer pukes “oohing and aahing” at the beauty of it all. My favorite stop was going to be the “Help the Animals Thrift Shop.” They took all kinds of donations to help animals stuck in shelters—mainly dogs and cats, but there was a turtle and a rabbit too.

I loved to look at their inventory. There were two left rubber boots with fish scales all over them. There was a lobster buoy with a love poem carved on it: “Lobsters are red, bluefish are blue, I love you.” I always wondered how it ended up there until I met Bluefin Bill. He was ninety-seven years old and had only one eye. He lost his eye when a swordfish jumped into his lobster boat. He picked it up to throw it back. It slipped in his hand and its “sword” stuck in his eye and blinded it. Bleeding, he beat the swordfish to death and invited some friends over that night to eat it. Cleaning it, he sliced it up the belly. A snail shell necklace fell out that had a mermaid pendant attached to it. Although he had been blinded in one eye, he believed it was a sign. He thought maybe if he carved a love poem on one of his lobster buoys the mermaid would see it and fall in love with him. It was a stretch, but she did! She lived in a big tank in his living room until she died of old age two years ago. What a shame.

This was the best story ever. I was saving my money to buy the love poem buoy. In the meantime I could marvel at the rest of the inventory. There was a tea set with pictures of different insects in the cups. I liked the grasshopper the best. Then, there was a hat made out of a horseshoe crab painted turquoise blue. One more thing: a locked treasure chest. It was not for sale. For $10 you could hit it once with a length of pipe. If you broke it open, it was yours. It had been there 50 years. It was dented, but it was never broken open.

I almost lost the race. I took a shortcut through “The Devil’s Darning Needle” off of Ocean Point and ran aground. A large wave came along and lifted me off the ledge, and I sailed away and won the race. I couldn’t account for it, but the wave looked like it was smiling at me.

I started my tram-driving job on Monday. The Smiling Crow souvenier shop was our first stop. It had little lobster buoy necklaces strung on fishing line and hung on a rack. They were inscribed with the blind lobsterman’s love poem: “Lobsters are red, Bluefish are blue, I love you.” You read it and look at it and it’s like you better find somebody to love and that’s amore all rolled in to one. I bought a buoy and vowed to wear it all the time.


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available in an early edition on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


I was going to college, I was the first person in my family to go to college. I was ready to conquer the world. My Uncle Guido had “arranged” a scholarship for me in accordance with my father’s last wishes. I was going to Rutgers, the State University of New Jersey. Uncle Guido told me all I needed to do for the scholarship is get a couple of decent rackets going at Rutgers. Like Rodney Dangerfield said,“The way my luck is running, if I was a politician I’d be honest.” I’m not certain how pertinent this is, but I love Rodney Dangerfield.

School was going to start in two weeks, so I needed to hurry up and get something going. I came to the conclusion that parking and sex were two categories of college life that might form a foundation for solid rackets.

Parking was always at a premium and it was expensive. I found a friend of Uncle Guido’s who did time for counterfeiting. He was eager to help. He printed 500 fake parking permits. The University charged $100 for the academic year. We charged $50! I sold the permits from my car. I sold out in an hour. I ordered 500 more, and 500 more! Pretty soon all the campus parking permits might be fake. Guido congratulated me and told me I could work for him when I graduated!

Then, there was getting laid. For many male students, getting laid has a higher priority than studying. Many a lad has gone down the tubes, neglecting their studies in search of ass. I would fix that. I would flood campus with cut-rate hookers who were willing to slash their prices because of the almost endless opportunities to ply their trade—it was like wholesale hooking. They would hang around dormitory entrances. They would say things like “How about a little biology,” “Can I sharpen your pencil?” “Do you want to do the horizontal boogie?” It was crazy.

Sex was so easy to obtain now that students didn’t need to waste their time looking for it and grades went up. Students were happier. Rutgers’ rankings among other colleges improved, and everybody was happy, including Uncle Guido who skimmed 10% off each transaction. Although I didn’t like it much, I was nicknamed “Professor Pimp.”

The four years flew by. I’m graded two weeks ago with a degree in philosophy. My little brother took over my action at Rutgers, and I’m working for Uncle Guido. I’m his driver. Where he goes, I go. My favorite is Monmouth Race Track. I lose $300-400 per visit, but who cares? Uncle Guido pays me four-grand per week, plus benefits.

If you’re thinking of going to college, you should go. Look at me,


Definitions courtesy of “Silva Rhetoricae” (rhetoric.byu.edu).

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


I think it was Rod Stewart who said “Every picture tells a story.” That may be true, but the meaning of a picture isn’t in the picture. Where is it then? It may be in what motivated the “subjects” of a given picture, or also, the picture-maker’s motive for taking or making the picture. What about Jackson Pollock? I always ask, “Where’s the picture?” At best it’s a jumbled exclamation point. At worst he spilled a bunch paint he didn’t bother to clean it up. Most abstract art is like that. Drug induced doodles, or con jobs, like a dot in the middle of a canvas titled “floater” after the little black flecks you get in your eyes when you hit old age. Not so “Abstract” after all!

One famous painting, “Winter Sunset” by Corny Hasbot turned out to be a cow’s ass. It didn’t matter. It sold for $2,000,000 at auction last week. The auction’s attendees chanted “Cow’s ass! Cow’s ass!” when it hit the auction block. Some even Mooed! The attendees were clearly delighted and the bidding was fast and furious. There is power in titling. It orients people and induces meanings. Euphemism is a great example. Calling a sawed off arm a “boo boo” renders it easier to cope with. Most medical terminology is euphemistic. Like, “You’re unwell from tomocretchinosis.” “Oh” you say as you breathe your last, floating on a cloud of morphine induced incomprehensibility.

Then, there was Leonardo Di Vinci. He knew the power of naming. I have been researching for half my life the “meaning” of Mona Lisa. Recently, I got an “Uber Grant” to go to Italy. I was provided a free ride to the airport and cheese and crackers for the flight. I was more excited than I can say! There was no money and I had to pay my own airfare, which was fine with me. I was using my mother’s credit card. I had borrowed it from the bag she carries around. I was headed to Florence where DiVinci’s studio was when he painted “Mona Lisa.”

I landed in Rome. I made a sign that said “Florence” and started hitch hiking north. People laughed at me as they sped by. Somebody threw a sign out their car window that said “Firenze..” I held it up and got a ride almost immediately. The guy who picked me up said “I have a package for you to deliver, we detour to Bologna.” I dropped the package off at a police station and received a round of applause as the police fought over the package. It tore open and a ZipLoc bag full of gold chains fell out. I ran back to the car.

I arrived in Florence late that night. I slept on a bench outside the Hotel Vespa. The next morning I had a boar meat sandwich and a cup of coffee. Then, I headed out to DiVinci’s studio. The lady selling tickets told me that for 80 euro I could get access to DiVinci’s secret storage unit in the basement. I didn’t have 80 euro, so I offered her my wristwatch that my mother had given me for High School graduation. She took it! She gave me a giant key and pointed down the stairs. There wasn’t much there. However I noticed a canvass bag that said “Fagioli” on it. I looked in my Italian/English dictionary—it meant “Beans.” There was also a bowl and a wooden spoon! Then I knew! DiVinci fed beans to Mona Lisa, making her fart. The look on her face is a post-fart expression of satisfaction. I had cracked it—it wasn’t a smile at all!

I headed back to the US expecting to become famous. but the bag of beans was discovered in my canvas tote at the Rome Airport. The beans were dumped out and the bag was destroyed. I am not permitted to leave Italy because there is an investigation. Now, I have no evidence, but my story is true. I have secured the support of the “Kensington Free Farter Society.” They will not shy away from the truth, no matter how much it smells or refutes the standard “smile” narrative.

I am currently stranded in Rome working as a guide at the Colosseum! My “character” is a Christian martyr. The investigation concluded I did no wrong. My mother’s credit card is expired. In about a year, I’ll have enough money for a plane ticket home. In the meantime, I’ve had a flyer printed with my last few euro in Italian: “Scoreggia e Verita” (The Farting Truth).


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


Don’t fear the reaper if you want to be a hero—on those days of infamy when unsuspecting people are laid to waste, you’ve got to get out there and meet the enemy face to face. Fear is not your friend in these circumstances. Fear is normal. Fear is natural. Fear may save your life, but it won’t win a firefight with a determined enemy. Ok, fear is not a crime. But, unmanaged it may push you to desert your post and fail to do your duty, and have your camp overrun, your comrades blown away while you cower in a bunker, holding your weapon, shaking with shame.

But you don’t have to worry about that. You work for Google. The only way you’d join the military is if you were drafted—more or less forced to serve. But, it does not matter—you’re almost 80–you’re barely hanging onto your job, unwilling to retire. But you remember back in the day. 1968. Your brother Billy joined the Army while you went to college on a deferment from the draft. Billy ended up in the 101st Airborne. He was killed in an ambush only 3 days after arriving in Vietnam. He received a Silver Star and was buried with military honors in your home town. When they played taps you almost cried. Billy was kind, He was a great brother. He was dead.

You became a pacifist for many reasons—in Billy’s memory, but really, because of your gnawing, unremitting fear of dying—of being killed in a hail of bullets from the enemy’s guns. Bleeding. Writhing in pain. Feeling the warmth of your blood as you drift off to death—everything gone into the darkness of the end. Like Billy.

You said goodbye to Billy at the bus station. The last time you saw him he was lying under a sheet of glass in a coffin in a funeral home, the day before he was buried. He looked healthy—trim, and peaceful.

It’s time to get back to work. To clear your morbid thoughts. To making Google proud. Buried in the years, there are memories that never go away. They intrude. They are there. They just float into consciousness unexpected, unsought, unwanted, hated. They are you. As you get old and stand in the shadow of death, they bring no comfort. Rather, they bring regret, but still, they don’t overshadow the desire to live induced by the people you love and the people who love you.


Definition courtesy of “Silva Rhetoricae” (rhetoric.byu.edu)

The Daily Trope is available on Amazon in paperback under the title of The Book of Tropes for $9.95. It is also available in Kindle format for $5.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


Lincoln was on a roll. No, he wasn’t playing dice. He wasn’t sitting on a hot cross bun. He wasn’t at an amusement park riding the roller coaster. He wasn’t rolling along, singing a song, He wasn’t in New Jersey eating pork roll. He couldn’t do any of these things because he’s dead and buried somewhere in Illinois (I think). The one roll he can do is metaphorical: he can roll over in his grave, and that means that things have fallen so far out of synch with its founding ethic, his Republican Party has been hit by a shockwave like the electrical impulse that brought Frankenstein to life: that’s what it takes to get Lincoln to roll over in his grave: a million-watt shock switched on by Donald Trump. But who cares if he’s rolling over in his grave? It does not matter—it’s the Republican Party, not the Lincoln Party, tangled up by Gettysburg or Ford’s Theatre.

What does it mean to call the Republican Party the GOP? GOP: back in the day: Grand Old Party. Now: Goosestepping Old Pricks. See? Things change. But they change because people want them to, and change isn’t inherently good or bad, it just makes things different, for better and for worse. So, while Lincoln is rolling over, the Republican Party is having a makeover: with the promiscuous flow of firearms, the banning of abortions, increasing open hostility toward so-called “transsexual” people, climate change denial, and more. You have to ask: What does the bearer of these beliefs look like? Maybe, a gun in one hand and a tiki torch in the other, sending an unwanted baby to a state-run facility with the hope for adoption by a decent family not named Manson, demanding that people pull down their pants on demand for inspection, and asking “Who the hell needs Polar Bears anyway?”

That’s a Republican!

The Goosestepping Old Pricks are slowly extinguishing the fires of love, peace, and happiness that have warmed the US since the 60s. The Vietnam war was a breaking point. While Trump sat home and played with his fantasy bone spurs, the rest of us took to the streets, or actually fought in the war.

I can see nothing in the Republican party’s agenda that I take favorably or seriously. The Republican Party was hijacked by Nixon, revolutionized by Reagan, sent to war by Bush1, sent to war by Bush 2, and destroyed by Trump. Listen carefully to the Republican Platform. If it resonates with your perceived interests, don’t consider yourself a good person. You are a bad person—you want to inflict undeserved pain and suffering.


1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


It was like WWII and Woodstock—like Audie Murphy and Jimi Hendrix rolled into one. It was like Polartec and Marino, a Chevy and a lawnmower, a talking Raven and a Great White Whale, a Schwinn and a skateboard—I could go on and on. There’s a gap. There’s conflict. There’s the impending end. There’s being alone—all alone like “Mr. Lonely.”

But I can’t stop making similes, like a baker making scones, like a poet writing tomes, like Geppetto. I didn’t pay attention to your complaints. I was like a rock, like cement, like a dry sponge. Finally, when you hit me on the butt with a rolled up newspaper, I tried to wean myself of my irritating habit, like taking a shower to wash away the dirt, like withdrawal from heroin, like moving from Georgia to New York. But it didn’t work.

Now, you’re looking for a ticket to ride: like a cowboy waving his hat and heading into the sunset, like Napoleon’s retreat from Russia, like Sherman’s March to the sea. I wish I could stop, like a car with functioning brakes, like a plugged-up drain, like Sisyphus on a vacation break.

Two weeks later . . .

Hi! I went through Glenn Campbell Desimilification Therapy. It is a 2 week program promising to ‘clear’ you of a desire and willingness to incessantly promulgate similes. Accordingly, no more similes for me! Here’s the key: When I feel a simile coming, I yell “Howdy” and, if necessary, I say to myself “I can hear you singing in the wires” and clap my hands three times. It looks a little odd, but it works. Glenn Campbell developed the simile clearing method after Tanya Tucker castigated him for excessive ‘similizing’ in the Glenn Campbell Show’s opening monologue. So, in lieu of the monologue, he started yelling Howdy, singing “Wichita Lineman” and briefly applauding his own performance. Similizing fans all over America discovered that Campbell’s strategy worked for them too, and that a single line from “Whichita Lineman” worked just as well as singing the entire song.

So honey, I’m cured! Without you, I’m like a dog without bone—damn—Howdy, I hear you singing in the wires, clap, clap, clap. There! All straightened out. You know, I need you more than want you, and I want you for all time. I’m not from Wichita and I can’t climb a telephone pole, but you can climb into my lap.


1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


I was floating in my hot tub, when I remembered once when I was in a bar in Harpers Ferry, West Virginia. Two men beat the crap out of each other in a dispute over what “four score a seven years ago means.” One of them actually believed “score” was a reference to Lincoln’s drug dealing, a sort of bookkeeping strategy for tallying sales for the past seven years. The other guy believed “score” was a cryptic message to the Freemasons, referring to the lines etched into bricks to break them neatly to size: four score referring to the four points of the compass etched in a sacred brick, and “seven years ago” as the last time the Freemasons had built a pyramid.

Even though it was clear that neither of the men had read the “Gettysburg Address” (that was clear from their interpretations) both of them developed, and fought over, the completely bogus and crazy opposing positions they took.

As he was being wheeled out of the bar on a stretcher with a swollen bleeding nose, a fractured elbow, and a neck brace, I asked one of the men where he got his ideas from. He snapped back, struggling under the stretcher’s restraints: “From my head, jackoff. This is America, I can believe what I want to believe. You, or nobody else can tell me what to believe!” At that point, I wanted to call Scotty and beam up, back to sanity land.

Anyway, the memory of the event scared me all over again. Is it true that the will to believe is all the reason that’s needed to believe—that the lunatics in the Harpers Ferry bar had a right fight it out over their conflicted interpretations?

I climbed out of my hot tub, donned my spa towel, and headed for the liquor cabinet. I filled a water glass with Johnny Walker Black, went to my bedroom, put on my pajamas, and picked up Umberto Eco’s “Interpretation and Overinterpretation” from the nightstand next to my bed. I had some reading to do, but would I get the meaning right?


1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]


That was totally gonzo, man. I felt like I fell down a rabbit hole with a small group of Picasso people, a copy of Odysseus’ speech in one hand and “Archie” in the other with “Mona Lisa” on the cover. Pollock would’ve been totally proud!


1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionary: http://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]

Who is going to tell Trump to “tear down that wall”? Well, the wall isn’t built yet and maybe it never will be built. In that case, “the world will be a better place for you and me, you just wait and see!”  But, I’ll still “be on the pavement thinking about the government.” Why? I’ve “walked forty-seven miles of barbed wire” to get to this place, and I’m not going to let “some stupid with a flare gun” burn my dreams to the ground!

1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]

It was one of the worst storms we ever had, and the wind certainly did not cry Mary as Jimi would have it. Rather, it howled like a hungry wolf at my door, felled 100-year old trees, cut off everybody’s electricity, and blew my lawn chairs away (I have no idea where they are).

I don’t know where to start my search for my lawn chairs–I wouldn’t be surprised if they are decorating a tree somewhere nearby.

1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

Buy a print edition of The Daily Trope! The print edition is entitled The Book of Tropes and is available on Amazon for $9.99.

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]

It was raining like crazy. Lightening. Thunder. Trees uprooted. Branches snapping. Fire! Sirens! Mobile homes flying by! Now I know what “gone with the wind” really means!* Catastrophe.

  • Post your own allusion on the “Comments” page!

1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionaryhttp://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipediahttp://en.wikipedia.org/wiki/Allusion <3/6/08>.

*Allusion to movie “Gone with the Wind.”

Allusion

Allusion (ə-ˈlü-zhən):[1] A reference/representation of/to a well-known person, place, event, literary work, or work of art . . . “a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage”. It is left to the reader or hearer to make the connection . . . ; an overt allusion is a misnomer for what is simply a reference.[2]

The defendant took the stand ready to address the prosecutor’s pointed and harsh questioning. As the first difficult and deeply personal question was addressed with a sneer, she took it up and responded clearly, calmly, and concisely without wavering.  It was no apology, but Socrates would’ve been proud.

  • Post your own allusion on the “Comments” page!

1. Phonetic transcription courtesy of Miriam-Webster’s On-Line Dictionary: http://www.merriam-webster.com/dictionary/allusion <3/6/08>.

2. Definition courtesy of Wikipedia: http://en.wikipedia.org/wiki/Allusion <3/6/08>.